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Non-Review Review: The Two Jakes

I’m going to be completely honest here, and possibly ruin my reputation as a film boffin. Until I held the DVD of The Two Jakes in my hands about ten years ago, I didn’t even know there was a sequel to Chinatown. The belated sequel languished in development hell after real life intervened – there was no way that Polanski could direct a sequel to perhaps his most famous film (at least not in Los Angeles, where it was set) and the movie that followed became caught in a tug of war between actor Jack Nicholson and writer Robert Towne, both of whom wanted a shot at directing. Nicholson won, but one can’t help but get the feeling in watching the film that the movie might have been better served with a stronger and more impartial director.

Will the bad guy get his just deserts this time around?

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Green Lantern 101: A Beginner’s Guide to The Green Lantern Mythos…

The trailer for Green Lantern arrived yesterday. I’m already excited about the release. However, I acknowledge that Hal Jordan isn’t quite the household name that Bruce Wayne or Clark Kent is. So I put together this collection of frequently asked questions about Green Lantern, which will hopefully give you a bit of an introduction to the character. If this proves popular, I might do the same for Thor or Captain America, the other major comic book releases of next year. Check out the trailer below.

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Non-Review Review: Chinatown

“You may think you know what’s you’re dealing with,” a character warns private detective Jack Gittes at one point during Chinatown“but, believe me, you don’t.” Later on, Gittes confesses to his lover that, when he was a police officer working in Chinatown, his beat consisted of doing “as little as possible”, an anecdote that screenwriter Robert Towne reportedly heard from an officer who had actually served in Chinatown – rather than an officer involving himself in some sort of event that he couldn’t possibly comprehend, the police would actively disengage themselves from the community. That’s the core of the corruption at the heart of Polanski’s film – how little anyone actually knows about what is really happening, and how it’s easy to ignore these things rather than attempting to deal with them.

A nosey detective...

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Non-Review Review: MacGruber

MacGruber features a villain whose surname is “Cunth”. That is the litmus test to see whether the movie will appeal to you.

Has MacGruber got a wire loose?

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Non-Review Review: Due Date

I have to admit that I quite enjoyed Due Date. It’s a straight-forward comedy road movie – nothing more, nothing less. It’s the standard template: two unlikely comrades find themselves embarking on a cross-country journey where they learn a lot about each other and themselves. As such, Due Date is the younger sibling of films like Trains, Planes and Automobiles or Midnight Run – it’s also a genre which hasn’t, to be honest, been played entirely straight in quite some time. Sure, there have been variations on theme – Little Miss Sunshine, for example, played the road movie with far more subversive comedy; Get Him to the Greek was this concept with rock stars. As such, perhaps the simplicity of Due Date is part of the appeal – it’s a tried and tested formula, so why tinker with it?

What does Robert Downey Jr. bring to the table?

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Non-Review Review: Bullitt

Let’s be honest. You’re just here for the car chase. You know the car chase. It must be really tough being a movie with an iconic sequence located about halfway through – perhaps that’s because you are inevitably built up through years of pop culture expectation. Don’t get me wrong, the central chase sequence is absolutely superb – to this day it remains one of the most gripping sequences committed to film – but I was perhaps expecting a bit more from the film that surrounds it. Bullitt is a fairly decent cop movie which just so happens to feature some celluloid magic in the middle.

A speeding bullitt...

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Non-Review Review: The Girl With the Dragon Tattoo (2009)

The Girl With the Dragon Tattoo is a decently-made little thriller. It’s interesting that David Fincher has been selected to helm the inevitable English-language remake of the film, as it feels like a spiritual companion to se7en. While that Fincher thriller concerned itself with a broken world populated with seven flavours of deadly sin, this Swedish film is only really interested in one. It’s a brutal commentary on what it suggests is a harsh and repressively misogynistic society, one that victimises and commoditises women. However, it veers a little bit too far into sensationalist territory – fixated on the idea that men in positions of authority are inevitably sexual sadists – and its contents make for excedingly grim viewing.

Never quite gripping...

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Non-Review Review: G.I. Joe – The Rise of Cobra

I never grew up with G.I. Joe. For me it was Batman: The Animated Series or Teenage Mutant Ninja Turtles. To me, this franchise was just a bunch of generic toy soldiers – in fact, I didn’t even know that they had separate names or defining characteristics. So I come to this movie without a sense of nostalgia or a familiarity with the core product. So, Stephen Sommers’ adaptation of the popular multi-media franchise to the big screen is my first major exposure to the product, and it left me feeling like I’d spent two hours watching a guy playing with toys, rather than making a movie. One of the characters even has a “kung-fu grip”.

It's a black-and-white world...

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Where Have All the Good Movies Come From?

I know I wasn’t alone when I claimed that this summer had been (with a few big exceptions) a massive disappointment for movie fans. In fairness, with a few bright spots, 2009 wasn’t exactly an above-average year either. However, myself and the better half have been going to the cinema fairly consistently over the past number of weeks and I have to admit that I’ve been more consistently impressed by films like The Social Network, The Kids Are Alright, Easy A and The Town than I have by any run of films in at least the last year. Is it just me, or are things finally looking up?

A veritable feast of good cinema...

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Non-Review Review: 28 Weeks Later

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

It’s strange. 28 Days Later felt strangely British, with its almost quaint surroundings and “island fortress” mentality. Filmed in High Definition with an intimate approach, the movie felt somehow more tangible and organic than most of these films, managing a genuine emotional impact that it’s easy to lose sight of in these fantastical narratives – its small scale and quirky design (along with hyper saturation) lent the movie a very distinct feel, the sensation that this was a “guerilla” zombie film – shot in the early morning on abandoned streets rather than closing off sections of town. In contrast, 28 Weeks Later feels a much more managed affair, and a much more conventional one. It’s shot like any other zombie movie, and clearly intended to reach an even wider audience than the original cult hit. It’s a great movie, but one can’t help but get the sensation that the fine polish applied to it undercuts some of the impact.

The army had to find something to keep themselves occupied...

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