steve mcqueen | the m0vie blog

My 12 for ’18: “Widows” & Pulp Artistry

Posted on December 25, 2018 by Darren

It’s that time of year. I’ll counting down my top twelve films of the year daily on the blog between now and New Year. I’ll also be discussing my top ten on the Scannain podcast. This is number seven.

Widows is unashamedly pulp fiction.

There is no way around it. It is a heist thriller in which a bunch of women who have never even held guns before use a notebook provided by one of their dead husbands in order to conduct a daring robbery. There are secrets, there are betrayals, there are reversals. There is violence, there is brutality. It is a very effective example of form, an illustration of the kind of pulpy “movie for adults” that simply does not exist any more.

Widows of opportunity.

However, there is something interesting bubbling beneath the surface of Widows. Written by Gillian Flynn and directed by Steve McQueen, Widows is a film that has a lot on its mind. It finds room to meditate on modern Chicago, on white anxiety about shifting demographics, about power and influence. More than that, it also explores questions of complicity and consent, the manner in which people choose to blind themselves to what they simply do not wish to see.

Widows does all of this without sacrificing any of the beats and rhythms of a pulpy crime thriller. It is a deft balancing act, and one that Flynn and McQueen pull off perfectly.

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Filed under: On Second Thought | Tagged: gillian flynn, steve mcqueen, widows | Leave a comment »

Non-Review Review: Widows (2018)

Posted on October 27, 2018 by Darren

At its most basic, Widows is a testament to applying the skill and craft of two filmmakers working at the very top of their game to a sturdy and reliable genre framework.

The basic plot of Widows is relatively straightforward, adapted from Lynda LaPlante’s book by way of a very successful British television miniseries. A group of women find themselves drawn into an unlikely life of crime when their husbands are killed during a botched robbery. Caught between corrupt politicians and scheming gangsters, the women are thrown out of their comfort zone as their leader commits to completing a heist that was carefully and meticulously planned by her late husband. It’s pulpy, it’s trashy, it’s fun.

Widows of opportunity.

However, the beauty of Widows lies in applying the skill of Gillian Flynn and Steve McQueen to this set-up. Flynn is one of the biggest writers working today, known for both her novels and for her work on screenplays. Gone Girl was enough of a cultural force to turn its title into a verb, and embodied a certain kind of sleek self-aware trashy storytelling style. McQueen is a great writer in his own right, but already one of the most esteemed and respected directors working in contemporary cinema; known for his work on Shame or Twelve Years a Slave.

Widows is a movie that is completely unashamed of the trappings of its story, a familiar story about unlikely criminals who find themselves forced into “one last job”, with the biggest irony being that it is somebody else’s last job. Widows never looks down upon the heightened aspects of its narrative, nor does it feel a need to elevate or legitimise them. Instead, Widows allows its intelligence and insight to fold into the contours of this slick stylish crime thriller. The result is simply dazzling.

Stealy resolve.

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Filed under: Non-Review Reviews | Tagged: Chicago, gillian flynn, noir, non-review review, pulpy, review, steve mcqueen, thriller, trashy, widows | Leave a comment »

My 12 for ’13: Django Unchained & Suckerpunching Expectations

Posted on December 30, 2013 by Darren

This is my annual countdown of the 12 movies that really stuck with me this year. It only counts the movies released in Ireland in 2013, so quite a few of this year’s Oscar contenders aren’t eligible, though some of last year’s are.

This is number 2…

Slavery seems to have been bubbling away at the back of the American pop cultural consciousness this year. Quentin Tarantino’s Django Unchained and Steven Spielberg’s Lincoln were both Best Picture nominees at this year’s awards ceremony. 12 Years a Slave is making pretty impressive head-way for next year’s Oscars, embarrassing moments like the film’s European marketing aside. They are all superb and moving films, but Tarantino’s Django Unchained is probably the strongest of them.

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Filed under: Movies | Tagged: Academy Award, Christopher Nolan, david cronenberg, django unchained, film, Hans Zimmer, inglourious basterds, Ireland, quentin tarantino, quentintarantino, steve mcqueen, steven spielberg, tarantino, western | 2 Comments »

Non-Review Review: 12 Years a Slave

Posted on November 25, 2013 by Darren

12 Years a Slave is a harrowing and moving piece of cinema. The most profound and cutting of the recent studio films to explore slavery in America, Steve McQueen’s 12 Years a Slave is almost relentless in its probing explorations of the systems an structures that allowed and reinforced that slavery – it’s hard to watch at points, providing a deeply unsettling glimpse at the suffering that man is capable of inflicting upon his fellow man.

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Filed under: Non-Review Reviews | Tagged: 12 Years a Slave, Benedict Cumberbatch, chiwetel ejiofor, Darkest Africa, John Ridley, Michael Fassbender, Slavery, Solomon, Solomon Northup, steve mcqueen, United States | 7 Comments »

Watch! First Twelve Years a Slave Trailer!

Posted on July 16, 2013 by Darren

Shame was one of the best movies of 2012. So it stands to reason that I’m looking forward to the next collaboration between Steve McQueen and Michael Fassbender. Twelve Years a Slave looks to be a decidedly larger-scale affair than either of the duo’s past collaborations, based on the epic and heart-wretching true story of Solomon Northup, a man born free and then sold into slavery. The cast is also a lot more impressive, with well-respected character actors (like Fassbender, Benedict Cumberbatch and Chiwetel Ejiofor) standing alongside Brad Pitt. It’ll be interesting to see how this turns out, even if it does look a bit more like conventional Oscar-bait than Shame or Hunger.

Of course, that could simply be a stylistic decision made when cutting up the trailer, given the success of other slavery-themed epics (Lincoln and Django Unchained) at this year’s Oscars. Either way, UK and Irish audiences won’t know until 24th January 2013.

Check out the trailer below.

Filed under: Movies | Tagged: 12 Years a Slave, Benedict Cumberbatch, brad pitt, chiwetel ejiofor, Michael Fassbender, paul giamatti, Shame, Solomon Northup, steve mcqueen | Leave a comment »

My 12 for ’12: Shame & Silence

Posted on December 30, 2012 by Darren

I’m counting down my top twelve films of the year between now and January, starting at #12 and heading to #1. I expect the list to be a little bit predictable, a little bit surprising, a little bit of everything. All films released in the UK and Ireland in 2012 qualify. Sound off below, and let me know if I’m on the money, or if I’m completely off the radar. And let me know your own picks or recommendations.

This is #2…

Addiction stories are very tough to do right. It’s far too easy to get caught up in the melodrama of the cycle – the excess, the withdrawal, the relapse, the epiphany. It’s tempting to wallow in each of those stages, to structure them as acts in a drama. It’s hard to resist the urge to heighten absolutely everything, to dwell on the heat of obsession and desperation that surrounds any addiction.

Director Steve McQueen and actor Michael Fassbender do a sensational job with Shame, avoiding these potential problems, offering a portrayal of addiction and personal collapse that is strangely understated and introverted rather than overwhelming or excessive. Indeed, the fact that the movie is about sex addiction might lead some potential viewers to worry. If ever an addiction lent itself to trashy and tasteless excess, one might imagine that sex would be that personal demon.

Instead, McQueen shows admirable restraint in tackling the topic. While he never blushes in presenting the depths of his lead’s degradation, he never sensationalises it. Instead, much like Brandon’s addiction, Shame is cold and clinical – and all the more powerful for it.

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Filed under: On Second Thought | Tagged: A. Scott Berg, art, Brandon, British Isles, colin firth, European Film Awards, film, Ireland, January, Lykke Li, Max Perkins: Editor of Genius, McQueen, Michael Fassbender, Movie, Public relations, Sexual addiction, sexuality, Shame, star wars, steve mcqueen, United States | 2 Comments »

12 Movie Moments of 2012: Running (Shame)

Posted on December 24, 2012 by Darren

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #8…

It is quite common to see New York presented in an unpleasant light. After all, Martin Scorsese’s films capture the metropolis at its very best and its very worst, and there are countless gangster films devoted to exploring the dark underbelly of a city that is easily one of the most recognisable in the world. I have never been to New York, and yet I feel like – through years of film-watching – I have come to know the city almost as if I have lived there.

As such, I was surprised when Shame managed to offer me a somewhat novel take on New York itself. The city is as much a character in the film as any of Steve McQueen’s supporting cast. (Indeed, Carey Mulligan even gets to perform an extended version of “New York, New York” in tribute to her co-star.) McQueen manages to craft a distinctly unpleasant and uncomfortable exploration of the city without resorting to any of the trite clichés that one associates with the horrors of urban living.

Indeed, one long single-take shot of Brandon running within the confines of the city offered a more powerful sense of urban anomie and isolation than I have ever seen before, presenting a cold blue city completely indifferent and unaware of the millions of people living within the city limits.

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Filed under: Movies | Tagged: arts, avengers, Brandon, Carey Mulligan, christmas, Dark Knight Rises, film, gangs of new york, Hobbit, Jack Reacher, martin scorsese, McQueen, Michael Fassbender, Movie, Movies, new york, New York City, NewYork, Sean Bobbitt, Shame, steve mcqueen, United States | Leave a comment »

Non-Review Review: Rust and Bone

Posted on October 31, 2012 by Darren

Rust and Bone feels a bit… lazy, for lack of a better word. It feels like the product of a writer and director with a huge amount of talent, but no real ambition or enthusiasm. The film features two superb leading performances from Marion Cotillard and Matthias Schoenaerts, but they’re trapped in a film that never seems too bothered. Writer and director Jacques Audiard mistakes trite melodrama for brutal honest, and seems to give up on the film in the third act. It’s a shame, because there’s some solid stuff here, but the whole is much less impressive than the sum of its parts.

The killer (whale) inside (the aquarium)…

Note: This review contains spoilers for the third act of the film. I’ve tried not to give away specific plot points, and to talk in the most general of terms, but I do discuss the ending. Consider yourself warned.

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Filed under: Non-Review Reviews | Tagged: Alain, Bone, Dark Knight Rises, film, Jacques Audiard, marion cotillard, Matthias Schoenaerts, Movie, non-review review, review, Rust, rust and bone, steve mcqueen | 4 Comments »

Alfred Hitchcock Presents: Lamb to the Slaughter (Review)

Posted on May 13, 2012 by Darren

As part of the “For the Love of Film” blogathon, I’ll be taking a look at Alfred Hitchcock’s contributions to his celebrated anthology series Alfred Hitchcock Presents. I’ll be looking at some of the episodes of the classic show that he directed. The “For the Love of Film” blogathon this year is raising money to keep one of Hitchcock’s earlier works, The White Shadow (which he wrote, edited, designed and assistant-directed), available on-line and streaming for free. It’s a very worthwhile cause and you can donate here.

It’s amazing to think of the talent involved in some of these Alfred Hitchcock Presents episodes. Obviously the director himself was the host and directed seventeen episodes, but he also had a star-studded cast on hand for a great many installments. That said, there was just much talent behind the camera. Robert Altman, Sydney Pollack and William Friedkin were among the other directors to work on the series, and author Roald Dahl contributed some episodes as well. Dahl contributed the much-loved Man From The South, featuring Peter Lorre and Steve McQueen, but he also offered this wonderful little murder tale about an especially inventive killing.

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Filed under: Television | Tagged: alfred hitchcock, Alfred Hitchcock and the Making of Psycho, anthony hopkins, Barbara Bel Geddes, Blogathon, hitchcock, lamb to the slaughter, Love of Film, roald dahl, robert altman, steve mcqueen, toby jones, White Shadow, William Friedkin | 6 Comments »

Non-Review Review: The Blob (1958)

Posted on February 6, 2012 by Darren

I’m surprised that The Blob doesn’t get more love as a late-fifties creature feature. It has all the right ingredients, from a compelling monster, a clever central metaphor and a dashing lead in Steve McQueen. Sure, the special effects haven’t aged well, and the movie occasionally veers into the realm of cheese, but it is a wonderful example of type of monster movies American studios used to churn out during the fifties – seemingly disposable little horrors that ended up a lot smarter and more sophisticated than most viewers took them for.