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The Death & Return of Superman Omnibus (Review/Retrospective)

Posted on June 6, 2013 by Darren

To celebrate the release of The Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

The Death & Return of Superman stands as one of the most influential and iconic Superman stories ever told. It was certainly the best-selling, even if that doesn’t necessarily make it the most-read, due to the nature of the nineties comic book speculation market. Read today, separate from all the hype and publicity and novelty items, it’s a very interesting part of the character’s lore. It’s certainly an ambitious tale, epic in scope. However, it’s very clearly disjointed and oddly paced and often demonstrates a strange disconnect with its own subject. A story with the title The Death & Return of Superman should probably offer some profound insight into its lead character. This just feels like a series of plot twists peppered with some casual observations.

Death of a hero…

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Filed under: Comics | Tagged: Adam, arts, bane, batman, clark kent, Dark Knight Rises, dc comics, Death & Return of Superman, doomsday, Earth, green lantern, Guy Gardner, Jonathan and Martha Kent, man of steel, Maxima, metropolis, peter tomasi, Steel, superman | 2 Comments »

Peter Tomasi & Fernando Pasarin’s Green Lantern: Emerald Warriors (Review/Retrospective)

Posted on February 15, 2012 by Darren

Emerald Warriors suffers a bit from being a rather obvious lead-in series to the War of the Green Lanterns crossover than DC was pushing for its space cops to coincide with the release of the Green Lantern film. It’s very clear that the book is written with an editorial mandate to establish certain characters and dynamics, and I think it suffers to a certain extent, because of this – to the point where the series wasn’t renewed as part of the DCnU relaunch, which makes it seem like the series never really existed as anything more than a tie-in to a large event, rather than a cosmic comic book in its own right. It’s a shame, because Peter Tomasi has been one of the most consistant second-tier writers at DC, and his Guy Gardner is second-to-none. Also, you know, it looks incredible.

A breath of fresh air...

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Filed under: Comics | Tagged: batman, brightest day, dc, dc comics, Emerald Knights, Emerald Warriors, Fernando Pasarin, geoff johns, green lantern, Green Lantern: Emerald Warriors, Guy Gardner, Justice League International, peter tomasi, review, Scott Snyder, sodam yat, Tomasi, war of the green lanterns | Leave a comment »

Tony Bedard’s Run on Green Lantern Corps – Revolt of the Alpha Lanterns & The Weaponer (Review)

Posted on February 8, 2012 by Darren

As with Green Lantern and Emerald Warriors before it, Tony Bedard’s run on Green Lantern Corps feels like it’s trapped between two larger events, flowing out of Blackest Night and into War of the Green Lanterns. I think Bedard suffers a lot more than Geoff Johns and Peter Tomasi from this, merely because he’s new to the franchise – he did great work on R.E.B.E.L.S., but this is first time working with the cast of characters from Green Lantern. So, while Johns and Tomasi fall comfortably into their familiar routines, Bedard seems to struggle to find his feet, while telling his own story and managing the obligatory set-up for the next large-scale event.

That's the last time Sinestro calls Kyle a second-stringer...

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Filed under: Comics | Tagged: batman: arkham city, Bedard, comic books, dc universe, Ganthet, geoff johns, green lantern, green lantern corps, Guy Gardner, Hank Henshaw, john stewart, Kyle, Kyle Rayner, peter tomasi, Power ring (DC Comics), Revolt of the Alpha-Lanterns, sinestro, The Weaponer, Tony Bedard, war of the green lanterns | Leave a comment »

Justice League International: Volume 4 (Hardcover) (Review/Retrospective)

Posted on August 24, 2011 by Darren

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

Hm. Typical. Just as DC stops collecting Justice League International in these nice little hardcovers, I find that the series is getting back into the sort of swing and rhythm that I really loved about the superb first volume, but which became hard to maintain in equilibrium through the second and third collections. The last two books have veered just a little bit too much into sit-com territory for me. Don’t get me wrong, I like the humour that Giffen and deMatteis bring to the book, but I think it works better as a counterbalance to some nice superhero spectacle or drama, rather than being allowed to run free. The wonderfully wicked, occasionally subversive and often amusing sense of humour is in full effect in this collection, but it also features some nice character-centred storytelling, the type of refreshingly not-too-serious, but never completely out of control, approach that made the first few issues so damn appealing.

The new line-up...?

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Filed under: Comics | Tagged: arts, Blue Beetle, comic book review, comic books, Comics, dc comic, dematteis, funny books, geoff johns, Greenlantern, Guy Gardner, hal jordan, humour, J. M. DeMatteis, jla, JLI, jm dematteis, justice league, justice league america, Justice League International, keith giffen, review, ted kord, wonder woman | Leave a comment »

Justice League International: Volume 1 (Hardcover) (Review/Retrospective)

Posted on August 3, 2011 by Darren

Once upon a time — there was a Justice League of America. But that was another era, when the world could afford borders and boundaries. When heroes could claim national loyalties and feel justified in their claims.

But in today’s world there’s no longer room for borders or boundaries. The walls between nations have to fall if our planet is to survive. So, for the new era — a new league: Justice League… International!

– Introducing the Justice League International, Justice League #7

Unlike the upcoming Johns/Lee relaunch of DC’s most famous superhero team, or even Grant Morrison’s tenure on JLA, it’s clear from the outset that Justice League: International was never going to be a powerhouse team. As the introduction states, in the wake of the massive restructuring of the DC Universe following the near-reboot of Crisis on Infinite Earths, many characters were tied up in events in their own titles. George Perez was working on Wonder Woman, while John Byrne was putting his own slant on Superman in Man of Steel. So the only returning iconic Justice League founding members were Batman and the Martian Manhunter. The team had to make do with Guy Gardner as the resident Green Lantern. It wasn’t exactly an all-star line-up, to be honest.

The Unusual Suspects?

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Filed under: Comics | Tagged: batman, Blue Beetle, booster gold, comic books, Comics, crisis, crisis on infinite earths, dark knight returns, dc, dc comics, dc universe, green lantern, Guy Gardner, J. M. DeMatteis, JLI, justice league, Justice League International, keith griffen, kevin maguire, Martian Manhunter, maxwell lord, superman, United States | Leave a comment »

Absolute Green Lantern: Rebirth (Review/Retrospective)

Posted on May 12, 2010 by Darren

Face facts, John. The real Hal Jordan is back. And he’s bringing the past with him.

– Batman

Batman states the above as if it’s some sort of dire threat. Perhaps to him, one of the darker of the superhero community, it is. However, to writer Geoff Johns, it’s a mission statement. Let the reconstruction begin. It’s easy to balk at a relatively recent superhero comic being given DC’s prestige ‘Absolute’ format (it’s even easier when you realise it’s only six issues long for that hefty price tag), but Green Lantern: Rebirth deserves it. Not because it’s as iconic as, say, Alan Moore’s Watchmen or Neil Gaiman’s Sandman, because it isn’t. Nor is it because of the series’ increasingly important place in the DC canon. It deserves the treatment because of what it represents. This was the moment that the pendulum swung back in mainstream comics, a conscious rejection of the “darker and edgier” philosophy that gripped the medium in the nineties. It’s also a pretty good read.