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Non-Review Review: Harry Potter and the Half-Blood Prince

Harry Potter and the Half-Blood Prince represents a fairly significant improvement in quality from Harry Potter and the Order of the Phoenix. It seems the movie franchise is finally getting a handle on this sort of serialised story-telling, as the movie serves more as a collection of sub-plots leading into Harry Potter and the Deathly Hallows than it does as a story in its own right. However, there’s a sense that the series is getting a bit better at balancing all the competing demands for screentime, and it even manages to explain the title mystery, albeit in a slightly off-hand manner (almost as an after-thought).

Storm clouds are gathering over Hogwarts...

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Non-Review Review: Harry Potter and the Goblet of Fire

“Everything’s going to change now, isn’t it?”

– Hermoine, Harry Potter and the Goblet of Fire

Truth be told, before I saw Harry Potter and the Deathly Hallows, Part II, Harry Potter and the Goblet of Fire was easily my favourite instalment of the series. It’s the perfect balance between the lighter start of the series and the much darker end of it, straddling the two distinct tones with ease, and managing to walk the line between it’s under-plotted predecessors and over-plotted successors. It’s still not quite perfect, but it genuinely feels like things are changing and world is lot more vast than the earlier films had led us to believe.

The series is finally firing on all cylinders...

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Harry Pottering On: Research & Reviews…

This evening, I will be lucky enough to attend a screening of Harry Potter & The Deathly Hallows: Part II, and have a chance to get my review on-line. However, I must concede that I am not a Harry Potter fanatic. I haven’t read the books. I’ve seen the films, enjoyed the majority for what they are, only found one to be an exercise in tedium, and have a genuine respect for what they’ve managed to accomplish in bringing to life a fairly iconic series of books in a manner that can please both the hardcore fans and the casual movie-goer. However, as I brace myself to attend the screening tonight, I wonder what a film critic owes their subject matter in terms of research. Do I owe the people who made the film, and – possibly – the fans that are going to see it, enough to dig into as much of the back ground as possible before the cinema lights go down?

Witch approach should I adopt?

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