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Infinite Crisis: Day of Vengeance (Review)

This month I’m taking a look at DC’s massive “Infinite Crisis” Event. Although it was all published in one massive omnibus, I’ll be breaking down the lead-in to the series to tackle each thread individually, culminating in a review of the event itself. Check back for more.

It seems like, within the last decade or so, DC has had a great deal of difficulty organising its “magic and mystic” books. DC generally provided a nice home for books like Alan Moore’s Swamp Thing or John Ostrander’s Spectre, but it seemed like there wasn’t really an abundance of successful magic-themed books in the early part of the new millennium. DC would consciously attempt to remedy this with their “dark” line as part of the “new 52” relaunch, but Day of Vengeance feels like something of an awkward earlier attempt to streamline that corner of the shared universe and to prepare it for some sort of creative relaunch.

One for sorrow, two for joy… What for a few dozen?

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Final Crisis: Revelations (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I have to admit, I’ve always preferred DC’s approach to big comic events, as opposed to the approach at Marvel. While Marvel’s events (like Civil War or Secret Invasion) seem to exist to encroach on a writer’s comic book run (Ed Brubaker’s Captain America or Matt Fraction’s Iron Man), DC’s events tend to allow writers to tidy up loose ends. Or, to be fair, that’s what Final Crisis appeared to do. The major tie-in miniseries didn’t seem to exist to fill in gaps with the main book. Instead, they allowed the writers to resolve or move forward their own plots. For Geoff Johns, Rogues’ Revenge allowed him to segue between his first Flash run and Flash: Rebirth, while Legion of Three Worlds allowed him to sort out some outstanding Legion of Superheroes continuity.

Revelations exists to serve as a coda to Greg Rucka’s superb Gotham Central and his Question series, as well as tying in a bit to his upcoming Batwoman work. While I’m not the biggest fan of “comic book events” in general terms, I do respect that they allow writers to tell stories they might not otherwise get a chance to.

Shine a light…

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Non-Review Review: Batman – Gotham Knight

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This is one of the animated feature films involving the characters from the creators of the original animated shows.

Batman: Gotham Knight was somewhat misleadingly advertised as a “missing link” between Batman Begins and The Dark Knight. Released in the run-up to Christopher Nolan’s superhero sequel, the film was clearly intended to call to mind the Animatrix, with a strong sense of anime flavouring the variety of shorts on display here. Each was produced by a different studio in a different style from a different author. The result is, as you’d expect, a mixed bag. Some stories are good, some stories are bad – there are interesting stories let down by poor animation and strong stories featuring weak animation. It’s a very mixed bag, which never really seems necessary or exceptional.

Yes, that is a batarang in his hand. And yes, he is happy to see you...

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