This December, we’re taking a trip back in time to review the ninth season of The X-Files.
It is frequently argued that 9/11 killed The X-Files.
There are two sides to this argument. The most defensible side suggests that audiences simply lost all appetite for conspiracy and paranoia when confronted with an atrocity on that scale; that viewers wanted to be comforted and reassured about authority in the wake of the attacks. This argument is perhaps supported by the significant drop in viewers between Existence and Nothing Important Happened Today I, suggesting that the audience simply wasn’t interested in finding out what the ninth season had to offer – regardless of quality.

Oh your gods…
The other side of the argument suggests that the production team themselves were ill-equipped to deal with post-9/11 reality. The X-Files was a show rooted in the cultural context of the nineties, and had just been asked to adjust to a seismic shift. The world had changed dramatically over the course of a few hours on a morning in Autumn. The eighth season had seen the show drift away from government conspiracies and towards a more conventional alien invasion narrative, one that could play as a reactionary fantasy of the War on Terror.
The ninth season aired in the immediate aftermath of 9/11. The season was actually in production when the attacks took place, with the team halting work on Dæmonicus as the reports came in. While the ninth season does not necessarily have a coherent and rational response to those events, it is clear that the production team want to say something. Much of the ninth season mythology seems to struggle with what it wants to say and how best to say it.

Fire and brimstone…
Filed under: The X-Files | Tagged: chris carter, eye of providence, faith, Gulf War, immigration, provenance, providence, religion, scully, the x-files, war in iraq, war on terror, x-files | 2 Comments »