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437. Predator: Badlands – All-ien 2025 (#—)

Hosted by Andrew Quinn, Darren Mooney and Jess Dunne, this week with special guest Emma Keily, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Dan Trachtenberg’s Predator: Badlands.

And alien hunter named Dek is given an opportunity to prove himself by travelling to the hostile world of Genna and hunting the deadly kalisk, a beast so fearsome that the legends say it cannot be killed. In the hostile jungle, Dek finds unlikely allies and unexpected enemies.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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394. Predator – All-ien 2024 (#—)

Hosted by Andrew Quinn, Darren Mooney and Jess Dunne, this week with special guests Joe Griffin and Alice Griffin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This season, the podcast is taking a look at the Alien and Predator franchises. This time, John McTiernan’s Predator.

Major “Dutch” Schaeffer leads an elite squad of commandos on a rescue mission behind enemy lines in Central America. These American troops are crossing borders that they are not supposed to cross, and very quickly find themselves embroiled in a life-and-death struggle against a creature from far outside their frame of reference.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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391. Barbie – Leaving Cert 2024 (#—)

Hosted by Andrew Quinn, Darren Mooney and Conor Murphy, this week with special guests Aoife Barry and Deirdre Molumby, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This September, the podcast is going back to school, covering the films on the Irish Leaving Certificate that we have yet to cover. This time, Greta Gerwig’s Barbie.

In Barbieland, every day is perfect. Just like yesterday. And just like tomorrow. However, one morning, Barbie wakes up and realises that things are not perfect at all. She finds herself contemplating mortality, tumbling through the air and walking on the soles of her feet. Thus begins an epic adventure that will take Barbie into a brave new realm: the real world.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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362. Halloween Kills – All-o’-Ween (#—)

Hosted by Andrew Quinn, Darren Mooney and Joey Keogh, this week with special guest William Bibbiani, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This year, we are running a season looking at the films in the Halloween franchise. So this week, David Gordon Green’s Halloween Kills.

Michael Myers has returned to Haddenfield, and the town is not prepared. As Laurie Strode is rushed to hospital, fire fighters scramble to extinguish the flames consuming her house. However, something more primal is unleashed. As the serial killer murders his way through the suburbs, Haddenfield descends into an all-consuming madness that might prove just as dangerous as any masked killer.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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327. Child’s Play 3 (#—)

Hosted by Andrew Quinn, Darren Mooney and Charlene Lydon, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Jack Bender’s Child’s Play 3.

After years of legal trouble arising from a high-profile controversy surrounding an alleged “killer doll”, Play Pals is back in business. However, the first doll off the line turns out to have a pretty mean attitude. Reconstituted from the remains of the original possessed doll, Charles Lee Ray once again finds himself trapped in a plastic body. Setting out to avenge himself on Andy Barclay, Chucky discovers that his old adversary has been sent to military school. This time, it seems, it’s war.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On “The Last of Us” As A Study of Evolving Masculinity…

I am doing weekly reviews of The Last of Us at The Escapist. They’ll be dropping every Sunday evening while the show is on, looking at the video game adaptation as the show progresses. This week, the show’s sixth episode.

The sixth episode of The Last of Us, Kin, is steeped in the iconography of the western: there’s a frontier town, two indigenous characters, and even a horse on the railroad tracks. However, there’s also a sense that Joel and Ellie have reached the end of their push westward, their journey from Boston to Jackson. In that sense then, the show explores the legacy of the western in American consciousness, particularly the genre’s archetypal portrayal of masculinity. What does it mean or Joel to be a man or a father? How does that reconcile with the image he has cast for himself as a cynical and weary outlaw? Can he move past that?

You can read the piece here, or click the picture below.

New Escapist Column! “The Last of Us” is Solid, Sturdy Worldbuilding…

I am doing weekly reviews of The Last of Us at The Escapist. They’ll be dropping every Sunday evening while the show is on, looking at the video game adaptation as the show progresses. This week, the show’s fourth episode.

The third episode of The Last of Us was a highlight of contemporary television, one of the best episodes of television produced in recent memory. The fourth episode is nowhere near as transcendent, but suggests that the show has found something resembling a groove. The fourth episode is a lot of what might be described as “shoe leather.” It’s largely dedicated to set-up and world-building. However, it also feels much more assured and comfortable in its own skin.

You can read the piece here, or click the picture below.

New Escapist Video! On How James Cameron is Corny as F&!k…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will typically be separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, with Avatar: The Way of Water continuing to dominate the global box office, it seemed as good a time as any to look at the life and career of director James Cameron. In particular, what is it that drives Cameron? What’s the glue that holds this director’s filmography together? It’s a fascinating deep dive on one of the most successful filmmakers of all-time.

319. Whiplash (#42)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Richard Drumm, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Damian Chazelle’s Whiplash.

Andrew Neiman is a young music student at the prestigious Shaffer Conservatory in New York City. A jazz drummer, Andrew dreams of great things, of becoming a legend like Miles Davis or John Coltrane. However, he falls under the influence of band leader Terence Fletcher. Fletcher sees potential in Andrew, and draws the young musician into his orbit. The two find themselves trapped in a toxic push-and-pull relationship, with the stakes escalating quickly.

At time of recording, it was ranked 42nd on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On Matt Smith’s Complicated Men…

I published a new In the Frame piece at The Escapist this evening. With the release of House of the Dragon last weekend, it seemed like a good opportunity to take a look at Matt Smith’s career. In particular, how the actor has cornered the market on a particularly modern take on masculinity.

As Daemon Targaryen, Smith was the breakout star of House of the Dragon. However, Daemon typifies the kind of roles that Smith has been drawn towards in the years following his departure from Doctor Who. In projects as diverse as The Crown, Last Night in Soho and Charlie Says, Smith exemplifies a fascinatingly contradictory portrait of masculinity, one that is by turns alluring and pathetic, powerful and fragile, arrogant and insecure. Smith’s ability to play these conflicting facets off one another is what makes him such a compelling performer.

You can read the piece here, or click the picture below.