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Aaronofsky to Wrestle “The Wolverine”: Are Independent Directors the Best Choices for Superhero Cinema?

I’m going to be honest, I like it when relatively obscure film directors are handed the reigns to huge blockbuster properties. It seems that these “cult” film makers tend to bring something fresh from outside the studio system to their work. I might sound more than a bit pretentious, but it reminds me of the way that many of the blockbuster directors of the seventies – including Lucas and Spielberg – originated from outside the studio system before revolutionising it from inside. As a concept, would I rather watch Michael Bay’s Transformers: Revenge of the Fallen or Christopher Nolan’s Batman Begins? No choice there. Any film with the name “Jerry Bruckheimer” attached or Sam Raimi’s Spider-Man? Again, no choice. So, despite the fact that Gavin Hood’s X-Men Origins: Wolverine was a critical failure and an infuriatingly (but, sadly, not unpredictably) disappointing film, am I alone in getting a little excited about Darren Aaronofsky’s The Wolverine.

Against all odds, I might be feeling pretty Jack(man)ed about this...

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