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Ultimate Wolverine vs. Hulk

I’m on a bit of a Wolverine binge at the moment. I got the quite enjoyable Old Man Logan last week and am slowly working my way through the Wolverine Omnibus at the moment. I would have picked up Enemy of the State if it had a nice hardback version. But such is life. I figured I’d dip my toes into Marvel’s Ultimate line. Basically a shrewd marketing decision to launch all their titles from scratch – the hope being that the line could attract readers alienated by decades of continuity in mainstream comics. The experiment was a bit of a mixed success – Ultimate Spider-Man might be the most successful interpretation of the web-slinger this decade, but Ultimate X-Men left a lot to be desired. However, this continuity-free playground offered Marvel a chance to do two things: invite big-name film and television writers to handle their properties (such as allowing Lost scribe Brian K. Vaughan and Heroes writer Aron E. Coleite to work on Ultimate X-Men), but also to shameless release miniseries to capitalise on their big screen projects. Released between the big screen adaptations of The Incredible Hulk and X-Men Origins: Wolverine and featuring the work of Star Trek co-writer Damon Lindelof, this series attempts to do both. Does it succeed?

It's a game of two halves...

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