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The X-Files – Conduit (Review)

The X-Files is somewhat fascinating as a historical artifact, a prism through which the viewer might explore the United States in that gap of time between the end of the Cold War and the start of the War on Terror. The show serves as something of a travelogue through the American subconscious, a vehicle for the nation’s fear and anxieties. It might be quaint now to look back on the show’s depiction of mobile phones and the internet, but The X-Files offers a snapshot of an America just on the cusp of that technological revolution, when there were still dark shadows and corners of the continent to be probed and explored.

One of the more interesting aspects of The X-Files is the way that it deals with faith in the nineties. Scully’s attempts to reconcile her religious beliefs with a rational approach to the universe are surprisingly insightful and nuanced, but Mulder’s belief system also offers a vehicle to explore the form that faith might take. “I want to believe,” Mulder confesses at the end of Conduit, with the iconic poster turning the sentiment into a motto. It doesn’t matter that Mulder chooses to invest his faith in aliens or conspiracies, The X-Files is still an exploration of what faith meant in the nineties.

Why is Mulder so driven?

Why is Mulder so driven?

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