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In Defense of “Obnoxious” 3D…

Discussing the upcoming adaptation of Marvel’s The Avengers, it was strange to hear director Joss Whedon assure fans that the film would not be “obnoxiously 3D.” I am hardly the biggest fan of 3D, for a multitude of reasons I’ll undoubtedly get into in a minute, but I can’t help but feel a little disappointed. After all, since Whedon isn’t filming in 3D, what’s the point in doing it at all if you aren’t at least going to treat it like the gimmick that it is?

Out of their depth?

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The Adventures of Tintin: Tintin And The Picaros (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I have to admit, I quite like Tintin and the Picaros as the final completed entry in Hergé’s saga. I know he was, of course, working on Tintin and the Alph-Art when he passed, but I think that Hergé’s Tintin and the Picaros is a frank and honest reflection on the franchise, one that perhaps concedes that all good things must come to an end, and that the world around Tintin is not the same as it once was. So, there’s some great potential for a strong finale to the series here. However, the animated adaptation lacks a lot of the subtlety and nuance that Hergé’s original story had, leaving it feeling like a rather generic entry in the series, rather than a fitting conclusion.

Dressed for the occasion...

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The Adventures of Tintin: Flight 714 (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Towards the end of his Adventures of Tintin, you could tell that Hergé was growing increasingly experimental, taking the series well outside comfort zone of pulp thrillers and global adventures. Tintin in Tibet was an introspective meditation on hope and faith. The Castafiore Emerald was a combination of plot threads that never really managed to tie together into an adventure. Flight 714 reads as if it were a parody of a Tintin story, instead of one itself. It’s a collection of incredible coincidences, elaborate schemes and recurring villains, all written in a wry style that tends to divide fans. Some appreciate the tongue-in-cheek nature of the story, while other find the inclusion of aliens to be a ridiculously fantastical element. It’s certainly not a conventional Tintin story. And, to be honest, I think this poses a bit of a problem for the team handling the adaptation. They’ve done a stellar job tying together the more straight-forward entries in the series, but seem to struggle with some of the stranger instalments.

And this, I’m afraid, is very strange.

Departure lounging around...

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The Adventures of Tintin: The Castafiore Emerald (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

The Castafiore Emeraldis certainly a strange title to adapt for an animated television series. Essentially an excuse for Hergé to play with the assorted tropes and clichés he had established for the series, the story is a mystery that refuses to conform to what Tintin and the audience might expect it to, with each and every avenue of exploration turning into a dead end. As such, it allows Hergé to explore the more personal interactions of his supporting cast (like Haddock and Calculus), while having a bit of fun with his lead character – the boyish reporter. While it makes for an interesting book, I’m not convinced that it could ever really work as an animated episode.

Faithful to the letter...

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The Adventures of Tintin: Tintin in Tibet (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Tintin in Tibet is a wonderful book. It’s probably, despite coming towards the end of the series, the perfect book to give somebody who wants to try to read The Adventures of Tintin. It’s a perfect encapsulation of all the heart and warmth that makes Hergé’s series so fascinating, and an illustration of how appealing and endearing his two leads are. More than that, though, Hergé’s story is one of hope and faith, and it’s hard not feel a little bit warm inside after reading it. So the animated adaptation has quite a lot to work with. While they don’t surpass the original book – which would be quite a considerable accomplishment – they do it proud.

It's Snowy out there...

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The Adventures of Tintin: The Red Sea Sharks (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

In many ways, The Red Sea Sharks feels like a conclusion to The Adventures of Tintin. Drawing together countless plot threads and supporting characters into one massive confrontation between Tintin and Rastapopoulos, providing some nice set pieces and a tour of the globe, the adventure feels like it’s really wrapping up all the left over bits and pieces the series has accumulated since Cigars of the Pharaoh. The four adventures that followed would have a markedly different tone, to the point where they almost felt like an epilogue, examining what happened after Tintin’s globe-trotting adventures had concluded. The animated adaptation of the episode seems to treat it as an adventure relatively epic in scope, and again makes a surprising case for an unconventional candidate for a potential movie adaptation.

Just plane trouble...

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The Adventures of Tintin: The Calculus Affair (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

We’re just finished the more fantastical series of Hergé’s adventures, where he took his lead (and supporting cast) to the bottom of the ocean, to the heart of a lost Inca society and even to the moon itself. The animated series proved quite adept at handling these stories. The fact that Hergé’s two-part adventures translated to four-part feature-length episodes was just icing on the cake. However, I find myself wondering how the team will handle The Calculus Affair. It’s a relatively mature adventure, and it represents a point where the series became considerably more self-aware and reflexive. Given some of the changes made to earlier stories, I can’t help but wonder how the series will deal with these very different themes and ideas.

Tintin must have ticked off some important people in his time...

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The Adventures of Tintin: Explorers on the Moon (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

After a somewhat disappointing adaptation of Destination: Moon, the series bounces back with a wonderful take on Explorers on the Moon. I honestly think that Destination: Moon and Explorers on the Moon are perhaps Hergé’s most optimistic work on the series, aside from Tintin in Tibet. Although one can detect hints of the Cold War on the horizon, informing his writing, there’s still an incredible sense of marvel at the human capacity for what seems to be impossible. While the adaptation of Destination: Moonseemed to miss the comical whimsy to focus on the sabotage subplot, it does a much better job with the more earnest joy of this space-based adventure.

One small step...

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The Adventures of Tintin: Destination Moon (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I think that Destination: Moon represents perhaps the most significant challenge to the producers of the animated series so far. While they managed to harvest a plot from the disjointed collection of scenes Hergé knitted together to form Tintin in America, this is the perhaps the least standard instalment of the series they’ve tried to adapt until this point. I’m a big fan of Destination: Moon, reading it as a wonderful optimistic and enthusiastic reflection on mankind’s potential, coming from Hergé after the Second World War. However, it’s also a bit unstructured and episodic, almost a collection of short stories tied together by the plan to send a manned mission to the moon. The animated adaptation doesn’t have the luxury of cutting the adventure down to a single episode, and so it’s a standard two-parter. It seems that there was a bit of difficulty structuring the story for that format.

Blast off!

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The Adventures of Tintin: Land of Black Gold (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of the nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Land of Black Gold feels like a rather conscious throwback to the earlier adventures in the series, stories like King Ottokar’s Sceptre or The Black Island or Cigars of the Pharaoh, dealing with relatively grounded political concepts and economic realities, rather than hidden treasure or lost civilisation or trips to the moon itself. Of course, there’s a very good reason – Land of Black Goldwas started before the outbreak of the Second World War, and Hergé put it on hold to write about more abstract and less political concerns. That’s why Haddock only appears in this episode five minutes from the end, because he hadn’t been created when the original story was told. I don’t dislike the adventure, but it does feel rather strange, situated where it is in the Tintin canon.

Petrol was always an explosive topic...

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