Advertisements
    Advertisements
  • Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

  • Advertisements

Non-Review Review: This is the End

There’s a moment about half-way through This is the End when our bunch of celebrities are starting go stir-crazy, as they brave the apocalypse inside James Franco’s surprisingly fortified house. In the strange combination of idle boredom and growing madness, the group decide to improvise a trailer for the non-existent sequel to Pineapple Express. It is complete nonsense, but there’s a strange energy and a warm sense of humour to their “sweded” version of a Hollywood comedy, complete with remote-control car chases and homemade props.

It feels like something that only these actors would get – it’s just a bunch of people hanging out, fooling around, making the most of the materials available to them do something which feels incredibly niche. It’s a weird balance of something so experimental and so niche that it’s almost definitely a piece of post-modern art. (The movie even features an early scene of pretentious James Franco gleefully arguing that everything is art – even Jay Baruchel.) On the other hand, it’s accessible and fun, managing to seem – simultaneously – like an incredibly niche and charmingly broad piece of film.

It’s also pretty damn funny.

... and I feel fine...

… and I feel fine…

Continue reading

Advertisements

Non-Review Review: Harry Potter and the Prisoner of Azkaban

Harry Potter and the Prison of Azkaban represents probably the best transition from printed page to big screen in the franchise, boasting the most confident and comfortable direction of the big screen series. Director Alfonso Coarón, perhaps best known for his work on Children of Men crafts perhaps the most magical of the Harry Potter adventures, effortlessly crafting a world that seems strangely familiar and yet curiously foreign, simultaneously bright and coloured, but populated with dark brooding shadows. Even after the series has ended, the third instalment remains perhaps the most stylish.

Enchanting...

Continue reading

Non-Review Review: Harry Potter and the Deathly Hallows, Part II

Harry Potter and the Deathly Hallows, Part II is probably the strongest entry in the film series, and offers a fitting code to the saga of the famous boy wizard. Sleaker, leaner and meaner than most of its predecessors, I can actually understand – artistically – why Warners opted to split the final book into two distinct chapters. In many ways, the previous instalment (Harry Potter and the Deathly Hallows, Part I) felt like another year with the Hogwarts crowd, while the finale here represents an epilogue to the entire series. Threads hinted at and developed since the first film are all tied up here, and – isolated from a lot of the soap opera of early episodes – the last in the series provides some stunning closure.

The wiz kid returns...

Continue reading

Harry Pottering On: Research & Reviews…

This evening, I will be lucky enough to attend a screening of Harry Potter & The Deathly Hallows: Part II, and have a chance to get my review on-line. However, I must concede that I am not a Harry Potter fanatic. I haven’t read the books. I’ve seen the films, enjoyed the majority for what they are, only found one to be an exercise in tedium, and have a genuine respect for what they’ve managed to accomplish in bringing to life a fairly iconic series of books in a manner that can please both the hardcore fans and the casual movie-goer. However, as I brace myself to attend the screening tonight, I wonder what a film critic owes their subject matter in terms of research. Do I owe the people who made the film, and – possibly – the fans that are going to see it, enough to dig into as much of the back ground as possible before the cinema lights go down?

Witch approach should I adopt?

Continue reading