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117. Before Sunrise – “Two Guys Die Alone 2019” (#204)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, a Valentine’s treat. Richard Linklater’s Before Sunrise.

An arguing couple on a train unexpectedly bring two much younger people into contact; Jessie is a seemingly cynical American who has found himself bumming around Europe while waiting for a flight home while Celine is a student returning to Paris. On a whim, the two young people decide to spend one magical night together, knowing that it may well be the only time that they ever spend together.

At time of recording, it was ranked the 204th best movie of all time on the Internet Movie Database.

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About Time: Time Travel Logic, Paradoxes and Looper…

I watched Looper again at the weekend. It’s still a pretty great movie, well-constructed and thoughtful. Of course, it still doesn’t feel like a proper “time travel” movie, because the time travel element doesn’t logically gel as easily as it otherwise would. After all, the original time line sees young!Joe kill old!Joe as soon as he appears. Therefore, old!Joe can’t logically kill Sara. If old!Joe doesn’t kill Sara, then why does Cyd become the Rainmaker? After all, we’re told (or it’s heavily implied) that young!Joe killing himself (and old!Joe) prevented Cyd from becoming the Rainmaker. So if this never happened in the time line where young!Joe grows into old!Joe, how did the Rainmaker come to be?

Oh no, I’ve gone cross-eyed.

This is the thing with time travel movies, and it’s something I’ve been thinking about. How important is internal consistency to a time travel movie? How necessary is it for a time travel movie to flow relatively logically from its own premise? At what point do we just stop trying to apply rules of logic and just enjoy the movie for what it is?

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