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The Flash – Some Things You Can’t Outrun (Review)

So, I’m considering reviewing this season of The Flash, because the pilot looks interesting and I’ve always had a soft spot for the Scarlet Speedster. I’m also considering taking a storyline-by-storyline trek through the 1987-2009 Flash on-going series as a companion piece. If you are interested in reading either of these, please let me know in the comments.

The Flash is a show that can withstand a certain amount of cheese. After all, it is a television series about a character dressed in a red jumpsuit who can run faster than the speed of sound. There is going to be a certain amount of cheesiness baked into the premise by default. City of Heroes and Fastest Man Alive managed to skirt along the edge of the show’s threshold of cheesiness. Some Things You Can’t Outrun just jumps right on over that threshold.

Some Things You Can’t Outrun is the show’s first misfire. It’s the first time that the show has been written by anybody other than Andrew Kreisberg & Geoff Johns, and the first time it has been directed by anybody other than David Nutter. It feels like there’s something of a learning curve here, as Some Things You Can’t Outrun doesn’t work on multiple levels. The show seems to take forever to get going, is hampered by a fairly weak guest star, and weighed down by cringe-inducing dialogue.

Let's not pop the champagne that fast...

Let’s not pop the champagne that fast…

Balancing cheesiness and earnestness will by one of the biggest challenges to The Flash, as the show has to figure out how to strike the best balance between the inherent goofiness of the character and the demands of a prime-time network drama show. City of Heroes and Fastest Man Alive seemed to suggest that the show had already got a good grip on this delicate equilibrium. Unfortunately, Some Things You Can’t Outrun struggles to be light-hearted without being cheesy, and earnest without being angsty.

There is a sense that the show has hit its first speed bump.

A gas time...

A gas time…

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Straight Up, With A Twist…

In the run-up to Inception, I got thinking about Christopher Nolan’s extensive filmography, and how many movies of his involve massive twists in the last third (The Dark Knight is arguably the exception, unless you consider the addition of a second villain to be a ‘twist’). It got me thinking about the nature of plot twists and how they can essentially harm and help a movie.

Yes, this would be the best twist ending ever...

Note: This article is going to discuss twists on the ends of movies and – as such – might be fairly heavy on the old spoilers. Consider yourself warned.

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My Top 50 Movies of the Decade…

Alright here it is, my top fifty films of the decade. I’ve decided to stop complaining about Donal Clarke’s list in the Irish Times and just let rip myself. There’s more than a few crazy choices down there, but – after a week in the works – I’m happy with it. I doubt that a lot of other people will be.

Like the Oscars, but... you know, better...

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The Horror! The Horror!

This weekend sees the release of the only two original (i.e. not a sequel, prequel or spin-off) major releases this May. For the kids – both young and old – we have the newest Pixar film, which is steadily becoming one of the highlights of the movie year. The other film – while firmly awaited by horror aficionados – has snuck up on the rest of us, generating great buzz from preview screenings. Drag Me To Hell is apparently the best horror film in quite some time, and one I am now hotly anticipating, but it got me thinking – whatever happened to the horror genre?

Bruce Campbell just isn't trying any more

Bruce Campbell just isn't trying any more

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Non-Review Review: The Mist

Our recording of the 24 season finale failed last night. We’re hoping that Sky will put the two-hour episode up on Anytime, like they did with Lost. It’s not all bad though, figuring we’d prepared the snacks and beverages, we decided to see what was on to watch. We settled on The Mist, a small-scale horror movie based on the Stepehn King novella. Our random selection of films from Anytime has never been particularly lucky, so were we impressed with our choice of horror film?

We had a picture to go with the film, but it was just too intense...

We had a picture to go with the film, but it was just too intense...

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