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Non-Review Review: Carriers

At the end of the world, what do you take with you? It’s a question that underpins the vast majority of post-apocalyptic tales, wondering if our human could survive past the collapse of society. At its best, Carriers handles the question head-on, with refreshing frankness. Unfortunately, it tends to fluctuate rather unevenly – going for fairly straight-forward “gotcha!” scares and aping other far more successful movies in a fairly shallow manner. Carries isn’t the best piece of post-apocalyptic fiction in recent memory – nor is it even the best one produced in the past year. However, if you’re a fan of the genre, it provides a fairly decent amount of entertainment.

You wouldn't to sick them on you...

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Non-Review Review: Sunshine

Sunshine is a science-fiction movie. Well, duh, you proclaim, looking at the screenshots or having read the plot synopsis, it’s about a bunch of people in space flying to the sun. Of course it’s science-fiction! It’s hardly a comedy or musical! However, I’m talking about something more essential than its setting or its superficial elements. Although the story of a bunch of astronauts planning to reignite the dying star at the centre of our solar system may distract you, Sunshine works so well because it grabs the sorts of philosophical ideas at the heart of the best science-fiction: it’s an exploration of the conflict between the rational and the irrational, the logical and the emotional and the place of man and his understanding of the world around him. It’s movie that is far smarter than it pretends to be.

Going for gold...

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Non-Review Review: 28 Weeks Later

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

It’s strange. 28 Days Later felt strangely British, with its almost quaint surroundings and “island fortress” mentality. Filmed in High Definition with an intimate approach, the movie felt somehow more tangible and organic than most of these films, managing a genuine emotional impact that it’s easy to lose sight of in these fantastical narratives – its small scale and quirky design (along with hyper saturation) lent the movie a very distinct feel, the sensation that this was a “guerilla” zombie film – shot in the early morning on abandoned streets rather than closing off sections of town. In contrast, 28 Weeks Later feels a much more managed affair, and a much more conventional one. It’s shot like any other zombie movie, and clearly intended to reach an even wider audience than the original cult hit. It’s a great movie, but one can’t help but get the sensation that the fine polish applied to it undercuts some of the impact.

The army had to find something to keep themselves occupied...

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What is a Zombie?

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

It seems like a fairly straightforward question, right? A zombie is one of those rotting, decaying corpses shuffling around looking for brains, isn’t it? I’m not so sure that even that simplistic explanation is enough. I mean we classify a wide variety of films as “zombie” films, even if the creatures prowling the land don’t resemble the type of monsters I have described. I mean, if the simplest description of a vampire is that it sucks blood and the most direct synopsis of a werewolf is that it changes form into a beast, what is the most essential element of being a zombie?

Will I stumble across the answer?

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Non-Review Review: 28 Days Later

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

I know there’s some debate as to whether this is actually a zombie movie – what with the “infected” not technically being dead and all (not to mention the running) – but I think it feels like a “zombie” movie, even if the creatures aren’t necessarily zombies. I’m going to be entirely honest here and confess that while I was impressed with Trainspotting, it was 28 Days Later which confirmed to me the Danny Boyle was a talent to watch. Not just for offering a film which feels different yet never inaccessible, but also for his ability to shift genre – The Beach confirmed him as a quirky almost-indie director, but 28 Days Later demonstrated that he could bring the same talent to low-budget horror. More than that, he constructed a shrewd little film which feels more like a George A. Romero film than any of his more recent efforts.

Danny Boyle's on fire...

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My Top 50 Movies of the Decade…

Alright here it is, my top fifty films of the decade. I’ve decided to stop complaining about Donal Clarke’s list in the Irish Times and just let rip myself. There’s more than a few crazy choices down there, but – after a week in the works – I’m happy with it. I doubt that a lot of other people will be.

Like the Oscars, but... you know, better...

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