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The X-Files – Medusa (Review)

This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.

Medusa is an odd episode of the eighth season, precisely because of its normality.

Medusa was produced directly before This is Not Happening, the episode that marked the return of David Duchovny to the show as a regular; he would remain a regular for the rest of the season. When it came to the broadcast order of the season, the episodes were shuffled around slightly. Medusa aired directly before Per Manum, an episode which featured an appearance by David Duchovny in flashback. Whether the season is watched in broadcast or production order, David Duchovny’s name appears in the opening credits from the next episode until the end of the season.

"I want to take his face... off."

“I want to take his face… off.”

Medusa marks the end of the short-lived “Scully and Doggett era” of The X-Files. This is the last point in the eighth season (and also the last point ever) that Doggett and Scully have a show to themselves. The ninth season introduces the characters of Monica Reyes and Walter Skinner to the opening credits. Of course, it is interesting to wonder whether there ever really was a “Scully and Doggett era.” Certainly, the eighth season took its time to let Scully and Doggett get comfortable with one another between Within and Via Negativa.

This puts Medusa in the very strange position of having to close out an “era” of the show that essentially spanned four episodes: Surekill, Salvage, Badlaa and Medusa. This is the eighth season’s last example of “business as usual”, which seems all the more unusual that business has only recent approached something resembling normality.

He's practically just skin and bones...

He’s practically just skin and bones…

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Non-Review Review: Baraka

This film was seen as part of the Jameson Dublin International Film Festival 2012. It will be getting a 20th anniversary re-release this year.

Released in 1992, it’s easy to consider Baraka as something of a spiritual successor to Koyaanisqatsi, a film which gave birth to an entire subgenre of non-narrative feature films designed to offer us insight into the working of our planet. It’s a natural comparison, as director Ron Ficke served as director of photography on that monumental film, and he clearly owes a debt to Godfrey Reggio’s masterpiece. However, I think there’s a substantive difference between how the two directors approach their subject matter, and the end result. While Reggio offers a more fascinating study of large-scale systems, Fricke manages a strange intimacy amidst his vast scale – there’s something considerably more human to Baraka, and I think that comfortably sets the movie apart. It looks as good as it did on initial release twenty years ago, and it still packs as much punch – even if it never looks quite as sharp as its sequel, Samsara.

Crazy world...

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Non-Review Review: Shame

Shame is a masterpiece, a master class in cinema, and the perfect example of a director and lead actor working synchronously and seamlessly. The movie wouldn’t work without director Steve McQueen willing to push it as far as possible, knowing when to pull back and when to dive in, matched by Michael Fassbender’s fearlessness, throwing himself into a naked performance. (This is where I make a cheap joke about it being “in more ways than one.”) Shame is pretty much the perfect note on which to start 2012.

Stands out from the crowd...

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Non-Review Review: The Taking Pelham 123

Much like the titular train, The Taking of Pelham 123 runs almost perfectly to schedule, making all the mandatory stops. Sure, it is confined to the storytelling tracks of a cut-out hostage drama, checking all the necessary fields. It doesn’t do this in anyway exceptionally, nor does it do anything original or daring. Still, Tony Scott is a very talented director and he has two more-than-capable leads to work with, so we have a perfectly mediocre action film to work with.

Travolta trains (geddit?) his sights on a hostage?

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Next Stop: Movies

Kudos to the good people over at Vodkaster. They’ve put together the Top 250 Movies of All Time (as of 19th June 2009) in the style of a metro/subway map. It really is a fantastic acheivement, though I’d disagree with some of their classifications. Click here, or the photo, for more.

Should I make a pun about "underground classics"?

Should I make a pun about "underground classics"?