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Non-Review Review: Harry Potter and the Prisoner of Azkaban

Harry Potter and the Prison of Azkaban represents probably the best transition from printed page to big screen in the franchise, boasting the most confident and comfortable direction of the big screen series. Director Alfonso Coarón, perhaps best known for his work on Children of Men crafts perhaps the most magical of the Harry Potter adventures, effortlessly crafting a world that seems strangely familiar and yet curiously foreign, simultaneously bright and coloured, but populated with dark brooding shadows. Even after the series has ended, the third instalment remains perhaps the most stylish.


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Non-Review Review: London Boulevard

The British criminal underworld has provided a background for countless movies over the past few decades, a rich cinematic tapestry drawing from classics like Brighton Rock through to neo noir like The Long Good Friday to modern pop classics like Lock, Stock & Two Smoking Barrels. However, London Boulevard isn’t a masterpiece like the earlier examples. It tries to find a niche balance between gritty urban violence and surreal bizarre quirkiness, but ends up just positioning itself awkwardly between comedy and action, never really finding its own footing.

Facing up to the past...

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