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Non-Review Review: The World’s End

The World’s End feels curiously nostalgic. Not just in the way that lead character Gary King tries to recapture his old youth by roping four childhood friends into revisiting their old home town to complete a pub crawl they started upon leaving school, nor in the way the sound track includes such hits of yesteryear as Loaded by Primal Scream and Kylie Minogue’s Step Back in Time, and not even in the fact that the school reunion includes a trip to a literal school disco.

Instead, it feels like a belated criticism of a recent chapter in British history, a reflection on the era of “the special relationship”, and mournful retrospective on what might be perceived as the erosion of British culture by the relentless assault of American influence. The World’s End is an invasion story, but it’s a conscious reversal of the second wave “Britpop” invasion of the nineties (an era the movie evokes nostalgically). This isn’t a hostile occupation. It is, to quote one of the characters, “peaceful indoctrination.”

They've got him Pegged...

They’ve got him Pegged…

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Non-Review Review: Paul

Paul is a charming little film. It’s not the most consistently hilarious comedy of the year, and it occasionally gets a little bit too hung up on a particular joke, but it does have a few chuckles and an affable quality that allows it go down easy. There’s a genuine sense of affection in the film, following two British nerds and the eponymous alien escapee on a road trip across America, but there’s also enough of a bite the film never wallows too much in sentimentality. It’s hard to find a single quality that Paul excels in, but it has a broad enough mesh of qualities that it makes for a pleasant enough viewing experience.

Ap-paul-ling behaviour...

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Non-Review Review: Hot Fuzz

“You haven’t seen Bad Boys II?” a character states in complete disbelief to police man officer Nicolas Angel. I’m fairly sure that Hot Fuzz is consistently clever and entertaining even if you’re never seen a testosterone-laden big-budget explosive action cop movie, but Edgar Wright’s parody/homage is absolutely ingenious to anyone remotely familiar with the concept. At its most basic, the movie asks what would happen if you asked Michael Bay to make a balls-to-the-wall action┬ámovie in a small English village. The result might look a little bit like this, but I bet it wouldn’t be half as charming.

Timothy Dalton takes the biscuit...

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