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Non-Review Review: Harry Potter and the Prisoner of Azkaban

Harry Potter and the Prison of Azkaban represents probably the best transition from printed page to big screen in the franchise, boasting the most confident and comfortable direction of the big screen series. Director Alfonso Coarón, perhaps best known for his work on Children of Men crafts perhaps the most magical of the Harry Potter adventures, effortlessly crafting a world that seems strangely familiar and yet curiously foreign, simultaneously bright and coloured, but populated with dark brooding shadows. Even after the series has ended, the third instalment remains perhaps the most stylish.

Enchanting...

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Non-Review Review: Tron Legacy

I admired the original Tron perhaps because of what it attempted rather than because of what it accomplished. It was brave and bold, and it demonstrated more than any other film of its time what was possible with computer-generated imagery – it was a statement of intent and a proof of concept. However, it was also somewhat awkward and clunky – to the point that several sequences in the movie had to hand-animated rather than digitally modelled, because time and technology worked against the crew. It was very much a movie of its time, held back by the status of the industry at the time – and yet inspiring a whole new generation of film-goers and film-makers as to the possibilities. It seems only fitting, perhaps, that Tron: Legacy took so long to make it to the screen – those impressionable young future movie-makers have come of age in the thirty years since the original. In many ways, the sequel feels like a debt is being repaid – here’s a chance to see the original and daring vision as it was imagined all those years ago.

I haven't got a Clu...

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