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Going Mobile…

Ah, mobile phones. Or cellular telephones to our overseas readers. How did we ever get by without them. Can you imagine a time when you were actually able to have a legitimate excuse for ignoring people trying to get into contact with you? When you were unreachable, save at home or at work? I reached my teenage years just as mobile phones became truly moble – I came of age as they became standard accessories for everyone. So I’ve never really lived in a world without them. So I’ve never really had a chance to stop and think about how they’ve influenced movie-making and the like. While they’ve undoubedly made it easier to write genres like dramas or romances where you no longer have to worry about characters sharing a geographic location to have a conversation, I think their biggest area of influence has been on horrors or thrillers, movies which took great pride in isolating individuals and having them face threats or challenges on their own. How has this changed?

Is there a life on the line?

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Non-Review Review: Papillon

Papillon is a great film. I fall just short of declaring it a masterpiece, but it’s certainly a proud cinematic achievement (seriously, there’s some lovely stunt work going on here). Based on the true, kinda true heavily fictionalised story of Henri Charriere (his real name is never given here, except for a brief shot of his jail cell), the movie is pretty much an episodic collection of incidences from his time in captivity, having been wrongly convicted for killing a pimp. Naturally some of these individual segments work better than others, and some seem a little disjointed, but Steve McQueen really ties it all together. Which is really something since he’s starring opposite Dustin “Oscar gold” Hoffman.

Hail to McQueen...

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What Does Box Office Failure Even Mean these Days?

It’s already happening. We’re already calling Kick-Ass a failure. Even though it managed to narrowly slide into first place at the US Box Office over the weekend, there are tonnes of pundits ready to dogpile on top of it and describe it as the most epic kind of failure. It seems to be a cyclical experience every time that a big geek film emerges, that has experienced a large amount of pre-release hype on the old interweb: Snakes on a Plane, Watchmen and Grindhouse among others. So how come Hollywood keeps pandering to a niche that never seems to show up?

Did Kick-Ass get its ass kicked? Should we call it Ass-Kick?

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Astonishing X-Men Omnibus by Joss Whedon & John Cassaday

Why did I have to follow Grant Morrison?

– Joss Whedon’s email correspondence with Marvel

What with all that talk of Whedon directing The Avengers on the big screen, I decided it was worth checking out his run on one of the most enduring superhero teams of all time.

Is this a breakout hit?

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Non-Review Review: Planet 51

Planet 51 is an enjoyable little animated film. It mostly skirts by on it’s rather interesting premise (what if an astronaut landed on an alien world exactly like fifties America?) and razor-sharp pop culture references (I wonder how many kids are going to get the references to E.T. let alone Alien or 2001: A Space Odyssey), but it’s ultimately let down by the fact that nobody involved seems to be trying too hard… or at all, really. The film relies on its intriguing premise to carry it, which it just about does, but it’s hard to feel that there isn’t so much more that could have been done.

I'm not sure if Chuck demonstrates to Planet 51 that there's intelligent life out there...

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The Great and Powerful Downey…

Remember how I mocked the idea of remaking The Wizard of Oz? I may take it back. The rumour is that Oz The Great and Powerful has entered production, a sort of prologue to the book and movie, based on the cult book Brick. It is basically an origin story for the Wizard himself. And rumour has it that Robert Downey Jnr. may be starring, with Sam Mendes directing. I’m waiting for more to get really excited (as, with Iron Man 2 coming out, this is the silly season for Robert Downey Jnr. related stories – we’ll see him linked to everything over the next two weeks), but this is certainly interesting.

I'd be off to see the wizard...

Non-Review Review: The Joneses

The Joneses is a sharply observed, perfectly timed, more than a little cynical examination of American suburbia. Trust me when I say that it’s hard not to leave the movie thinking of American Beauty, I mean that in the most flattering way possible. Yes, I bought what it is the Joneses were selling.

Sometimes you can choose your family...

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Non-Review Review: The Comfort of Strangers

Let me tell you something: My father was a very big man. And all his life he wore a black mustache. When it was no longer black, he used a small brush, such as ladies use for their eyes. Mascara.

– Robert

The Comfort of Strangers is… a strange film. I can appreciate what it’s doing (or rather what it is trying to do), but it never quite comes together. Perhaps it’s because the movie seems structured as too much of a thought exercise rather than a finished dramatic production. There’s food for thought here, but there’s really not too much else.

Never wander off with strangers... ESPECIALLY if they're Christopher Walken...

Note: I will be discussing the film’s ending, which is kinda important. But don’t worry, I’ll flag it beforehand. Plus, this film is nearly twenty years old, so I figure it’s fair game.

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Sympathy for the Daleks: Steven Moffat & The Shifting Status Quo

I suppose you could bring them back, but I’d be slightly puzzled, because they were robots that went wrong. Generally speaking, and maybe Russell wouldn’t agree with a word I’m saying right now, but my favorite Doctor Who story is the one with brand new monsters that you see once and once only. The moment you start crowding the universe with familiar monsters, I think it’s less interesting. Two of the words that you could reasonably apply to the Daleks are ‘reliably defeatable.’ You know those guys are going to lose at the last minute anyway, and you always know what they’re up to, so the best bit about bringing back old monsters is the reveal. After that, it’s all downhill. It’s like Agatha Christie deciding that the butler should always do it, because it was successful in the last book, so that’s not my favorite kind of Doctor Who story. I like brand new monsters.

– Steven Moffat

That answer comes from an interview he gave waaaay back in 2006 – about the time he was writing The Girl in the Fireplace, his second story for the relaunched Doctor Who. I don’t know if he knew then that he was heir apparent to the throne and would succeed Russell T. Davies, but I wonder if being positioned as showrunner has somewhat changed his perspective. In his inaugural year running the show, we’ve already had the return of the Daleks, three episodes in with Victory of the Daleks, next week we’ll witness Moffat returning to one of his own monstrous creations in The Time of Angels and previews have already confirmed that the Cybermen themselves – foes dating from the show’s first leading actor – will be returning as well (with Roman centurians). I’m not complaining at all (a writer as talented as Moffat can do pretty much whatever he wants and I’ll trust him), but I can’t help wondering if perhaps Moffat is playing his own long game with the franchise in his opening season.

Don't worry, this Cyberman is mostly 'armless...

Note: This article contains spoilers for the end of this week’s episode, The Victory of the Daleks, so those who haven’t caught it yet might want to look away or come back to this when they’ve seen the episode. You’ve been warned, so you have.

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Meme of the Moment: Ten Movie Facts About Me…

Castor over at Anomolous Materials tagged me for the latest internet blogging meme. Basically it asks me to share ten bit of movie trivia about me and then to pass it on. I can’t promise this will be interesting, but here we go…

Darren thinking up movie trivia. Simpson-ness may have been exaggerated.

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