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Non-Review Review: Tinker Tailor Soldier Spy

Tinker Tailor Soldier Spy is a movie that can be measured against the very best of John la Carré adaptations, and among the very best that the espionage subgenre has to offer. I make that assertion based upon a single viewing, convinced that revisiting the movie will be something of a wonderful experience, an attempt to decode and sift through the film seeking what Control cynically describes as “treasure.” Tomas Alfredson, who established himself with Let the Right One In makes one hell of an English-language debut, providing a film that embodies the culture as much as the language, an elegant and stately affair, never feeling forced or rushed or dumbed down. I think that, with its intriguing structure and manner of suggesting ideas (rather than stating plot points), Tinker Tailor Soldier Spy might represent that mythical ideal: the perfect film for grown-ups.

Never gets Oldman...

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Non-Review Review: RED

The way that society treats its elderly makes for great fodder for films. After all, what happens to us when we climb over that hill – when we make it all the way to retirement and cease to contribute in the most conventional manner? Will anybody care? Will anybody notice? It’s something that will (hopefully) happen to a lot of us, but it’s not necessarily something we give a lot of thought to – perhaps because we wouldn’t be too comfortable with the answers we’d find. “I never thought this would happen to me,” Joe Matheson confesses at one point as he strolls around “Green Spring Rest Home” with his old colleague, Frank. When Frank asks what he means, Joe elaborates, “Getting old.”

Up to their old tricks...

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Non-Review Review: The Bourne Supremacy

I have to admit that The Bourne Supremacy is the strongest of the Bourne films for me, even though fans of the series tend to forget it, snuggled as it is between The Bourne Identity and The Bourne Ultimatum. The middle part of the trilogy is undoubtedly the most straight-forward, but that isn’t a weakness – it contains a well-motivated character arc for the character of Bourne while handling the themes of the series remarkably well, and still paying homage to all the plot devices that one associates with the espionage thriller. It isn’t preoccupied with setting anything in motion, nor in wrapping anything up, but that gives the movie much more freedom than the two that surround it.

Nobody said it would be a walk in the car park...

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Non-Review Review: Mission Impossible II

The single best description of this movie I have ever read was that it was “a two-hour long shaving commercial.”

I hope that thing has Cruise control...

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Non-Review Review: From Paris, With Love

Mister Morel, I watched Taken, I knew Taken, Taken was a film of mine. Mister Morel, this is no Taken. 

No can do, apparently...

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