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Non-Review Review: Enemy of the State

I have a soft spot for Enemy of the State, I must confess. Perhaps it’s the opportunity to see Will Smith in a great leading role, perhaps it’s the fact that this is one of those movies that actually became far more relevant after its release, or perhaps it’s the superb ensemble assembled by Tony Scott. I don’t know, I think it’s a lot of those things together, but – along with Scott’s superb Crimson Tide – I think that Enemy of the State can easily be considered one of the best things that Jerry Bruckheimer ever put his name too.

Brill dishes the dirt...

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Modern Movie Meloncholia: Why “Nostalgia” Can Be a Dirty Word…

Do you know what I hate? I hate it when people ask, completely seriously, “why don’t they make movies like [insert classic here]?” anymore, or whenever anybody goes on about the “mindless franchise trash”that Hollywood pumps into cinemas year-in and year-out. It tends to happen quite frequently, when you hear movie commentators or viewers discuss the latest crop of empty and disappointing summer blockbusters, with the default position seeming to be an attack on modern Hollywood as an institution, bemoaning the decline of movie-making standards and an unchallenged assertion that old movies are – undeniably – better. I’m not arguing that Hollywood can’t do better, but I find this fixation on things past to be quite disconcerting – and, I’d suggest, rather depressing. Why are we more focused on what Hollywood was rather than what it could be?

Frankly my dear, I think it's a depressing outlook...

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Non-Review Review: Signs

You know what? Even though history and experience has retroactively soured the movie, with M. Night Shyamalan’s career entering freefall and Mel Gibson’s personal problems clouding his career, I kinda like Signs. In fact, I’d go so far as to argue that the movie represents Shymalan’s last good film. That said, it’s a well-constructed and engaging little thriller that is, unfortunately, hugely flawed. Some of these flaws are so fundamental that they’re hard to ignore, but I think that this movie was the last time that Shyamalan demonstrated a real organic talent and skill for film making.

Shine a light on it...

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Movie Fest…

I’m a big fan of the guys over at movies.ie, who have always been generally all-round awesome. This summer, the weekend of 13th and 14th August, they are organising their own movie festival in Ireland promising to be a real treat for fans of pop cinema. On top of all the clips and trailers from this year’s Comic Con (shown on a big screen, the way they are meant to be seen), they also have some nice preview screenings for upcoming movies, including  the Irish premiere of Fright Night (which my better half may be looking forward to based solely off the promise of half-naked David Tennant) and Cowboys & Aliens. I’m planning on picking up my tickets at the weekend. You can see more details, including the confirmed line-up so far, here. It’s always nice to see something like this happening here, and I have to admit that I am genuinely looking forward to it.

Daniel Craig is some cowboy...

 

Non-Review Review: No Strings Attached

If ever there was a movie that demonstrated that you need more than a single great idea to make a good movie, I think No Strings Attached is really it. It basically takes the conventional romantic comedy and reverses the traditional gender roles that have ben reinforced for centuries. Instead of an emotionally-needy woman being paired with a commitment-phobe man, this time we see a free-and-easy lady hooking up with a guy who simply wants more. In fairness to it, it’s a nice way to distinguish the comedy conceptually from the standard rom-com template, but the problem is that it’s executed in the most mundane and half-interested fashion ever, substituting vulgar and crass jokes for actual humour and development.

Is she stringing him along?

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Non-Review Review: Harry Potter and the Half-Blood Prince

Harry Potter and the Half-Blood Prince represents a fairly significant improvement in quality from Harry Potter and the Order of the Phoenix. It seems the movie franchise is finally getting a handle on this sort of serialised story-telling, as the movie serves more as a collection of sub-plots leading into Harry Potter and the Deathly Hallows than it does as a story in its own right. However, there’s a sense that the series is getting a bit better at balancing all the competing demands for screentime, and it even manages to explain the title mystery, albeit in a slightly off-hand manner (almost as an after-thought).

Storm clouds are gathering over Hogwarts...

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Non-Review Review: Horrible Bosses

“You can’t win a marathon without putting some bandaids on your nipples!” Dave Harkin, the “psycho” boss of Nick Hendricks, insists throughout the movie. It’s curious, because Horrible Bosses feels like a movie pacing itself for a marathon – and that’s not a bad thing at all. It’s consistently funny, with the humour spread evenly over most of the runtime. It’s hard to point to particularly brilliant sequences that had the audience in stitches, but instead the room was constantly giggling throughout. It’s a solidly entertaining comedy, which makes the most of a clever premise and superb cast, even if it does falter just a little bit as it reaches the finish line.

Spacey is boss...

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Cinematic Nostalgia: Old Films on the Big Screen…

Jameson, the wonderful people behind the Jameson Dublin International Film Festival and the Jameson Cult Film Club are planning on launching their own film blog this week. It’ll be well worth a look and, based on their passion for good cinema, it’s sure to be wonderful. Anyway, as part of the launch, I was delighted to be invited along to a screening of Chinatown with a few other Irish film bloggers. Hosted in a lovely little cinema, I have to admit that there was just something incredible about watching a classic film I had only ever seen on television projected on to a big screen like (I suppose) it had always been intended to be shown. Given how much any love affair with cinema draws on classics from eras long gone, I have to admit that I was genuinely blown away by the chance to see such a classic film on such a big screen.

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Non-Review Review: Harry Potter and the Prisoner of Azkaban

Harry Potter and the Prison of Azkaban represents probably the best transition from printed page to big screen in the franchise, boasting the most confident and comfortable direction of the big screen series. Director Alfonso Coarón, perhaps best known for his work on Children of Men crafts perhaps the most magical of the Harry Potter adventures, effortlessly crafting a world that seems strangely familiar and yet curiously foreign, simultaneously bright and coloured, but populated with dark brooding shadows. Even after the series has ended, the third instalment remains perhaps the most stylish.

Enchanting...

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Non-Review Review: Fanboys

Fanboys is a film that is borderline mediocre, but the tragedy is that it actually could have been really good. It’s quite strange, because the movie seems intent to straddle two audiences – aiming at once for both cult geek cred and mainstream appeal. Of course, the paradox of such an approach is that it frequently ends up alienating both core groups. The film is arguably too deeply entrenched in geek culture to ever find a large mainstream audience, but it’s also far too bland, safe and stereotypical for a geek audience. So it clearly hopes to please everyone, but winds up satisfying no one. Which is a shame, because it seems like it’s actually having a great deal of fun.

Indulge your Dark Side...

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