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Non-Review Review: The Bourne Supremacy

I have to admit that The Bourne Supremacy is the strongest of the Bourne films for me, even though fans of the series tend to forget it, snuggled as it is between The Bourne Identity and The Bourne Ultimatum. The middle part of the trilogy is undoubtedly the most straight-forward, but that isn’t a weakness – it contains a well-motivated character arc for the character of Bourne while handling the themes of the series remarkably well, and still paying homage to all the plot devices that one associates with the espionage thriller. It isn’t preoccupied with setting anything in motion, nor in wrapping anything up, but that gives the movie much more freedom than the two that surround it.

Nobody said it would be a walk in the car park...

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Non-Review Review: The Bourne Identity

It’s strange to look back on The Bourne Identity, knowing that it kick-started one of the most highly-regarded trilogies in cinematic history. I must confess that I was never excessively enamoured with the espionage thriller – I quite enjoyed it, but I didn’t love it. Though my favourite movie of the “Bourne” trilogy is The Bourne Supremacy, regarded as something of an ugly step-child of the franchise, so what do I know?

Bourne's just hanging out...

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Non-Review Review: The Crazies (2010)

The Crazies is a fairly decent little horror movie, as far as modern horror goes. It’s relatively restrained, smartly acted and generally well-directed, with the kind of horror which reflects back on modern society. It’s not perfect and it’s certainly not excellent, but it’s another above-par remake of a George A. Romero cult classic.

Timothy Olyphant lights up the screen...

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Non-Review Review: Hot Fuzz

“You haven’t seen Bad Boys II?” a character states in complete disbelief to police man officer Nicolas Angel. I’m fairly sure that Hot Fuzz is consistently clever and entertaining even if you’re never seen a testosterone-laden big-budget explosive action cop movie, but Edgar Wright’s parody/homage is absolutely ingenious to anyone remotely familiar with the concept. At its most basic, the movie asks what would happen if you asked Michael Bay to make a balls-to-the-wall action movie in a small English village. The result might look a little bit like this, but I bet it wouldn’t be half as charming.

Timothy Dalton takes the biscuit...

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Green Lantern 101: A Beginner’s Guide to The Green Lantern Mythos…

The trailer for Green Lantern arrived yesterday. I’m already excited about the release. However, I acknowledge that Hal Jordan isn’t quite the household name that Bruce Wayne or Clark Kent is. So I put together this collection of frequently asked questions about Green Lantern, which will hopefully give you a bit of an introduction to the character. If this proves popular, I might do the same for Thor or Captain America, the other major comic book releases of next year. Check out the trailer below.

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We Made a F%$&ing Movie! MacGruber and Unsympathetic Comedic Leads…

The film is a slapstick comedy with a hero who is a nice guy. I thought that wasn’t allowed anymore. He’s a single dad, bringing up his daughter with the help of his mom. He takes his job seriously. He may be chubby, but he’s brave and optimistic.

Roger Ebert on Paul Blart: Mall Cop

I watched MacGruber over the weekend. It was okay – it wasn’t fantastic, and it wasn’t one of the best examples of anything, but if you wanted a shedload of juvenile humour, well… it was right up your street. However, watching the film did get me thinking about just how much of a jerk the title character was. How much of a horrible person can a comedy protagonist be? When did it become the norm for these sorts of characters to be presented with completely irredeemable traits?

Sometimes it's an up-hill struggle to empathise with a protagonist...

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Non-Review Review: MacGruber

MacGruber features a villain whose surname is “Cunth”. That is the litmus test to see whether the movie will appeal to you.

Has MacGruber got a wire loose?

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Non-Review Review: G.I. Joe – The Rise of Cobra

I never grew up with G.I. Joe. For me it was Batman: The Animated Series or Teenage Mutant Ninja Turtles. To me, this franchise was just a bunch of generic toy soldiers – in fact, I didn’t even know that they had separate names or defining characteristics. So I come to this movie without a sense of nostalgia or a familiarity with the core product. So, Stephen Sommers’ adaptation of the popular multi-media franchise to the big screen is my first major exposure to the product, and it left me feeling like I’d spent two hours watching a guy playing with toys, rather than making a movie. One of the characters even has a “kung-fu grip”.

It's a black-and-white world...

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Non-Review Review: Land of the Dead

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

Zombies, man. They creep me out.

– Kaufman

Land of the Dead is something of a delayed epilogue to Romero’s “dead” trilogy. The first three films were produced roughly once every decade, with The Night of the Living Dead appearing in the sixties, Dawn of the Dead in the seventies and Day of the Dead in the eighties. There was no zombie movie from Romero during the nineties (save a remake of his original film – and even then Romero didn’t direct it – his frequent collaborator Tom Savini was behind the camera. Land of the Dead is a somewhat more controversial film than the first three films Romero produced, perhaps because it’s the first time that it feels like Romero gives his zombies more development than the human survivors. It also plays with the audience’s expectations a bit more than the first three films – and, whiel I’m not convinced that this sort of toying around with the formula works, you have to give the director credit. It isn’t as strong as the earlier films, but it still feels like a director who has something to say about the state of modern society. And that is about good enough for me.

Hopper-ed up...

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Non-Review Review: 28 Weeks Later

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

It’s strange. 28 Days Later felt strangely British, with its almost quaint surroundings and “island fortress” mentality. Filmed in High Definition with an intimate approach, the movie felt somehow more tangible and organic than most of these films, managing a genuine emotional impact that it’s easy to lose sight of in these fantastical narratives – its small scale and quirky design (along with hyper saturation) lent the movie a very distinct feel, the sensation that this was a “guerilla” zombie film – shot in the early morning on abandoned streets rather than closing off sections of town. In contrast, 28 Weeks Later feels a much more managed affair, and a much more conventional one. It’s shot like any other zombie movie, and clearly intended to reach an even wider audience than the original cult hit. It’s a great movie, but one can’t help but get the sensation that the fine polish applied to it undercuts some of the impact.

The army had to find something to keep themselves occupied...

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