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Non-Review Review: The Ring

The Ring is actually a surprisingly effective horror when measured on its own terms, as well as being perhaps the most successful American adaptation of a Japanese horror. I would make the case that the film isn’t a patch on the original Ringu, but it’s to director Gore Verbinski’s credit that he attempts to subtly distinguish his film from the one that inspired it, while remaining true to the spirit of that classic cult horror.

Watts going on here?

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Non-Review Review: Ringu

There are a handful of movies I will forever associate with a particular viewing experience – and some with the first time I had seen a given movie. I remember, for instance, seeing Star Wars: The Empire Strikes Back for the first time with my father in the local cinema during its nineties re-release. When I think of Bram Stoker’s Dracula, I recall the time I had to sit in the hall while the grown-ups watched it. Anytime I see The Shining, I think back to watching it in the wee hours of the morning with gran and granddad. The Japanese cult horror Ringu is something of a similar experience.

All's well that ends well...

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When Was the Last Time a Horror Film Gave You Nightmares?

We had a family outing at the weekend. We all went to see The Last Exorcism, on the recommendation of my gran. We were pretty much all disappointed, but to different degrees. Anyway, as we sat around the kitchen table at midnight, discussing the film, my gran and my aunt conceded that whenever they typically saw a film about demons, they had trouble sleeping – even the camp horror of The Devil Rides Through or the courtroom-focused drama of The Exorcism of Emily Rose. However, neither would have any real trouble sleeping that night (and, the following morning, both seemed perfectly rested). So it got me thinking, perhaps the perfect measure of a horror movie’s effectiveness is how afraid it makes you as you lay yourself down to rest. So, when was the last time you had trouble sleeping?

A stab in the dark...

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It’s For-eign, Not For Americans…

What is the deal with remaking foreign films for American audiences, really? That Akira remake apparently still alive.

Despite the high volume of foreign films being remade, there are comparatively few English films that warrant an Americanised reworking, so I’m going to suggest that it’s not merely the cultural barrier that needs transcending. I think it’s the foreign language barrier. So, what’s the point in remaking and reimagining foreign properties for huge amounts of money – why not simply pay more heed to the original product?

For the record, NOT how you do a 180-degree turn...

For the record, NOT how you do a 180-degree turn...

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