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The Adventures of Tintin: The Crab With The Golden Claws (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Though the blu ray box set of the animated series includes the episodes in the order of the stories Hergé published, the studio actually produced the adventures in a different order, spread across three seasons. In fact, the first episode we reviewed, Tintin in America, was the last produced. So The Crab With the Golden Claws was actually the first animated adaptation in this particular series. And it makes sense to use this adventure as a good place to start any adaptation of Tintin – indeed, it appears Steven Spielberg and Peter Jackson would agree, as this is the first of three stories adapted in The Adventures of Tintin: The Secret of the Unicorn. It has everything you need from a Tintin adventure – a mystery, an exotic locale, international criminals.

Oh, and it also introduces Captain Haddock.

Haddock can't hold his liquor...

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The Adventures of Tintin: King Ottokar’s Sceptre (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

In a way, King Ottokar’s Sceptre feels like the end of an era. King Ottokar’s Sceptre is the last adventure in the series that Tintin would spend alone (save for the company of the loyal companion, Snowy). Although Hergé began work on The Land of Black Gold next, the next completed story (The Crab With the Golden Claws) would introduce Captain Haddock, who would follow Tintin for the rest of the series.  It was also the last story that Hergé completed before the outbreak of the Second World War, and the sense of paranoia is palpable. After this story, Hergé would remove a lot of the more overt political commentary from the series, preferring to offer more subtle and biting commentary. I’m delighted to say that the animated adaptation retain pretty much all of the spirit of Heré’s original story, which I was a little worried about given how deeply rooted the story is in the European politics of the thirties.

Keys to the kingdom...

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Batman: The Animated Series – Almost Got ‘Im

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Given that we looked at Batman: Gotham Knight earlier today, I thought we might take a look at another series of vignettes related to the Batman – this time from the perspective of his bad guys.

Greetings, Batman! You have taken the bait, as I knew you would. Now, prepare to meet your end, within my Aviary of Doom

Aviary of WHAT?

Yeesh, Pengers! How corny can you get?

Fah! Just because you mundane miscreants have no drama in your souls! Anyway, there he was in my av… uh, big birdhouse…

– The Penguin, Poison Ivy and the Joker discuss the state of theatricality amongst modern supervillains

Batman: The Animated Series perhaps represents the best adaptation of the Batman mythos in any medium outside of comics. No other iteration of the character has successfully managed to take in virtually all facets of the Caped Crusader without breaking a sweat – the show can do drama, action, gothic thriller and even comedy. Almost Got ‘Im is a fun little episode which centres around a bunch of supervillains trading stories about that one time that they almost killed the Batman. It’s mostly entertaining just to watch Batman’s eclectic selection of bad guys sitting around and playing cards while talking about business and “you know who”, but each of the schemes is a wacky and crazy death trap straight out of a hokier comic (from a giant dollar coin to exploding pumpkins to laughter-powered electric chair). The episode works because it treats all of this like it’s a regular occurence in Gotham, and these ridiculous plots are just what the villains get up to when there’s nothing better going on.

Card-carrying villains...

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Justice League – Twilight, Parts 1 & 2 (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Earlier today, I looked at Superman/Batman: Apocalypse, so I thought I might explore a Justice League episode which was heavy on Superman, Darkseid and Batman…

One of the things that Bruce Timm and his talented bunch of writers found when producing Superman: The Animated Series was that the Man of Steel simply didn’t have as strong a supporting cast of bad guys as Batman had. Without such a recognisable and eclectic collection of rogues to act as foils to their lead, the guys at the DC Animated Universe decided to co-opt in some outside help. In particular the creations of Jack Kirby’s Fourth World. Sure, these characters had been related to the Superman mythos all along (first appearing in Superman’s Pal, Jimmy Olsen of all places), so it wasn’t a stretch. Although Twilight certainly isn’t the last appearance of the New Gods (as Kirby named them) within the DC Animated Universe, it is perhaps the climax. And, quite possibly, the best.

You wouldn’t like him when he’s angry…

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Non-Review Review: Superman/Batman – Apocalypse

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

Prompted by the massive success of Superman/Batman: Public Enemies, Superman/Batman: Apocalypse is the first direct sequel in this line of animated films. It adapts the second arc of Jeph Loeb’s Superman/Batman run, and contains several direct references to the first film (including a news report covering “President Luthor’s impeachment”). While the first film worked on the sheer fun of a super-powered buddy cop film, there’s admittedly less to endear this particular movie to an audience – most notably because this same production team had already animated it as Little Girl Lost, an episode of Superman: The Animated Series.

Some looks CAN kill…

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Justice League: A Better World

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Tomorrow I’ll be reviewing Justice League: Crisis on Two Earths, so I thought it might be worth a look at what a world run by an evil Justice League might look like.

One of the central challenges that the iconic Justice League characters have had to face over the years has been the way that the comic book world has slow and sometimes subtly morphed into something far more sinister than the bright-coloured origin stories of the forties, fifties or even sixties. There was a time when supervillains were a relatively harmless sort, the hero would always save everyone’s life and there would be a “happy ever after” ending thrown on – most obviously in the Silver Age, which produced characters like the modern Flash and Green Lantern. Even the characters who were originally somewhat darker and edgier – Superman and Batman, for example, were originally relatively indifferent to human life – passed through this phase with a healthy respect for a game based around rules – the first being “thou shalt not kill”. However, times changed. Villains went from being theives and irritations to being murderers and rapists. Naturally, the fact that no prison could hold a popular bad guy long enough kinda undermines the good that these heroes do – the Joker is always going to kill more people unless he is eventually killed.Sure, there’s comic book logic at play here – the same way that having genius heroes hasn’t altered the way normal people live too much – but at some point the old fashioned values seem a little outmoded. Somebody suggests that a line should be crossed. Various iterations of the characters have tackled the issue in multiple ways, and A Better World is the attempt by Bruce Timm and the writers of the DC animated universe to address it. 

Being the group's plucky comic relief isn't without risks...

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Non-Review Review: Monsters Inc.

If you don’t love Pixar, you should see a doctor immediately. Because you clearly have no heart, which can lead to all manner of unpleasant complications. Okay, maybe Monsters Inc. is one of the more conventional entries in Pixar’s animated canon, but it’s an example of how – even when being as close to conventional as they can – Pixar are still absolutely incredible, blowing all the other major American animation studios out of the water.

Scarily good...

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Non-Review Review: Waltz With Bashir

Waltz With Bashir garnered quite a bit of attention on its release – winning all sorts of awards and even receiving an Oscar nomination for Best Foreign Film (though it didn’t get a nomination for Best Animated Film – because, didn’t you know, animation is for kids?). An animated film from Israel, it’s a very interesting look at the Lebanese War, and what we tend to remember and – more importantly – what we tend to forget in hindsight.

Tanks for the memories...

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Non-Review Review: Kung-Fu Panda

There’s nothing like a nice relaxing movie that you can cuddle up on the couch and just enjoy. Another testament to what was a fantastic summer last year, Kung Fu Panda may not have been the best animated film of the year – that honour goes to Wall-E – but it was still a fun, enjoyable and lively romp which should leave you smiling for most of the runtime.

Everybody was Kung-Fu fighting...

Everybody was Kung-Fu fighting...

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