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Non-Review Review: Hot Tub Time Machine

I remember being assured by somebody that pop culture will eat itself. I’m not sure who and I’m not sure when (maybe this person had a time a machine – because it seems to be happening). I never understood if that was a promise or a threat, and I still don’t. However, if you wanted to get a look at the below of the beast, I imagine it might look a little like Hot Tub Time Machine.

Rubba dub dub, four men in tub...

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Non-Review Review: Paranormal Activity

I’m sucker for things that go bump in the night. It’s a personal thing. Some people are inherently weirded out by the very idea of zombies or insects or serial killers, but it’s ghosts (or demons or “spiritual presences” or whatever euphemism you wish to use) in their purest forms which terrify me. It’s a matter of personal horror preference – I can (admittedly reluctantly) take copious amounts of gore and graphic violence and, while I may flinch, I’ll shrug it off. It may get me while I’m watching it and I may even look away like a big baby, but it doesn’t really bother me. Give me something just a bit more abstract and I’ll spend the night shivering. So Paranormal Activity was right up my street, then?

A new house can be hell on a relationship...

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Non-Review Review: Spider-Man

It’s hard to believe in retrospect, but the movie that kick started the whole superhero movie subgenre is nothing but a gigantic, big budget B-movie. And, trust me, that’s a compliment.

I guess this is a web review (geddit?)...

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Non-Review Review: Serenity

“Love,” someone suggests at a key moment in Joss Whedon’s big screen sequel to his cult television show Firefly, is what keeps a ship afloat, “Love keeps her in the air when she oughta fall down, tells ya she’s hurtin’ ‘fore she keens. Makes her a home.” In a way, it’s hard not to feel that he could just as easily be talking about this particular movie adaptation. Serenity is a movie which by all rights shouldn’t exist. Based on a television show unfairly cancelled by a network which couldn’t bring itself to offer it a fighting chance, it seems odd to see the series transitioned to the big screen in search of closure. The movie is itself an act of love – an act early in the film confused (understandably) with madness – love for the show, for its concepts and for those who gave it the benefit of the doubt that its own producers couldn’t.

Thank god there's a master at the helm...

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Non-Review Review: Iron Man 2

Legacy. It’s all about legacy. What we leave for our children and what we inherit from our parents. Sometimes it’s bitterness and hatred, sometimes it’s more than we think. Iron Man as a concept is inherently linked to the Cold War and American foreign policy, so it’s a fitting theme for the sequel to tackle. Fathers and sons dominate the film, as does the simple and haunting fact that the now is shaped by the then. Some of us get to change the world, some of us simply leave big smoking craters behind us. Even the bad guy, a Russian, consciously evokes conflicts fading from memory that shaped our modern world.

Sometimes you just need to slow down and take a break...

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Non-Review Review: Date Night

Date Night is a perfectly okay film (okay, maybe a tinsy bit better than “perfectly okay”, but “a tinsy bit better than than a perfectly okay film” just doesn’t roll off the tongue as easily as it should). It essentially coasts off its deliciously old-school comedy-of-errors premise and the charisma of its two leading actors (plus their ensemble of cameo! friends), while never really trying too hard or ever really hitting a note of pitch perfect comic genius. There are no lines you’ll be quoting to yourself for weeks afterwards (except maybe “kill shot!” every time somebody tilts their sideways gun at you – but I’ll assume that doesn’t happen too often).

Their date night is about to become a late night...

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Non-Review Review: Papillon

Papillon is a great film. I fall just short of declaring it a masterpiece, but it’s certainly a proud cinematic achievement (seriously, there’s some lovely stunt work going on here). Based on the true, kinda true heavily fictionalised story of Henri Charriere (his real name is never given here, except for a brief shot of his jail cell), the movie is pretty much an episodic collection of incidences from his time in captivity, having been wrongly convicted for killing a pimp. Naturally some of these individual segments work better than others, and some seem a little disjointed, but Steve McQueen really ties it all together. Which is really something since he’s starring opposite Dustin “Oscar gold” Hoffman.

Hail to McQueen...

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Non-Review Review: Planet 51

Planet 51 is an enjoyable little animated film. It mostly skirts by on it’s rather interesting premise (what if an astronaut landed on an alien world exactly like fifties America?) and razor-sharp pop culture references (I wonder how many kids are going to get the references to E.T. let alone Alien or 2001: A Space Odyssey), but it’s ultimately let down by the fact that nobody involved seems to be trying too hard… or at all, really. The film relies on its intriguing premise to carry it, which it just about does, but it’s hard to feel that there isn’t so much more that could have been done.

I'm not sure if Chuck demonstrates to Planet 51 that there's intelligent life out there...

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Non-Review Review: The Joneses

The Joneses is a sharply observed, perfectly timed, more than a little cynical examination of American suburbia. Trust me when I say that it’s hard not to leave the movie thinking of American Beauty, I mean that in the most flattering way possible. Yes, I bought what it is the Joneses were selling.

Sometimes you can choose your family...

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Non-Review Review: The Comfort of Strangers

Let me tell you something: My father was a very big man. And all his life he wore a black mustache. When it was no longer black, he used a small brush, such as ladies use for their eyes. Mascara.

– Robert

The Comfort of Strangers is… a strange film. I can appreciate what it’s doing (or rather what it is trying to do), but it never quite comes together. Perhaps it’s because the movie seems structured as too much of a thought exercise rather than a finished dramatic production. There’s food for thought here, but there’s really not too much else.

Never wander off with strangers... ESPECIALLY if they're Christopher Walken...

Note: I will be discussing the film’s ending, which is kinda important. But don’t worry, I’ll flag it beforehand. Plus, this film is nearly twenty years old, so I figure it’s fair game.

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