World War Z is a lesson in compromise, a Frankenstein’s monster stitched together out of necessity with the lines very clearly showing. It goes this way and then that way, never really sure where it wants to be in the next act, save that it’s a safe bet there might be zombies. World War Z isn’t as bad as it might have been, but the problem is that it feels like it’s trying so hard to find an ending that it never bothers to excel. It’s not that World War Z is bad, it’s a competently made thriller that works as well as it can with a script that spent most of production in triage. The problem is that it’s never bold enough to do anything genuinely exciting.
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