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The Spirit Archives, Vol. 14 (Review/Retrospective)

The Spirit Archives, Vol. 14 finds Will Eisner back in full swing. The Spirit is truly firing on all cylinders, after taking about a year just to get everything lined up after the creator returned from military service. The success of this volume isn’t so much that Eisner is doing anything especially new or innovative. Rather, it seems like The Spirit has made a note of the aspects of the strip that work and has decided to concentrate on those stronger elements. This six-month stretch on newspaper strips doesn’t necessarily contain a record-breaking number of stand-out stories, but there are far fewer duds that we’ve seen before. There’s still a couple of Ebony-centred stories, but they’re few and far between. The other annoying kid sidekicks are mostly demoted to black-and-white one-line “P.S.” strips at the bottom of the page, and don’t intrude on the narrative.

The Spirit Archives, Vol. 14 isn’t so much about doing things better, as doing them more consistently.

Getting into the Spirit of things…

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The Adventures of Tintin: King Ottokar’s Sceptre (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

In a way, King Ottokar’s Sceptre feels like the end of an era. King Ottokar’s Sceptre is the last adventure in the series that Tintin would spend alone (save for the company of the loyal companion, Snowy). Although Hergé began work on The Land of Black Gold next, the next completed story (The Crab With the Golden Claws) would introduce Captain Haddock, who would follow Tintin for the rest of the series.  It was also the last story that Hergé completed before the outbreak of the Second World War, and the sense of paranoia is palpable. After this story, Hergé would remove a lot of the more overt political commentary from the series, preferring to offer more subtle and biting commentary. I’m delighted to say that the animated adaptation retain pretty much all of the spirit of Heré’s original story, which I was a little worried about given how deeply rooted the story is in the European politics of the thirties.

Keys to the kingdom...

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