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Putting the “Man” in Romance: Deconstructing The “Gerard Butler” Romantic Comedies

I had the misfortune of watching The Bounty Hunter last week. It was horrible, really. In fairness, I tend to have a problem with the conventional romantic comedy as it’s mass produced and shipped out to cinemas at least once a month like clockwork. A string of movies which are based on the principle that all men and women (whether they know it or not) want to settle down and get married, argue over stupid things about three quarters of the way through the film and get together again in time for the end credits. Not only are the morals of such films highly dubious, the delivery is generally just excruciating. However, something has changed within the genre in the past couple of years… and not necessarily for the better. I’ll let The Guardian sum up my position:  

I realise it’s high time we refreshed the tired tics and tropes of the kissy-kissy no-boys-allowed modern women’s picture, I just didn’t think the solution would be to take the suppressed homoeroticism of the punchy-punchy male buddy flick then slather it over the vaguely virginal values associated with most Sandra Bullock and Amanda Bynes movies.  

That about sums it up nicely, don’t you think?  

The figure on the left indicates where good ideas come from... the figure on the right indicates where most romantic comedy ideas come from... by the way, he has his back to us...

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Non-Review Review: The Bounty Hunter

It’s a movie which stars Gerard Butler as a bounty hunter. It should at least feature infinitely greater amounts of gratuitous violence, even if it was always going to be just this boring.

If you want to get revenge on a partner, you can take them to jail... or you can make them watch The Bounty Hunter...

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Do We Live in the Age of the Forty-Something Leading Lady?

Jennifer Aniston’s romantic comedy The Bounty Hunter may not have quite set the US box office alight last weekend (coming third behind Alice in Wonderland and some film even I’ve never heard of), but she’s still one of Hollywood’s biggest name leading ladies currently on film – and I don’t see that changing. And she’s 41 years old. Sandra Bullock, that darling of the nineties romantic comedy, spent last year reaffirming her golden touch, with the surprising-even-by-the-standards-of-the-genre romantic comedy The Proposal and an Oscar-winning role in The Blind Side. There was also a Razzie-winning role in All About Steve, but she even managed to use that to demonstrate that she is still one of the queens of Hollywood. And she’s 45 years old. Are the attitudes towards women – particularly leading women – changing in Hollywood?

Is Aniston on a winning Streep?

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