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Lost for Words? Do We Really Need an Explanation for Lost?

Lost is entering its final phase. Just two weeks left and it will all be over. I have no doubts that The End, the final episode, will be a bit of a phenomenon – ABC are reportly charging nearly $1m for advertising space during the finale. However, I imagine that a lot of people tuning in will be disappointed – as I expect a large number of viewers will be expecting an easy answer or several to (in fairness, perfectly reasonable) questions like “what is the island?”, “why was there a polar bear on the island and how did it survive?” and “what the hell happened?” To be honest, some of these questions have already been answered (not necessarily satisfactorily), but I still don’t think that the answers – even if they are provided – will be offered in a viewer-friendly mode. And I’m actually reasonably okay with that.

Lost at sea?

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Iron Man 2 – Who Is Keeping Score?

Occasionally something small and quirky comes to my attention which I can’t help but post here. In this case, it’s a unique (and clever) way of advertising Iron Man 2. Sure, it would be better if they spelt Terrence correctly, but who am I to judge?I found this over on Rope of Silicon.

Non-Review Review: Robin Hood

The second of the blockbusters arrives, celebrating the true arrival of summer. Chosen to open Cannes and featuring a return of the powerhouse pairing of maestro Ridley Scott and love-‘im-or-hate-‘im matinee icon Russell Crowe in a historic setting brimming with action potential and historic appeal, it’s safe to say that there’s a lot of pressure on the iconic outlaw, Robin Hood. So does he carry it off as confidently as he carries off that bow-and-arrow?

Boy in da Hood...

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Non-Review Review: Hot Tub Time Machine

I remember being assured by somebody that pop culture will eat itself. I’m not sure who and I’m not sure when (maybe this person had a time a machine – because it seems to be happening). I never understood if that was a promise or a threat, and I still don’t. However, if you wanted to get a look at the below of the beast, I imagine it might look a little like Hot Tub Time Machine.

Rubba dub dub, four men in tub...

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Absolute Green Lantern: Rebirth (Review/Retrospective)

Face facts, John. The real Hal Jordan is back. And he’s bringing the past with him.

– Batman

Batman states the above as if it’s some sort of dire threat. Perhaps to him, one of the darker of the superhero community, it is. However, to writer Geoff Johns, it’s a mission statement. Let the reconstruction begin. It’s easy to balk at a relatively recent superhero comic being given DC’s prestige ‘Absolute’ format (it’s even easier when you realise it’s only six issues long for that hefty price tag), but Green Lantern: Rebirth deserves it. Not because it’s as iconic as, say, Alan Moore’s Watchmen or Neil Gaiman’s Sandman, because it isn’t. Nor is it because of the series’ increasingly important place in the DC canon. It deserves the treatment because of what it represents. This was the moment that the pendulum swung back in mainstream comics, a conscious rejection of the “darker and edgier” philosophy that gripped the medium in the nineties. It’s also a pretty good read.

Shine a light...

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Man of Iron, Feet of Clay: Nothing Succeeds Like Success…

A little while ago, I mumbled something about how ‘failure’ didn’t really mean much, despite how often the term was thrown around in discussions about films like Watchmen and Kick-Ass. They generally made their money back, received cult attention and didn’t enter the history books as massive wastes of time or energy – which I figured was kinda fair given that neither example was a box office bomb in the style of, say, Motherhood, Uma Thurman’s last film (opening weekend of £88 at the UK box office – I’m not kidding and I didn’t omit an ‘m’). Still, it looks like success isn’t a particularly better deal, given what is circulating on the web regarding Iron Man 2 and its opening weekend – just shy of $130m, I believe. When is success not success?

There may be blood in the water... but Ivan isn't the only shark circling...

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Toying With Us: Pixar’s Animation Legacy

This is one of my entries on the latest cross-blogging event, tracking down some of the most overrated movies of all time. It’s being run by Mike over at You Talking to Me. I can’t spoil the list by giving you any of the other titles, but I did take a quick look at Spider-Man‘s legacy earlier in the week.

I love Toy Story. I love Toy Story II even more. I am anticipating Toy Story III with baited breath. I adore Pixar. The only two films they’ve produced that fall short of excellence (in my opinion) are Cars and A Bug’s Life and both are still above average as films go. So it may seem odd to critique the legacy of perhaps the first great computer animated film – but this is a strange world we live in. Think about it, though. Pixar have essentially killed conventional animated films – at least in this part of the world.

Computer-generated animation spreads its wings...

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Krapp’s Last Tape at the Gate

Michael Gambon is great. He really is. I’d pay to watch Michael Gambon sit on stage for an hour. Hell, I’d pay to see Michael Gambon eat a banana, he’s that good. And, thanks to the Gate Theatre and Samuel Beckett, now I can.

A name like "Krapp" just invites punning...

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Non-Review Review: Paranormal Activity

I’m sucker for things that go bump in the night. It’s a personal thing. Some people are inherently weirded out by the very idea of zombies or insects or serial killers, but it’s ghosts (or demons or “spiritual presences” or whatever euphemism you wish to use) in their purest forms which terrify me. It’s a matter of personal horror preference – I can (admittedly reluctantly) take copious amounts of gore and graphic violence and, while I may flinch, I’ll shrug it off. It may get me while I’m watching it and I may even look away like a big baby, but it doesn’t really bother me. Give me something just a bit more abstract and I’ll spend the night shivering. So Paranormal Activity was right up my street, then?

A new house can be hell on a relationship...

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Ultimate Wolverine vs. Hulk

I’m on a bit of a Wolverine binge at the moment. I got the quite enjoyable Old Man Logan last week and am slowly working my way through the Wolverine Omnibus at the moment. I would have picked up Enemy of the State if it had a nice hardback version. But such is life. I figured I’d dip my toes into Marvel’s Ultimate line. Basically a shrewd marketing decision to launch all their titles from scratch – the hope being that the line could attract readers alienated by decades of continuity in mainstream comics. The experiment was a bit of a mixed success – Ultimate Spider-Man might be the most successful interpretation of the web-slinger this decade, but Ultimate X-Men left a lot to be desired. However, this continuity-free playground offered Marvel a chance to do two things: invite big-name film and television writers to handle their properties (such as allowing Lost scribe Brian K. Vaughan and Heroes writer Aron E. Coleite to work on Ultimate X-Men), but also to shameless release miniseries to capitalise on their big screen projects. Released between the big screen adaptations of The Incredible Hulk and X-Men Origins: Wolverine and featuring the work of Star Trek co-writer Damon Lindelof, this series attempts to do both. Does it succeed?

It's a game of two halves...

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