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Non-Review Review: Harry Potter and the Half-Blood Prince

Harry Potter and the Half-Blood Prince represents a fairly significant improvement in quality from Harry Potter and the Order of the Phoenix. It seems the movie franchise is finally getting a handle on this sort of serialised story-telling, as the movie serves more as a collection of sub-plots leading into Harry Potter and the Deathly Hallows than it does as a story in its own right. However, there’s a sense that the series is getting a bit better at balancing all the competing demands for screentime, and it even manages to explain the title mystery, albeit in a slightly off-hand manner (almost as an after-thought).

Storm clouds are gathering over Hogwarts...

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Non-Review Review: Harry Potter and the Order of the Phoenix

Truth be told, Harry Potter and the Order of the Phoenix has a lot of problems. It’s structurally the weakest of the films, existing as a bridge between what came before and what follows – but ultimately feels like treading water. One gets the sense that the ruthless editing that made Harry Potter and the Goblet of Fire work so well was sorely missing here. It literally feels more like a collection of subplots rather than a movie in its own right. And then there’s the ending, which is ridiculously weak, but also somewhat undermines the threat the last film spent so long building up.

It's not a knock-out success...

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Non-Review Review: Harry Potter and the Chamber of Secrets

Harry Potter and the Chamber of Secrets works much better as an episodic collection of scenes than a single story. It’s prone to fluctuate between rather brilliant moments and a few misfires here and there. It definitely feels extremely childish, as if the studio was attempting to construct a G-rated Raiders of the Lost Ark, with the John Williams soundtrack adding to the effect, the set design of the eponymous chamber looking like some forgotten archeological tomb, and even Julian Glover being afforded a small cameo (okay, he was in Indiana Jones and the Last Crusade, but the point stands). It’s strange to look back at the second instalment, after all that has unfolded since, and look at how much more juvenile and simplistic it all seems in retrospect.

Malfoy drives stick...

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Non-Review Review: Harry Potter and the Deathly Hallows, Part II

Harry Potter and the Deathly Hallows, Part II is probably the strongest entry in the film series, and offers a fitting code to the saga of the famous boy wizard. Sleaker, leaner and meaner than most of its predecessors, I can actually understand – artistically – why Warners opted to split the final book into two distinct chapters. In many ways, the previous instalment (Harry Potter and the Deathly Hallows, Part I) felt like another year with the Hogwarts crowd, while the finale here represents an epilogue to the entire series. Threads hinted at and developed since the first film are all tied up here, and – isolated from a lot of the soap opera of early episodes – the last in the series provides some stunning closure.

The wiz kid returns...

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