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New Escapist Video! “Spider-Man: Across the Spider-Verse is Sweeping Web-Slinging Wonder”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Spider-Man: Across the Spider-Verse, which was released in cinemas this weekend.

New Escapist Column! On What Kevin Feige Doesn’t Get About “Superhero Fatigue”…

I published a new In the Frame piece at The Escapist this evening. Last week, Marvel Studios President Kevin Feige made an argument that he could never understand the idea of “superhero fatigue”, referencing the diversity of genres and stories in superhero comics.

Feige’s response was interesting for a number of reasons. Most obviously, it was technically correct. Comic books are incredibly flexible in the kind of stories they tell and the way that they tell them. However, Feige’s answer sidestepped the obvious problem. In recent years, the superhero movie has grown more conservative and more conventional, becoming less likely to embrace different tones and styles, or to tell different kinds of stories. In the past fifteen years, the entire comic book adaptation genre has been flattened down to “Marvel movies”, and that is a very real problem.

You can read the piece here, or click the picture below.

New Escapist Video! “Zack Snyder’s Justice League – Review in 3 Minutes +”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute feature film review to the channel, discussing Zack Snyder’s Justice League.

New Escapist Column! On the Multiverse as the Future of Franchising…

I published a new In the Frame piece at The Escapist this evening. The past few months have seen a lot of attention directed at the multiverse, with a suggestion that both Warner Bros. and Disney would be embracing it as a storytelling model going forward.

This shift is interesting, given how much effort these companies have build into fashioning internally consistent shared universes, singular narratives unfolding across dozens of films building inexorably towards a climactic pay-off. However, this shift towards the multiverse feels like a logical response to any number of market forces: the shattering of the idea of the monoculture in the midst of the streaming wars, the pull of nostalgia, and the demands of the actors making these movies. It’s a new world. Actually, it’s several new worlds.

You can read the piece here, or click the picture below.

Non-Review Review: Avengers – Age of Ultron

Avengers: Age of Ultron is a hot mess.

It is fun, witty and fast-moving. However, it is also disjointed, uneven and awkward. Age of Ultron is a big and bombastic summer blockbuster, but it feels like Marvel learned very little from The Avengers. Rather than simply taking what worked in the first film, it often seems like Age of Ultron doubles down on every part of its predecessor. There’s more action, there’s higher stakes, there’s bigger conflict, there’s more Tony, there’s even less of an idea what to do with Thor, there’s more continuity.

"Hey, at least I beat the Terminator prequel to cinemas, right?"

“Hey, at least I beat the Terminator prequel to cinemas, right?”

“More” seems to the be the word here. Age of Ultron is bigger than its predecessor in just about every way. The film boasts an ensemble so large that it threatens to collapse under its own weight – a fact perhaps wryly acknowledged by the genocidal robot’s evil plan at the climax. While it is nice to have more diversity in the cast – The Avengers are no longer a bunch of white guys and their token female colleague – it does seem like Age of Ultron strains and groans under all that Joss Whedon and Marvel heap upon it.

Bigger is not always better.

You know, "pull Thor's hammer" is probably not a family friendly party game...

You know, “pull Thor’s hammer” is probably not a family friendly party game…

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I’m A Marvel… or Am I A DC? I Can Never Tell…

I’m about half-a-year behind on this, I must confess. Back in January, the wonderful Katie over at Stories That Really Mattered asked a bunch of bloggers to come out in favour of one of the two major comic book companies, with an open invitation for other members of the community to participate. I’d like to pretend that I took so long to consider my own response because I’m cool (and cool people arrive late to the hottest parties), but the truth is I’ve just been a bit run off my feet these past few months. I was never cool, but I’ve learned to accept that.

However, in this season of blockbuster comic book movies, I thought it might be interesting to reflect on whether I am a bigger fan of Marvel, or DC. Given how close both are to my heart, expect a fair bit of waffle. Okay, a bit morewaffle than usual.

Let's not cloud the issue...

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Aaronofsky to Wrestle “The Wolverine”: Are Independent Directors the Best Choices for Superhero Cinema?

I’m going to be honest, I like it when relatively obscure film directors are handed the reigns to huge blockbuster properties. It seems that these “cult” film makers tend to bring something fresh from outside the studio system to their work. I might sound more than a bit pretentious, but it reminds me of the way that many of the blockbuster directors of the seventies – including Lucas and Spielberg – originated from outside the studio system before revolutionising it from inside. As a concept, would I rather watch Michael Bay’s Transformers: Revenge of the Fallen or Christopher Nolan’s Batman Begins? No choice there. Any film with the name “Jerry Bruckheimer” attached or Sam Raimi’s Spider-Man? Again, no choice. So, despite the fact that Gavin Hood’s X-Men Origins: Wolverine was a critical failure and an infuriatingly (but, sadly, not unpredictably) disappointing film, am I alone in getting a little excited about Darren Aaronofsky’s The Wolverine.

Against all odds, I might be feeling pretty Jack(man)ed about this...

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Still Dead Set on Deadpool…

Looks like Robert Downey Jnr. isn’t Hollywood’s only two-franchise man at the moment – apparently Ryan Reynolds as Deadpool is still on the cards, at least according to the character’s creator. This is interesting not just because Reynolds will be the leading man in two major superhero productions (and possibly franchises) in the coming years, but also because he will be the first leading man to work with both DC Comics and Marvel Entertainment at the same time. Sure, he was in Blade III, but we don’t count that. It never happened. And I doubt he’d disagree with us on that.

Apparently Green Lantern's secret identity is Deadpool...

Apparently Green Lantern's secret identity is Deadpool...

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Blessed are the Geek, For They Shall Inherit the Earth…

It’s a good time to be a nerd. When exactly did it happen? How did Star Trek become cool again? When did nearly half of all blockbusters find their roots in the oft-mocked comic book artform? When did Comic Con become a major event in the Hollywood calendar? When did it become truly hip to be square?

Haute culture?

Haute culture?

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Backlash to Mickey Rourke’s Whiplash…

I’m on a bit of a comic book binge this week (it helps that Hollywood is churning out so many of the damned movies), and I couldn’t help but not with a wry smile on my face the internet response to the first pictures of Mickey Rourke as the villain (or “a” villian, given the ambiguous roles played by Sam Rockwell and Scarlett Johansson as a business rival and catsuit-wearing spy) in the new Iron Man film. There had been a lot of gossip about whether the loud-mouthed Oscar-nominated actor would be playing Whiplash or Crimson Dynamo. From what fans are saying about the image (appearing below), it appears he’s playing a weird amalgamation of both… and a few more to boot. Though most of fandom appears to have taken this pastiche in their stride, there are a few cynical souls remaining out there who are a little ticked off to see these characters revamped in such a strange way. However, mixing and matching and distorting is by no means anew thing when it comes to adapting iconic characters to the big screen.

It looks like someone has finally tamed Mickey Rourke's wild streak by making him wear an over-sized shock collar

It looks like someone has finally tamed Mickey Rourke's wild streak by making him wear an over-sized shock collar

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