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When Was the Last Time a Horror Film Gave You Nightmares?

We had a family outing at the weekend. We all went to see The Last Exorcism, on the recommendation of my gran. We were pretty much all disappointed, but to different degrees. Anyway, as we sat around the kitchen table at midnight, discussing the film, my gran and my aunt conceded that whenever they typically saw a film about demons, they had trouble sleeping – even the camp horror of The Devil Rides Through or the courtroom-focused drama of The Exorcism of Emily Rose. However, neither would have any real trouble sleeping that night (and, the following morning, both seemed perfectly rested). So it got me thinking, perhaps the perfect measure of a horror movie’s effectiveness is how afraid it makes you as you lay yourself down to rest. So, when was the last time you had trouble sleeping?

A stab in the dark...

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Non-Review Review: The Last Exorcism

The fundamental problem with The Last Exorcism is that it tries to be too many things, while being unwilling to completely invest in any of them. Is it an exploration of the culture of “showy exorcisms” (where the preacher himself refers to it as “a sham”)? Is it a jerky, handheld homage to The Exorcism, filtered through Paranormal Activity? Is it an indictment of small insular communities and the sinister ideas which may underpin them, as in The Wicker Man? It seems to be all three at once, which is a problem, as the three don’t gel together too well in a two-hour film.

The movie certainly isn't a blessing...

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The Whole Truth: How “True” Are “True Stories”?

Something that has always made me wonder is how close to reality film and television are or are not. Sometimes this is expressed in abstract terms – for example whether Baltimore is really as bad as it is made out to be in The Wire. However, it’s much more direct when one looks at what claims to be a true story. Reality isn’t film. Things don’t always break down to key “moments”. Events play out over the long term, and sometimes subtly. There isn’t always a bad guy or an antagonist. There certainly always isn’t a happy ending. So naturally amendments need to be made, because these events need to be translated to drama. But where is the line? How far can you stretch the truth until it breaks?

Staying true to yourself...

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Sometimes I’m Not Proud to be Irish…

Today is Arthur’s Day. I find myself almost subconsciously putting “St.” in front of that, because only saints have days, right? Anyway, only in Ireland could we sell a day around a guy who invented “the black stuff”. I think Guinness should be proud of marketing the whole thing so well. Anyway, this being perhaps the second most Irish day of the year, I thought I’d reflect very briefly on being Irish. I recently praised the forward-thinking work of former Irish Film Censor John Kelleher in attempting to remove our nation’s reputation for frankly backwards censorship – not an easy task when you consider we’ve got our own blasphemy law. Anyway, Kelleher rebranded his office the Irish Film Classification Office (IFCO), because he saw his role as classifying movies (rating them) as opposed to cutting or censoring them (“I don’t believe in censorship for adults”). It appears that it hasn’t taken too long for the office to return to its roots since his departure, the video nasty I Spit on Your Grave has been banned in Ireland by the office of the film censor.

I spit on your freedom of expression...

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Non-Review Review: The Shawshank Redemption

I have to admit, I’ve always found The Shawshank Redemption a tad overhyped. Don’t get me wrong, it’s a masterfully made film with a fantastic cast and a fantastic score from a director at the very top of his game. Still, the movie’s never entirely won me over – perhaps because I can’t entirely buy into the parable of hope and redemption that is being spun. It’s very powerful stuff, but I can’t help but feel a little cheated with the fact that the movie asks us to believe that something good came of the pit of human suffering at Shawshank.

You can easily get board in Shawshank...

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Paradise Lost & Found: Milking Milton

Sometimes you hear a movie pitch and you think “man, that’s a good idea”. This is not one of those ideas. Apparently Hollywood has run out of modern fantasy books and comics to adapt and have set their eyes to a somewhat higher brow work: Milton’s Paradise Lost. I loved that book in secondary school almost as much as I loved Dante’s Inferno (the rest of The Divine Comedy I could take or leave, to be brutally honest). Anyway, you’d think I would be rejoicing at the news of the adaptation, but my cynical nature betrays itself here. You see, here is exactly what the producers had to say about the proposal:

…the project tells the story of the epic war in heaven between archangels Michael and Lucifer, and will be crafted as an action vehicle that will include aerial warfare, possibly shot in 3D.

Yes, it’s a 3D “aerial warfare” movie. I’m waiting for the announcement that Sam Worthington will play Satan and Vin Diesel will play the “one day away from retirement” Archangel “my friends call me Gabe” Gabriel.

That pitch meeting obviously didn't go well...

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Putting the “Man” in Romance: Deconstructing The “Gerard Butler” Romantic Comedies

I had the misfortune of watching The Bounty Hunter last week. It was horrible, really. In fairness, I tend to have a problem with the conventional romantic comedy as it’s mass produced and shipped out to cinemas at least once a month like clockwork. A string of movies which are based on the principle that all men and women (whether they know it or not) want to settle down and get married, argue over stupid things about three quarters of the way through the film and get together again in time for the end credits. Not only are the morals of such films highly dubious, the delivery is generally just excruciating. However, something has changed within the genre in the past couple of years… and not necessarily for the better. I’ll let The Guardian sum up my position:  

I realise it’s high time we refreshed the tired tics and tropes of the kissy-kissy no-boys-allowed modern women’s picture, I just didn’t think the solution would be to take the suppressed homoeroticism of the punchy-punchy male buddy flick then slather it over the vaguely virginal values associated with most Sandra Bullock and Amanda Bynes movies.  

That about sums it up nicely, don’t you think?  

The figure on the left indicates where good ideas come from... the figure on the right indicates where most romantic comedy ideas come from... by the way, he has his back to us...

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Non-Review Review: Terminator Salvation

There are perhaps some franchises which really shouldn’t endure after the departure of the creative brain behind the operation. Some would argue that The West Wing should have ended after Aaron Sorkin departed, and I would argue that Warner Brothers should probably reboot Batman after Nolan leaves, rather than continuing his saga (since there’s no way they’ll let that franchise lie fallow). Terminator is perhaps another example. The first two films are iconic, towering science-fiction masterpieces which perfectly blend big ideas with visceral thrills – The Terminator is a tightly constructed urban thriller, while Terminator 2: Judgement Day helped define what a blockbuster should look like. However, once Cameron departed, the franchise was somehow allowed to continue limping on. After the really awful Terminator 3: The Rise of the Machines, I was willing to let the series die. However, somehow we got a fourth movie. And, despite all my misgivings and preconceptions, it isn’t bad. It isn’t great, but it isn’t terrible.

Sam Worthington needs a Bale-out...

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Non-Review Review: The Bounty Hunter

It’s a movie which stars Gerard Butler as a bounty hunter. It should at least feature infinitely greater amounts of gratuitous violence, even if it was always going to be just this boring.

If you want to get revenge on a partner, you can take them to jail... or you can make them watch The Bounty Hunter...

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Non-Review Review: From Paris, With Love

Mister Morel, I watched Taken, I knew Taken, Taken was a film of mine. Mister Morel, this is no Taken. 

No can do, apparently...

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