male | the m0vie blog

Putting the “Man” in Romance: Deconstructing The “Gerard Butler” Romantic Comedies

Posted on September 17, 2010 by Darren

I had the misfortune of watching The Bounty Hunter last week. It was horrible, really. In fairness, I tend to have a problem with the conventional romantic comedy as it’s mass produced and shipped out to cinemas at least once a month like clockwork. A string of movies which are based on the principle that all men and women (whether they know it or not) want to settle down and get married, argue over stupid things about three quarters of the way through the film and get together again in time for the end credits. Not only are the morals of such films highly dubious, the delivery is generally just excruciating. However, something has changed within the genre in the past couple of years… and not necessarily for the better. I’ll let The Guardian sum up my position:

I realise it’s high time we refreshed the tired tics and tropes of the kissy-kissy no-boys-allowed modern women’s picture, I just didn’t think the solution would be to take the suppressed homoeroticism of the punchy-punchy male buddy flick then slather it over the vaguely virginal values associated with most Sandra Bullock and Amanda Bynes movies.

That about sums it up nicely, don’t you think?

The figure on the left indicates where good ideas come from... the figure on the right indicates where most romantic comedy ideas come from... by the way, he has his back to us...

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Filed under: Movies | Tagged: Bounty Hunter, chauvinist, female, film, gerard butler, hollywood, jennifer aniston, Karen McCullah Lutz, katherine heigl, Kirsten Smith, male, man, Movies, Romantic comedy film, sexism, sexist, steretypes, the bounty hunter, the ugly truth, woman | 11 Comments »

A Man’s Mann…

Posted on July 6, 2009 by Darren

I have to confess I was not overly impressed with Public Enemies. In fairness, it was mostly down to the choices Mann made in filming the work – the high definition cameras and the insistence on shakey hand held movement. You might argue that it was a choice designed to place us in the real world of the Great Depression – to put us on the streets with Dillinger and immerse us in his world rather than the sanitised grandiose version of the 1930’s that typically finds its way on to our screens. This ignores one fundamental fact about Mann’s film making: it is no less grandiose or fantastic than those myths of times past. Mann is a film maker who works best exploring the dynamics of a masculine ideal that never existed. His male characters are drawn in the mold of a classic image that never actually existed.