• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Not Quite Total Recall: Taking the Paul Verhoeven out of Paul Verhoeven Films…

I’m actually a pretty forgiving guy when it comes to Hollywood rebooting and remaking older films. After all, these newer films don’t diminish the original. It’s fantastic if a writer and director can boldly reimagine an established property like Christopher Nolan did with Batman Begins, but there’s no big loss if the film fails. We’ll just collectively forget about, return to our cherished DVD copy of the original and there’s no real problem. So I actually don’t mind Hollywood returning to familiar themes, plots, characters, settings and ideas. However, with Hollywood producing a spate of blockbuster remakes of cult Paul Verhoeven films, I can’t help but wonder if they are completely missing the point.

Head wrecking…

Continue reading

A Film By Any Other Name: The Art of Stupid Movie Branding…

I have a confession to make. I did not go to see The Avengers. I went to see Marvel’s Avenger’s Assemble. I didn’t mention this before because… well, that’s a stupid name and people aren’t idiots. If I talk about “The Avengers” and mention details like a “giant green rage monster”, “Nick Fury”, “box office records” or even “enjoyable”, odds are that you will know the film that I am talking about. I’m normally quite reluctant to attack particular movie practices as silly or illogical, if only because I’ve no direct experience of how the industry works.

To be fair, I’ll generally assume that the studios know what they’re talking about when it comes to making movies. However, when it comes to slapping silly names on their posters and insisting that the audience refer to a movie by a convoluted, generic and awkward focus-group-crafted title, I do feel like I have an opinion. The Avengers is the most recent high-profile example, but I’ve found myself increasing irritated by this somewhat pointless branding.

Silly titles make Darren angry!

Continue reading

Doctor Who: The Doctor, The Widow & The Wardrobe (Review)

Where are we?

In a forest. In a box. In the sitting room. Try to keep up.

– Lily and the Doctor sum things up

I could get used to this “coopting a holiday classic” thing that Steven Moffat has going. After all, last year riffed on A Christmas Carol (right down to the name), and this one leans pretty heavily on The Lion, The Witch & The Wardrobe. I imagine a Doctor Who episode themed around It’s a Wonderful Life can’t be too far away. Still, strangely enough, the episode worked best as an illustration of the show’s wonderful heart and its charming understanding of childhood psychology – even if the actual science-fiction plot was a little disappointing and the ending felt like a bit of a copout. Certainly not quite as good as last year’s entry into the Doctor Who Christmas canon, but not a waste of time either.

It left me a bit cold...

Continue reading

Potter Might Have a Point: Perhaps It’s Not Such a Wonderful Life After All…

I don’t have your money here! It’s in….Bill’s house…And…Fred’s house!
What the hell are you doing with my money in your house Fred?
The PTA Disbands, The Simpsons

I finally saw Frank Capra’s It’s a Wonderful Life. The Helix over at DCU was screening a variety of modern and classic films in a cinema setting, and they chose the Jimmy Stewart classic as their Christmas movie. And quite right, too. However, watching the film, I couldn’t help but get the sense that things weren’t quite as simplistic as the movie made them out to be and that, while George Bailey might be one heck of a nice guy, there’s absolutely no way I’d trust him to handle my finances. While the town’s old miser, Potter, might as well have a moustache to twirl, I can’t help but think that maybe he might have a point or two about George Bailey, something the movie never really addresses.

The deficit is thiiiiiiiis big...

Continue reading

Tintin: The Calculus Affair (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

The Calculus Affair is an interesting little story that is one part suspense thriller, and another part mystery. In short, it’s almost the perfect cocktail to brew up a Cold War espionage thriller, which was exactly what Hergé was going for. It wouldn’t be too difficult to rework the adventure as a James Bond movie (in fact, it even features a sequence with our lead piloting a tank), but Hergé does a lot of work to ensure that the story never gets too heavily bogged down. Much like King Ottokar’s Sceptre, the story stands quite well as an examination of the time when it was written.

Another fine mess!

Continue reading

Tintin: Destination Moon (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

Destination Moon is an interesting entry in the Tintin canon, in that it really feels like Hergé’s relaxing just a bit. Since around about The Broken Ear (or even Tintin in America), most of Hergé’s stories have been relatively plot-driven, with a central mystery and a story built around solving that mystery. Destination Moon, on the other hand, is an adventure that feels far more episodic in nature, with Hergé taking a central plot (the race to land a man on a moon) and then building a variety of small adventures around it, from attempts to hijack a test rocket through to Professor Calculus’ amnesia and beyond. The story is somewhat leisurely plotted, but that’s not necessarily a bad thing. The author is clearly enjoying having a little bit more narrative freedom than he’s used to, and also having a great deal of fun taking a fantastical core concept and demonstrating how much research he’s put in.

It's out of this world...

Continue reading

Tintin: Land of Black Gold (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

Land of Black Gold is certainly an interesting Tintin story. It was begun during the Second World War, but suspended while Hergé’s paper, Le Soir, was investigated under suspicion of collaboration. Following the war, the author returned to complete the work, updating the adventure to remove some of the more obvious political elements, and to retroactively insert some of the more modern characters into the tale (Captain Haddock has a small role, and Cuthbert Calculus appears only via letter). However, despite all this interesting shuffling around, and the fact the story was begun in one political climate and finished in another, it’s surprising how relevent Hergé’s exploration of Middle Eastern politics remains.

Thompson and Thomson get their just deserts, eh?

Continue reading

Non-Review Review: The Remains of the Day

It’s a sad truth that Emma Thompson and Anthony Hopkins are rarely handed roles that allow them to demonstrate their true abilities. The Remains of the Day is an absolutely stunning period drama from Merchant Ivory (which sounds far more impressive than any functional “combination of last names” really should). It’s a rather beautiful look at the classically romantic British character, but also an absolutely scathing attack upon it. It’s a brilliant examination of the inherent tragedy of the stereotypical British detachment, the capacity to maintain emotional distance in order to endure whatever life has to offer. Mister Stevens is the quintessential English butler, but he’s also one of the most tragic central characters I think I’ve seen in quite some time.

All that Remains...

Continue reading

The Absolute Authority, Vol. 2 (Review)

With Wildstorm being officially folded into the relaunched DCU (the “DCnU”), I thought I might take a look at some of the more successful and popular Wildstorm titles that the company produced. In particular, The Authority, the superhero saga that spun out of Stormwatch – a series that is getting its own post-relaunch book written by Paul Cornell, easily one of my more anticipated titles.

In many ways, it was The Authority that established Mark Millar and Frank Quitely as talents to watch in their own rights, rather than through their associations with Grant Morrison. As a concept, the series was launched by Warren Ellis and Bryan Hitch, but the duo picked their own replacements. I have to say, I think they chose rather wisely, even if the series has lost a rather considerable amount of its bite nearly a decade after its initial publication. That said, it’s still a highly entertaining superhero book, and one which had more than its fair share of influence on the mainstream titles over the last ten or so years.

There's a new Authority in town...

Continue reading

Geoff Johns’ Run on Justice Society of America – The Next Age, Thy Kingdom Come (Parts I, II & III) & Black Adam and Isis

With the Justice Society of America perhaps the most high-profile title excluded from DC’s upcoming relaunch, I thought I’d bid them farewell by taking a look at writer Geoff Johns’ second run on the title.

The Justice Society of America is one of those titles that DC does so well, one based on legacy. Admittedly Marvel has made some attempts in recent years (The Immortal Iron Fist stands out as a big example, as does Ed Brubaker’s Marvels Project – focusing on the World War II heroes adopted into Marvel’s pantheon), but DC have always handled the nostalgia so well. In fact, the relaunch of the Justice Society of America was prompted by the outstanding success of James Robinson’s original superhero generational saga, Starman. This collection represents the first set of arcs from the third volume – writer Geoff Johns was a veteran from the second volume, which (along with his writing on Flash) brought him to mainstream attention. So he knows the cast of characters and their world inside out.

Pin-ups...

Continue reading