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Non-Review Review: Don Jon

Don Jon is a confident directorial debut from actor and write Joseph Gordon Levitt. Levitt himself stars as the eponymous “Don”, a stereotypically macho young man from New Jersey, who splits his time between nightclubs, churches, the gym, his car and his pornography addiction. Written and directed by Levitt, Don Jon has a charming lightness that allows the movie to play with some pretty heavy subject matter. (After all, the last major film to explore sex addiction was Shame, which was as brilliant as it was harrowing.)

Don Jon is perhaps the sweetest movie ever made about porn addiction. A superb demonstration of Levitt’s already enviable talents, and a confident and slick feature film directorial debut.

Toast of the town...

Toast of the town…

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My 12 for ’12: Shame & Silence

I’m counting down my top twelve films of the year between now and January, starting at #12 and heading to #1. I expect the list to be a little bit predictable, a little bit surprising, a little bit of everything. All films released in the UK and Ireland in 2012 qualify. Sound off below, and let me know if I’m on the money, or if I’m completely off the radar. And let me know your own picks or recommendations.

This is #2

Addiction stories are very tough to do right. It’s far too easy to get caught up in the melodrama of the cycle – the excess, the withdrawal, the relapse, the epiphany. It’s tempting to wallow in each of those stages, to structure them as acts in a drama. It’s hard to resist the urge to heighten absolutely everything, to dwell on the heat of obsession and desperation that surrounds any addiction.

Director Steve McQueen and actor Michael Fassbender do a sensational job with Shame, avoiding these potential problems, offering a portrayal of addiction and personal collapse that is strangely understated and introverted rather than overwhelming or excessive. Indeed, the fact that the movie is about sex addiction might lead some potential viewers to worry. If ever an addiction lent itself to trashy and tasteless excess, one might imagine that sex would be that personal demon.

Instead, McQueen shows admirable restraint in tackling the topic. While he never blushes in presenting the depths of his lead’s degradation, he never sensationalises it. Instead, much like Brandon’s addiction, Shame is cold and clinical – and all the more powerful for it.

shame2

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Non-Review Review: Shame

Shame is a masterpiece, a master class in cinema, and the perfect example of a director and lead actor working synchronously and seamlessly. The movie wouldn’t work without director Steve McQueen willing to push it as far as possible, knowing when to pull back and when to dive in, matched by Michael Fassbender’s fearlessness, throwing himself into a naked performance. (This is where I make a cheap joke about it being “in more ways than one.”) Shame is pretty much the perfect note on which to start 2012.

Stands out from the crowd...

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