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Infinite Crisis: Rann-Thanagar War (Review)

This month I’m taking a look at DC’s massive “Infinite Crisis” Event. Although it was all published in one massive omnibus, I’ll be breaking down the lead-in to the series to tackle each thread individually, culminating in a review of the event itself. Check back for more.

I’ve always been a fan of the “hokey science-fiction” corner of the DC Universe. Adam Strange is perhaps my second-favourite Silver Age DC hero (behind the Flash). I loved Alan Moore’s trip to the stars during his Swamp Thing run. While many thought that Stars my Destination, the penultimate mega-arc of James Robinson’s Starman, went on far too long, I loved every page. Geoff Johns’ Green Lantern is one of my favourite modern comic book runs. I confess all this so that my bias is upfront, when I admit that Rann-Thanagar War is one of my favourite Infinite Crisis tie-ins, even though it’s one of those least directly connected to the event itself.

All the Strange, Strange heroes…

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Infinite Crisis: Day of Vengeance (Review)

This month I’m taking a look at DC’s massive “Infinite Crisis” Event. Although it was all published in one massive omnibus, I’ll be breaking down the lead-in to the series to tackle each thread individually, culminating in a review of the event itself. Check back for more.

It seems like, within the last decade or so, DC has had a great deal of difficulty organising its “magic and mystic” books. DC generally provided a nice home for books like Alan Moore’s Swamp Thing or John Ostrander’s Spectre, but it seemed like there wasn’t really an abundance of successful magic-themed books in the early part of the new millennium. DC would consciously attempt to remedy this with their “dark” line as part of the “new 52” relaunch, but Day of Vengeance feels like something of an awkward earlier attempt to streamline that corner of the shared universe and to prepare it for some sort of creative relaunch.

One for sorrow, two for joy… What for a few dozen?

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Infinite Crisis: The Adventures of Superman – Lightning Strikes Twice (Review)

This month I’m taking a look at DC’s massive “Infinite Crisis” Event. Although it was all published in one massive omnibus, I’ll be breaking down the lead-in to the series to tackle each thread individually, culminating in a review of the event itself. Check back for more.

I think it’s quite nice that DC went to the effort to collect the vast majority of tie-ins to Infinite Crisis inside this gigantic omnibus, even when the book didn’t necessarily get its own miniseries like Villains United or The O.M.A.C. Project. Like Sacrifice, Lightning Strikes Twice was a crossover between the Superman books leading into the events of one of the lead-in miniseries. In this case, writer Judd Winick was setting up the events of Day of Vengeance, the magic-themed crossover designed to tidy up and reenergise the mystical side of the DC Universe.

Super-punch!

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Final Crisis: Revelations (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I have to admit, I’ve always preferred DC’s approach to big comic events, as opposed to the approach at Marvel. While Marvel’s events (like Civil War or Secret Invasion) seem to exist to encroach on a writer’s comic book run (Ed Brubaker’s Captain America or Matt Fraction’s Iron Man), DC’s events tend to allow writers to tidy up loose ends. Or, to be fair, that’s what Final Crisis appeared to do. The major tie-in miniseries didn’t seem to exist to fill in gaps with the main book. Instead, they allowed the writers to resolve or move forward their own plots. For Geoff Johns, Rogues’ Revenge allowed him to segue between his first Flash run and Flash: Rebirth, while Legion of Three Worlds allowed him to sort out some outstanding Legion of Superheroes continuity.

Revelations exists to serve as a coda to Greg Rucka’s superb Gotham Central and his Question series, as well as tying in a bit to his upcoming Batwoman work. While I’m not the biggest fan of “comic book events” in general terms, I do respect that they allow writers to tell stories they might not otherwise get a chance to.

Shine a light…

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Batman: The Animated Series – Two-Face, Parts I & II (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Two-Face is probably the most tragic of Batman’s foes. Appropriately enough, there are really two reasons why the character works so well as a Batman villain. The first is that he’s a perfect reflection for Bruce: he is one man with a dual identity; one half upstanding pretty boy citizen, the other a monster. The other is an element touched on here: he’s a friend who Bruce failed in a pretty profound way, a character who underwent a massive tragedy, and whose every subsequent appearance is a grim reminder of that failure. Interestingly enough, I think it’s fair to argue that Two-Face has often had difficulty matching the potential he offers as a Batman villain. While I think that the Two-Face episode of Batman: The Animated Series does an effective job encapsulating a lot what makes the character great, it also misses a vital element as well.

Face-Two-Face…

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Paul Dini and Dustin Nguyen’s Streets of Gotham – Hush Money, Leviathan, The House of Hush (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I’m a big fan of Paul Dini. He was perhaps the finest writer on staff for the superb Batman: The Animated Series and he wrote a superb run on Detective Comics (culminating in the rehabilitation of a modern villain in Heart of Hush). He’s one of few writers out there who genuinely has a firm grip on the characters that inhabit the world of Gotham. I was quite looking forward Streets of Gotham, the Batman title that Dini would be writing in wake of Batman R.I.P., promising a unique perspective on Gotham and its guardians. Unfortunately, the end result feels relatively slight, with the series never truly finding a comfortable niche, and bouncing around somewhat inconsistantly.

Batman could handle this in his sleep…

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Batwoman: Elegy (Hardcover) (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

When I read Batwoman: Elegy, I couldn’t help but feel like I just didn’t get it. I mean, it’s good, it’s really good, but everybody and their mother had been going on and on about how it was the best Batman book in ages, and how it really was redefining what you could and couldn’t do in mainstream comic books. I liked it, but I didn’t love it, and it’s hard to put the finger on why – I suspect it’s something purely aesthetic. As much as I appreciate the fantastic art of J.H. Williams, it all seemed rather conventionally plotted by Greg Rucka. It was your standard cookie-cutter superhero story, which meant that the art just looked like pretty window dressing on a fairly routine storyline.

Last night, the bat signal went off in her head…

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Scott Snyder’s Run on Detective Comics – Batman: The Black Mirror (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

These past few years have been a great time to be a Batman fan. On top of Christopher Nolan’s acclaimed Dark Knight trilogy, you’ve also had the Arkham Asylum video games, Grant Morrison’s genre-busting run on Batman & Robin and now Scott Snyder joining the franchise. Indeed, even the lesser on-going series (like Tony Daniel’s Batman or Paul Dini’s Streets of Gotham) are still relatively entertaining, if significantly flawed. However, when good creators have gotten their hands on the Batman mythos in the past five years or so, incredible things have happened. And Scott Snyder’s Detective Comics run, The Black Mirror, is one of those incredible things.

Jump in…

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Gotham Central – On the Freak Beat & Corrigan (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

If you ask me, Gotham Central is the highest quality Batman title that has been published in quite some time – if not the most consistent Batman comic book ever published. These final two volumes contain the second half of Ed Brubaker and Greg Rucka’s celebrated forty-issue exploration of life within the Gotham City Police Department, providing one of the freshest and most compelling comic book stories ever told in either of the two major comic book publishers. Essentially the story of the ordinary men and women stuck in the superhero world of Batman, it’s a genuine comic book classic.

Taking a shot at the Batman…

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Final Crisis: Legion of Three Worlds

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

They call themselves Legionnaires. There are so many of these guys I can’t keep track of them all.

– Superboy Prime. I can empathise.

The tie-ins to Final Crisis were an interesting bunch. They weren’t, for the most part, your usual comic book event tie-ins. Then again, Final Crisis was hardly your usual comic book event. Indeed, the handful of essential reading material was included in Grant Morrison’s Final Crisis hardcover. The remaining hardcovers didn’t exist to plug holes in the story, nor to showcase particular characters interacting with the crisis du jour. So, while Final Crisis: The Legion of Three Worlds does little to tie-in plot-wise to the main miniseries (save, perhaps, setting up a tiny scene), it’s interesting that Geoff Johns elected to have is story reflect the themes and core ideas of Grant Morrison’s epic event.

And the Legion shall be many...

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