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Non-Review Review: 28 Weeks Later

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

It’s strange. 28 Days Later felt strangely British, with its almost quaint surroundings and “island fortress” mentality. Filmed in High Definition with an intimate approach, the movie felt somehow more tangible and organic than most of these films, managing a genuine emotional impact that it’s easy to lose sight of in these fantastical narratives – its small scale and quirky design (along with hyper saturation) lent the movie a very distinct feel, the sensation that this was a “guerilla” zombie film – shot in the early morning on abandoned streets rather than closing off sections of town. In contrast, 28 Weeks Later feels a much more managed affair, and a much more conventional one. It’s shot like any other zombie movie, and clearly intended to reach an even wider audience than the original cult hit. It’s a great movie, but one can’t help but get the sensation that the fine polish applied to it undercuts some of the impact.

The army had to find something to keep themselves occupied...

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