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Millennium – Owls (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

I am like a pelican of the wilderness; I am become as an owl of the waste places.

– Psalm 102:6

Birds of prey...

Birds of prey…

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The X-Files – Tempus Fugit (Review)

This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.

Conspiracy lives in the gaps.

Conspiracy theories grow in the gaps of history. They multiple and divide in the absences on the historical record. They entangle and dissemble in the lacunas of memory. In many ways, conspiracy theories represent an attempt to impose order upon a chaotic universe, to know the unknowable. They grow from doubts and questions, holes and voids. Every ellipsis, every redacted line points towards infinite possibilities. Every “no comment” is but conformation of the worst possible outcome.

The truth is up there...

The truth is up there…

Tempus Fugit opens with a nine-minute gap before a plane crash that claims over one hundred lives. Max closes with another nine-minute gap that sees the ever-elusive proof slip through Mulder’s fingers once again. However, Tempus Fugit and Max are not truly “conspiracy” episodes. Characters like the Cigarette-Smoking Man, the Well-Manicured Man, Alex Krycek and Marita Covarrubias are all absent. Even the sinister functions of shadowy government officials are outsourced to “Cummins Aerospace”, a government contractor never mentioned on the show before or since.

Instead, Tempus Fugit and Max are focused on the little people trying to assemble what they can from these gaps. Mike Millar is an honest and hard-working member of the National Transportation and Safety Board trying to piece together a crashed aeroplane. Max Fenig is trying to piece together some meaning for all his suffering. Mulder and Scully are trying to piece together the truth. Even the aliens themselves seem to be searching. Tempus Fugit and Max are populated with characters trying desperately to make sense of the gaps.

Fly by night...

Fly by night…

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The X-Files (Topps) #15-16 – Home of the Brave (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

And so, we approach the end of an era.

The end of the third season of The X-Files brought down the curtain in a number of different ways. It was the last season of The X-Files to air beginning-to-end on Friday nights, turning it into a truly global phenomenon. It was the last season to air before Chris Carter launched Millennium and the last season broadcast before the show began to focus on The X-Files: Fight the Future; perhaps making it the last season of the show to have Chris Carter’s completely undivided attention for quite some time.

This is the end...

This is the end…

Amid all these changes, the shifting of the creative team on the tie-in comic book is not the biggest change taking place, but it contributes to a larger sense that The X-Files is changing. Writer Stefan Patrucha and artist Charles Adlard had worked on The X-Files since Topps launched the comic. On top of their sixteen issues of the regular series, the duo had worked on an annual, two digests and a variety of short (and special) stories during their tenure.

It is very strange to see the pair departing, because their work on X-Files tie-in comic book ranks as one of the most consistently interesting tie-ins published in mainstream comics.

Don't go into the light...

Don’t go into the light…

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