• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Absolute All-Star Superman (Review/Retrospective)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. With All-Star Superman confirmed as the next animated DC feature, I thought I’d take a look at Grant Morrison’s original comic book story. In case you haven’t noticed, it seems the DCAU guys are big Morrison fans.

Doomed Planet.

Desperate Scientists.

Last Hope.

Kindly Couple.

Superman.

– Grant Morrison reduces perhaps the most iconic origin story down to fewer words than this synopsis, …Faster… (Chapter 1)

I have to admit, nothing quite psyches me like holding a Grant Morrison book in my hand – save maybe holding an Alan Moore book in my hand. Sure, I might not love what he’s writing and it might not necessarily be the most complete narrative experience that could have been provided, but I always want to read it again after I’m done – even if I hated it. As a writer, Morrison can crank out crazy-yet-clever concepts like nobody’s business, finding a way to put a new slant on an old piece of mythology or making a change seem like a logical extension of what came before. All-Star Superman is perhaps his most widely respected work, an attempt to boil the iconic Man of Steel down into twelve easy-to-disgest chunks, for new and old fans alike. It’s a stunning piece of comic book literature and perhaps the closest experience one could have to holding the quintessential elements of Superman in your hands.

Last sun of Krypton…

Continue reading

All-Star Superman Trailer

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. We’ve reviewed the nine feature-length animations that Warner Brothers have produced to date. Although it isn’t released yet, All-Star Superman is planned to be the tenth. Enjoy the trailer.

Batman: The Animated Series – Almost Got ‘Im

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Given that we looked at Batman: Gotham Knight earlier today, I thought we might take a look at another series of vignettes related to the Batman – this time from the perspective of his bad guys.

Greetings, Batman! You have taken the bait, as I knew you would. Now, prepare to meet your end, within my Aviary of Doom

Aviary of WHAT?

Yeesh, Pengers! How corny can you get?

Fah! Just because you mundane miscreants have no drama in your souls! Anyway, there he was in my av… uh, big birdhouse…

– The Penguin, Poison Ivy and the Joker discuss the state of theatricality amongst modern supervillains

Batman: The Animated Series perhaps represents the best adaptation of the Batman mythos in any medium outside of comics. No other iteration of the character has successfully managed to take in virtually all facets of the Caped Crusader without breaking a sweat – the show can do drama, action, gothic thriller and even comedy. Almost Got ‘Im is a fun little episode which centres around a bunch of supervillains trading stories about that one time that they almost killed the Batman. It’s mostly entertaining just to watch Batman’s eclectic selection of bad guys sitting around and playing cards while talking about business and “you know who”, but each of the schemes is a wacky and crazy death trap straight out of a hokier comic (from a giant dollar coin to exploding pumpkins to laughter-powered electric chair). The episode works because it treats all of this like it’s a regular occurence in Gotham, and these ridiculous plots are just what the villains get up to when there’s nothing better going on.

Card-carrying villains...

Continue reading

Non-Review Review: Batman – Gotham Knight

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This is one of the animated feature films involving the characters from the creators of the original animated shows.

Batman: Gotham Knight was somewhat misleadingly advertised as a “missing link” between Batman Begins and The Dark Knight. Released in the run-up to Christopher Nolan’s superhero sequel, the film was clearly intended to call to mind the Animatrix, with a strong sense of anime flavouring the variety of shorts on display here. Each was produced by a different studio in a different style from a different author. The result is, as you’d expect, a mixed bag. Some stories are good, some stories are bad – there are interesting stories let down by poor animation and strong stories featuring weak animation. It’s a very mixed bag, which never really seems necessary or exceptional.

Yes, that is a batarang in his hand. And yes, he is happy to see you...

Continue reading

Matt Fraction’s Run on Uncanny X-Men – Nation X (Review/Retrospective)

I am doing a weekly look at Marvel’s complicated crossover chronology, following various key crossovers to see if they might give me a better idea of what I’m missing by avoiding mainstream comic book continuity. While – with The Avengers due for release in 2012 – I am focusing on the stories told featuring those characters over the past five years, I also have time for the X-Men. While this isn’t strictly speaking a crossover, it is a series of issues which connect Utopia to Second Coming, so I figured it was worth a look.

Utopia ended with a heck of a plot twist. Cyclops decided that his merry band of mutants have had enough of being looked down upon in New York and , more recently, San Francisco, so he decides to build himself an island from the remains of Magneto’s “Asteroid M” just off the San Francisco Bay. Announcing the new nation of “Utopia”, he declares the island a haven for mutants. Nation X provides a hardcover collection of the issues from Matt Fraction’s Uncanny X-Men which bridge the gap between Utopia and Second Coming, as well as the four-issue Nation X anthology miniseries. And, while it’s a decidedly uneven reading experience, I have to admit that some of Fraction’s portrayal of the mutant team is a little bit interesting – even if most is slightly boring and deeply convoluted.

Magneto has a magnetic personality...

Note: This collection opens with Dark Reign tie-in X-Men: The List written by Matt Fraction and following an attempted assassination attempt on Namor by Norman Osborn. Accordingly, I think I should open this review with a link to Abhay’s quite excellent article on the issue, which – among some more serious points – suggests that Namor is starring in his own private version of You Don’t Mess With The Zohan. Seriously, check it out.

Continue reading

X-Men/Dark Avengers: Utopia (Review/Retrospective)

This is the fourteenth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (and, in particular, their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity. Get an overview of what I’m trying to take a look at here.

There’s an essay to be written about how Marvel has so carefully and meticulously replaced the X-Men with The Avengers as their biggest A-list franchise book (in fact, there’s a quite wonderful essay written here about that). During the nineties, the big event crossovers at Marvel seemed to exist at the leisure of their mutants – Age of Apocalypse and Onslaught being two of the more obvious examples. However, since House of M, the mutants have been consciously sidelined. They continue to have their own internal events and crossovers – Messiah Complex and Second Coming the most obvious examples – but they remain largely insular and detached from the regular goings on in the Marvel Universe. Except for Wolverine, because he’s everywhere.

Marvel announces Dark Avengers on Ice!

Continue reading

Justice League – Twilight, Parts 1 & 2 (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Earlier today, I looked at Superman/Batman: Apocalypse, so I thought I might explore a Justice League episode which was heavy on Superman, Darkseid and Batman…

One of the things that Bruce Timm and his talented bunch of writers found when producing Superman: The Animated Series was that the Man of Steel simply didn’t have as strong a supporting cast of bad guys as Batman had. Without such a recognisable and eclectic collection of rogues to act as foils to their lead, the guys at the DC Animated Universe decided to co-opt in some outside help. In particular the creations of Jack Kirby’s Fourth World. Sure, these characters had been related to the Superman mythos all along (first appearing in Superman’s Pal, Jimmy Olsen of all places), so it wasn’t a stretch. Although Twilight certainly isn’t the last appearance of the New Gods (as Kirby named them) within the DC Animated Universe, it is perhaps the climax. And, quite possibly, the best.

You wouldn’t like him when he’s angry…

Continue reading

Non-Review Review: Superman/Batman – Apocalypse

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

Prompted by the massive success of Superman/Batman: Public Enemies, Superman/Batman: Apocalypse is the first direct sequel in this line of animated films. It adapts the second arc of Jeph Loeb’s Superman/Batman run, and contains several direct references to the first film (including a news report covering “President Luthor’s impeachment”). While the first film worked on the sheer fun of a super-powered buddy cop film, there’s admittedly less to endear this particular movie to an audience – most notably because this same production team had already animated it as Little Girl Lost, an episode of Superman: The Animated Series.

Some looks CAN kill…

Continue reading

Final Crisis (Review/Retrospective)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Later on today, we’ll be reviewing Superman/Batman: Apocalypse, so I thought I might take a look at a comic book tale which was heavy on Superman, Darkseid and Batman…

This epic elegy for a doomed civilisation, declining from splendor to squalor. This Final Crisis. This last ditch attempt to save creation itself from a loathing and greed beyond measure.

– Grant Morrison outlines the whole point of the book, in case you weren’t paying attention… in a narration which deserves to be read in the most pompously ridiculous style possible

Look, I could hitch a ride back with you. I have a real talent for gritty drama no one’s ever thought to exploit.

– Merryman makes a pitch for “relevance” in the hopes of escaping comic book “limbo”

Destruction or creation. Everything or nothing. A universe full or a universe empty. Life or anti-life. Grant Morrison certainly lives up to his reputation as a frustrating and challenging author – is Final Crisis the statement of a genre looking to make peace with itself, or nonsensical Silver Age surrealism repackaged for a modern world? Is it pretentious or profound? Insightful or devoid of interest? Can’t it be both, or are these mutually exclusive states?

We all knew Obama was Superman…

Continue reading

Justice League – Maid of Honour

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. With the review of Wonder Woman earlier today, I thought I’d take a look at one of the better Wonder Woman episodes of the DC animated universe.

While Batman: The Animated Series leaned more towards noir crime stories or gothic tragedies, and Superman: The Animated Series favoured high-concept science-fiction and space opera, Justice League offered action adventure stories, typically told in two or three half-hour episodes for a somewhat grander scale than most of the episodes of the earlier series allowed. In particular, Maid of Honour is essentially a superhero taken on a quintessential Bond film.

They share quite a Bond...

Continue reading