The 250 | the m0vie blog

436. There Will Be Blood (#142)

Posted on September 13, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guests Phil Bagnall and Darcie Faccio, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This week, Paul Thomas Anderson’s There Will be Blood.

Daniel Plainview is an oil man at the turn of the twentieth century. A prospector who struck lucky in California, Plainview has dedicated his life to the pursuit of black gold on the edge of the American continent. As he stumble across a potentially life-changing find, the veteran businessman finds himself thrown into conflict with that other great American industry: organised religion.

At time of recording, it was ranked 142nd on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: ambition, american cinema, character complexities, cinematography, contemporary societal issues, Daniel Day-Lewis, Daniel Plainview, film, great american film, greed, identity, imdb, Jonny Greenwood, moral ambiguity, Movie, Paul Thomas Anderson, podcast, power, score, technical achievements, The 250, there will be blood, visual style | Leave a comment »

432. The Green Mile (#25)

Posted on August 23, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guests Charlene Lydon and Cethan Leahy, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This week, Frank Darabont’s The Green Mile.

At the turn of the millennium, Paul Edgecomb reflects back on his time serving as chief guard overseeing death row at Cold Mountain Penitentiary during the 1930s. Paul recalls the standard operation of that section of the prison, known as “the Green Mile”, but in particular the arrival of a unique inmate, John Coffey. Neither Paul, nor anybody else on the Mile, have any idea what Coffey’s arrival will herald.

At time of recording, it was ranked 25th on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: 1990s, cethan leahy, character dynamics, charlene lydon, Christ-like figure, cinematic landscape, compassion, cultural impact, cultural significance, Death Penalty, emotional depth, emotional engagement, frank darabont, humanist message, injustice, John Coffey, michael clarke duncan, moral dilemmas, morality, narrative intricacies, podcast, race, race portrayal, societal themes, stephen king, The 250, the green mile, tom hanks, Wild Bill | Leave a comment »

431. Past Lives – Leaving Cert 2025 (#—)

Posted on August 16, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, with week with special guests Conor Murphy and Natasha Waugh, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This August, we are taking a look at the films on the Irish Leaving Certificate Curriculum. This week, Celine Song’s Past Lives.

Nora Moon was just twelve years old when her family emigrated from South Korea to Canada. Moving to New York to pursue a career as a writer, Nora tries her best to stay in contact with her childhood friend Hae Sung, who remained in Seoul. Time passes and the pair drift out of contact. Years later, Hae Sung reaches out to let Nora know that he will be visiting New York, causing Nora to confront and re-evaluate many of her life choices.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: Celine Song, character complexities, cinematographic techniques, conor murphy, emotional narrative, film education, immigration, Irish Leaving Cert, love, natasha waugh, past lives, podcast, Relationships, The 250 | Leave a comment »

426. Kill Bill, Vol. 2 (#—)

Posted on July 5, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guest Darcie Faccio, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Quentin Tarantino’s Kill Bill, Vol. 2.

Having crossed two names off her list, the Bride continues her rip roaring rampage of revenge against the people who put her in a coma. As she finds herself on a collision course with her mentor and lover Bill, the Bride races towards a revelation that she could not possibly predict.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: abuser-victim relationships, Beatrix Kiddo, character development, cinematography, cycles of violence, Darcie Faccio, female audiences, greatest films, identity, imdb, Kill Bill Volume 2, music, narrative style, non-linear storytelling, pacing, podcast, quentin tarantino, redemption, revenge narratives, The 250, traditional masculinity, uma thurman, Vengeance | Leave a comment »

425. Kill Bill, Vol. 1 (#151)

Posted on June 28, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guest Darcie Faccio, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Quentin Tarantino’s Kill Bill, Vol. 1.

A brutal mass murder at a wedding in El Paso, Texas, leaves a sole survivor: an anonymous pregnant woman, a former assassin who tried to escape her life of murder and mayhem for something more tranquil and serene. However, her old life was not finished with her. Four years later, the would-be bride wakes up and embarks on a roaring rampage of revenge driven by a single objective. She is going to Kill Bill.

At time of recording, it was ranked 151st on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: action sequences, Beatrix Kiddo, betrayal, Bob Richardson, cinematography, cultural impact, cultural significance, Darcie Faccio, emotional themes, films, genres, identity, imdb, Kill Bill Volume 2, kill bill: volume 1, morality, Movies, podcast, quentin tarantino, revenge, stylistic choices, stylistic evolution, The 250, themes, violence | Leave a comment »

424. Maharaja (#218)

Posted on June 22, 2025 by Darren

Hosted by Andrew Quinn, Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Nithilan Saminathan’s Maharaja.

In Chennai, a barber stumbles into a police station with an unbelievable story. His home has been burglarised, but the only thing of value that the thieves stole was a trash can of huge importance to the man and his daughter. It quickly becomes clear that there is something more afoot, a more complicated narrative of revenge and betrayal spanning decades and culminating in an act of unimaginable evil.

At time of recording, it was ranked 218th on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: diverse narratives, dual narratives, film, gender, imdb, indian, indian cinema, Maharaja, moral ambiguity, netflix, Nithilan Saminathan, podcast, rape revenge, representation of women, revenge, sexual assault, social justice, societal commentary, tamil, Tamil film, The 250, violence | Leave a comment »

423. Predator: Killer of Killers – All-ien 2025 (#—)

Posted on June 14, 2025 by Darren

Hosted by Andrew Quinn, Darren Mooney and Jess Dunne, this week with special guest Richard Drumm, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Dan Trachtenberg and Joshua Wassung’s Predator: Killer of Killers.

Across centuries, if not millennia, of human history, an alien species has journeyed to earth in the hopes of hunting the most dangerous game of all. This is a collection of three stories about three human beings who found themselves facing an extraterrestrial monster, and discovered something about themselves in the ensuing conflict.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: animated entry, animation, animation quality, anthology, anthology format, character development, dan trachetneberg, familial bonds, imdb, jess dunne, narrative elements, podcast, Predator franchise, Predator Killer of Killers, Predator mythology, richard drumm, The 250, the thrid floor, Vengeance | Leave a comment »

422. Ainda Estou Aqui (I’m Still Here) (#228)

Posted on June 7, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guest Ingrid Machado, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Walter Salles’ Ainda Estou Aqui.

In 1970s Brazil, the Paiva family lives a charmed and tranquil existence. As the country around them slips into dictatorship, the family has managed to hold on to something close to normality. However, that peaceful life is suddenly and brutally shattered as the outside world comes crashing in.

At time of recording, it was ranked 228th on the list of the best movies of all time on the Internet Movie Database.

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Filed under: This Just In | Tagged: "I'm Still Here", Andrew Quinn, brazil, cultural relevance, emotional depth, Fernanda Torres, imdb, ingird machado, Ingrid Machado, memory, military dictatorship, Movie, podcast, political issues, relevance, social commentary, The 250, trauma, Walter Salles | Leave a comment »

421. Snow White – Ani-May 2025 (#—)

Posted on June 1, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guests Luke Dunne and Ciara Moloney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Mark Webb’s Snow White.

In a magical kingdom, an evil queen plots the murder of a beautiful young princess, who is forced to flee into the woods and find shelter with the most unlikely of allies.

At time of recording, it was not ranked on the list of the worst movies of all time on the Internet Movie Database.

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Filed under: The Bottom 100, This Just In | Tagged: 2025, adaptation, agency, audience expectations, celebrity PR, characterizations, Christopher Nolan, ciara moloney, cinema, conspiracy theories, creative collaboration, cultural implications, cultural significance, disney, evil queen, female agency, film artistry, film critic, human experiences, imdb, Irish diaspora, luke dunne, mark webb, Mary McDonough, PhD completion, podcast, polarizing reactions, production history, Rachel Ziegler, representation, snow white, social issues, socio-political dynamics, storytelling, The 250, The 250 podcast, themes, tom cruise, traditional characters | Leave a comment »

419. Sinners (#—)

Posted on May 18, 2025 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guest Lee Murkey, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Ryan Coogler’s Sinners.

Twin brothers Smoke and Stack return to the Mississippi Delta from Chicago, bringing with them money and booze. The duo plan to open a juke joint for the local community, and set about preparing for the launch. Little do the pair realise that something sinister is stalking through the night, lurching towards their speakeasy, drawn by the siren call of the blues.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.