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Non-Review Review: Gravity

Gravity is a phenomenal piece of filmmaking, and one of the highlights of the year. It’s a bold and visually stunning survival movie, built around the most simple of premises with incredible craftsmanship. It’s a lean and well-constructed thriller that manages to effortlessly capture the impossible isolation experienced by those flying in the void. Never over-wrought or over-strained, Gravity is an absolutely beautiful accomplishment for all involved.

Floating in a most peculiar way...

Floating in a most peculiar way…

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About Time: Time Travel Logic, Paradoxes and Looper…

I watched Looper again at the weekend. It’s still a pretty great movie, well-constructed and thoughtful. Of course, it still doesn’t feel like a proper “time travel” movie, because the time travel element doesn’t logically gel as easily as it otherwise would. After all, the original time line sees young!Joe kill old!Joe as soon as he appears. Therefore, old!Joe can’t logically kill Sara. If old!Joe doesn’t kill Sara, then why does Cyd become the Rainmaker? After all, we’re told (or it’s heavily implied) that young!Joe killing himself (and old!Joe) prevented Cyd from becoming the Rainmaker. So if this never happened in the time line where young!Joe grows into old!Joe, how did the Rainmaker come to be?

Oh no, I’ve gone cross-eyed.

This is the thing with time travel movies, and it’s something I’ve been thinking about. How important is internal consistency to a time travel movie? How necessary is it for a time travel movie to flow relatively logically from its own premise? At what point do we just stop trying to apply rules of logic and just enjoy the movie for what it is?

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