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Non-Review Review: Rope

Rope occupies an interesting place in Alfred Hitchcock’s filmography. The director himself was less than fond of it, allegedly quite happy that it remained out of circulation for some time after its initial release. Jimmy Stewart has apparently been critical of his own performance in the film, although I think it’s a wonderful example of a beloved actor playing against type. In the years since, however, it has been somewhat re-evaluated. While most film fans would be hesitant to describe it as an unqualified success, it’s certainly a technically ambitious little film, and the tight script and set-up allow Hitchcock to indulge his knack for creating suspense.

I hope nobody choked with all those ten-minute takes…

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X-Men by Jim Lee and Chris Claremont (and Whilce Portacio) Omnibus, Vol. 2 (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Gotta say this for the man — he knows how to make an exit.

– Archangel, X-Men #3 (Claremont’s last issue)

And so, this is the end. The end of Claremont’s quite simply epic run on the X-Men books. It’s amazing to look back on the writer’s output today, and simply try to consider the size of his contribution to the franchise. While he departed the books as they were at the height of their appeal (X-Men #1 famously being the best-selling comic book of all time), it’s hard to argue that X-Men ever would have reached that height without Claremont’s vision and style. While the writer undoubtedly had his weaknesses, I think his contributions to the medium are rather undervalued. While writers like Alan Moore and Frank Miller reinvented comic books, I think that Claremont was an expert at incorporating those radical changes into his work, and a writer who managed to secure the support of his fans by giving the X-Men a sense of pop culture resonance that a lot of subsequent writers tried and failed to capture.

Through X-tremes…

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Righteous Fury: Nick Fury, The Avengers & Moral Ambiguity…

I had the pleasure of seeing The Avengers for the second time last week, to try to make sense of my opinion on it. I still think that it’s an impressive action movie, even if it is a fundamentally flawed one. Strangely enough, though, I confess to finding the character of Nick Fury completely and utter fascinating, arguably the most complex character in the script. The problem, however, is that his complex moral ambiguity is very clearly contrasted with the idealism of his team of superheroes. However, I’m not convinced that they win the argument.

How does he patch things up with the team?

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X-Men: X-Tinction Agenda (Hardcover) (Review)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

X-Tinction Agenda makes for a potentially fascinating X-Men crossover, tying together Uncanny X-Men, X-Factor and New Mutants to tell a single cohesive story. It’s not a new approach – it was pioneered by The Mutant Massacre and Inferno – but it is perhaps the definitive approach to X-Men related crossovers (it’s still in use today for stories like Second Coming). It’s fascinating, because it sees the creative teams pick up on something that Claremont had introduced over thirty issues earlier, as if recognising a gem of an idea really deserved further development. That said, despite some decent writing and art, X-Tinction Agenda can’t help but feel like it wastes its potential, hitting on an absolutely fascinating premise and deftly tying the three on-going monthly comic books together, but ending up as little more than an explosive knock-down brawl.

The Wolv pack…

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Non-Review Review: Men in Black 3

Men in Black 3 is a fine film. Like Men in Black and Men in Black 2, it’s a perfectly entertaining piece of popcorn entertainment if you’re willing to just go along with it. It’s not superb, it’s not exceptional, but it’s not bad either. It’s a decent movie. It manages to probably offer some better moments than the earlier two films, but these are averaged out by some painful deficiencies. You lose Tommy Lee Jones for most of the runtime, but you gain Josh Brolin. That’s a fairly reasonable trade, even if Brolin and Smith don’t share the same chemistry. You get the same wonderful production design, this time heightened by a sixties setting, but a plot that threatens to evaporate if you think about it too hard and any number of developments that are far too easy to predict. Nothing is truly fantastic, but nothing is exceptionally terrible. It just sort of is.

Putting the star in 69…

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New Snow White and the Huntsmen Clips…

The guys over at Universal just sent on these three clips from the upcoming Snow White and the Huntsmen, the fantasy film starring Charlize Theron, Chris Hemsworth and Kristen Stewart. It will be released internationally next Friday (1st June). Check them out below. The lovely folks at Universal have also given us some prize-packs to give away. You can enter the competition here.

More below the line.

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X-Men by Jim Lee and Chris Claremont (and Marc Silvestri) Omnibus, Vol. 1 (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

If the nineties could be said to belong to any particular comic book franchise, they belonged to the X-Men. Marvel has done a great job collecting classic X-Men storylines in oversized hardcover, already having more than half of Chris Claremont’s very long run available in the format. Reading his work collected here, I find myself frequently conflicted – I can’t decide whether the writer was one of the best long-form storytellers in the medium, or whether he was writing by the seat of his pants. A lot of the threads he ties together might not wrap up satisfactory, but his overarching stories suggest an incredible amount of planning. As the author led the Uncanny X-Men into the nineties, the title seems almost in chaos, but the most carefully organised chaos imaginable.

We all have our crosses to bear…

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James Bond Skyfall Teaser Released…

I’m a big Bond fan, so any bit of news about Skyfall is going to be of interest. Sony have released the teaser, which seems like the one that debuted at Cinema Con a little while back. I have to admit, I like the look of it. It looks to retain the same psychological complexity of the better recent Bond films (Casino Royale or GoldenEye) but with sacrificing any of the class or sophistication (like Quantum of Solace did, arguably). Featuring a stunning cast, an amazing director and released to celebrate the franchise’s fiftieth birthday, this is definitely one to watch. Check out the teaser below. It looks beautiful, featuring wonderful saturation in places – almost like one of the sixties films but with the character work from more modern instalments.

Non-Review Review: Crimes and Misdemeanors

I have to admit a special fondness for Crimes and Misdemeanors. It isn’t my favourite Woody Allen film, but it does sit somewhere near the top of my ranking of the director’s extensive filmography. More than that, though, it’s interesting to revisit Crimes and Misdemeanors in light of the director’s more recent work in films like Cassandra’s Dream or Match Point. Indeed, reflecting on it today, Crimes and Misdemeanors seems to occupy a strange middle-ground, literally positioned half-way between the director’s observational comedies and his more sombre meditations on the human condition. Anchored in a fantastic lead performance by Martin Landau, Crimes and Misdemeanors is an intriguing moral dramedy.

Well suited to each other?

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Alfred Hitchcock Presents: The Horse Player (Review)

As part of the “For the Love of Film” blogathon, I’ll be taking a look at Alfred Hitchcock’s contributions to his celebrated anthology series Alfred Hitchcock Presents. I’ll be looking at some of the episodes of the classic show that he directed. The “For the Love of Film” blogathon this year is raising money to keep one of Hitchcock’s earlier works, The White Shadow (which he wrote, edited, designed and assistant-directed), available on-line and streaming for free. It’s a very worthwhile cause and you can donate here.

The Horse Player actually makes for a nice conclusion to our run of Alfred Hitchcock Presents reviews. It aired in 1961, towards the end of the sixth season of the anthology show, a year before the show would be rebranded The Alfred Hitchcock Hour. It was the second last half-hour show that Hitchcock personally directed, but is generally agreed to be much stronger than his final effort, a morality play titled Bang! You’re Dead. Instead, The Horse Player is an enjoyable and engaging meditation on those cardinal virtues of faith, hope and charity.

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