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A Surprise Movie Is Good For the Soul: In Praise of Blind Screenings…

A number of major Irish and British cinema chains have begun offering “Secret” or “Surprise” screenings over the past few years. ODEON have their “Screen Unseen” brand, Omniplex have their “Secret Screenings”, the Irish Film Institute have their “Mystery Matinee”, Cineworld have their “Secret Unlimited Screenings.” This is to say nothing of what might be the biggest example on the cinematic calendar, the Dublin International Film Festival’s long-standing “Surprise Film”, which famously originated when Michael Dwyer discovered that he had accidentally left a gap in the original programme.

The basic premise of a “Surprise Film” is simple. The audience buys a ticket to the screening, often at a discounted rate compared to usual ticket prices. The audience is not told what the film is to be ahead of time, instead trusting the organisers of the screening to produce something interesting and compelling. The audience then gets to experience the movie completely blind, without any lead-in and without any hype. It is something to behold, a rare opportunity to see a movie completely blind in an era of heavy media saturation and social media gossiping.

Of course, the quality of these screenings is highly variable. Over the past year, Irish surprise screenings have included films as diverse as I, Tonya, Lady Bird, Snatched, The Florida Project, Ghost Stories, The Shape of Water, Three Billboards Outside Ebbing, Missouri, Unsane, Battle of the Sexes, The Killing of a Sacred Deer, Mindhorn, Baby Driver, The Big Sick. That is an eclectic list of films, and it is almost certain that there is something for everybody in that list and also something that will repulse everybody on that list. But that is the thrill of such screenings.

There is something to be said for the willingness of a movie goer to open themselves to new experiences, to step outside of their comfort zone and to take a risk on something that they are not anticipating. Even if those films are occasionally terrible, and especially if they were not films that the audience member would choose to see on their own terms.

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Straight Up, With A Twist…

In the run-up to Inception, I got thinking about Christopher Nolan’s extensive filmography, and how many movies of his involve massive twists in the last third (The Dark Knight is arguably the exception, unless you consider the addition of a second villain to be a ‘twist’). It got me thinking about the nature of plot twists and how they can essentially harm and help a movie.

Yes, this would be the best twist ending ever...

Note: This article is going to discuss twists on the ends of movies and – as such – might be fairly heavy on the old spoilers. Consider yourself warned.

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The Ambiguous Ending of The Usual Suspects…

This post is somewhat prompted by an interesting discussion over at MCarter’s review of The Usual Suspects, concerning the ending. Some people remarked that while they were impressed with the ambiguity of the film, they thought that the ending was just a little bit too clear cut. I have no problem with a definite ending to a film, but I’m not so sure that The Usual Suspects is as open and shut as it might seem. But wait! you protest, as someone who has seen the film, That ending was fairly clear. Maybe it was. But maybe it wasn’t.

The highest quality photo of the "real" Keyser Soze...

The highest quality photo of the "real" Keyser Soze...

Note: Seeing as how this is a discussion on the ending of The Usual Suspects, it will obviously contain spoilers on the film. Don’t read this if you haven’t seen the movie. Really. Go, rent or borrow or buy the movie, watch it and come back – and give us your thoughts. The Usual Suspects is a movie you owe it to yourself not to ruin.
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