Harry Potter and the Chamber of Secrets works much better as an episodic collection of scenes than a single story. It’s prone to fluctuate between rather brilliant moments and a few misfires here and there. It definitely feels extremely childish, as if the studio was attempting to construct a G-rated Raiders of the Lost Ark, with the John Williams soundtrack adding to the effect, the set design of the eponymous chamber looking like some forgotten archeological tomb, and even Julian Glover being afforded a small cameo (okay, he was in Indiana Jones and the Last Crusade, but the point stands). It’s strange to look back at the second instalment, after all that has unfolded since, and look at how much more juvenile and simplistic it all seems in retrospect.
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