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The Adventures of Batman & Robin – House and Garden (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

It’s amazing how thoroughly Batman: The Animated Series was able to explore Batman’s iconic selection of bad guys, demonstrating how remarkably deep and varied his villains are. Paul Dini was perhaps the strongest writer when it came to drafting these psychological portraits of Arkham’s countless denizens, even inventing characters like Baby Doll and Harvey Quinn for the show. (With Harley now an established and iconic character in her own right.) While Poison Ivy had a strong debut episode, and a run of strong appearances, House & Garden stands as perhaps the most thorough exploration of the villain’s psyche, building a relatively complex portrayal of her psychology and pathology in under half an hour.

House call…

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Batman: The Animated Series – Dreams in Darkness (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

One of the fascinating things about Batman: The Animated Series, apart from the shrewd writing, the careful character development and the skilled animation, was just how well it worked within the grand tapestry of the Batman mythos. The writers would frequently take ideas and concepts scattered across the breadth of the character’s rich publication history, tweak and update them for the small screen, and then go on to rework the concepts for the next generation of writers and creators working on the character.

Dreams in Darkness feels like the perfect example of this chain approach to reworking concepts and characters. It’s very clearly inspired by Alan Grant and Norm Breyfogle’s Shadow of the Bat story The Last Arkham, but it went on to be a major and obvious influence on Batman Begins. It’s an interesting perpetual character cycle, where the character is constantly renewed and reinvigorated by successive adaptations.

We all go a little mad some times…

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Batman: Earth One (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I think it’s fair to say that I approached Batman: Earth One with a reasonable amount of skepticism. After all, Batman already has two almost perfect origins. Christopher Nolan’s Batman Begins is really the perfect introduction to the character and his world, but Frank Miller’s Year One is also still a hugely iconic piece of work on the character. Miller’s Batman origin has, for example, withstood multiple re-examinations of Superman’s origin. (John Byrne’s Man of Steel, Mark Waid’s Birthright, Geoff Johns and Gary Frank’s Superman: Secret Origin and Grant Morrison’s Action Comics among others.) So Batman: Earth One, a modernised “reimagining”of Batman’s origin story, does feel a tad unnecessary. However, despite the sense that it’s not really needed, it’s actually a fairly interesting take on the mythology judged on its own merits.

Yes, father… he shall become a bat…

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Scott Snyder’s Run on Detective Comics – Batman: The Black Mirror (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

These past few years have been a great time to be a Batman fan. On top of Christopher Nolan’s acclaimed Dark Knight trilogy, you’ve also had the Arkham Asylum video games, Grant Morrison’s genre-busting run on Batman & Robin and now Scott Snyder joining the franchise. Indeed, even the lesser on-going series (like Tony Daniel’s Batman or Paul Dini’s Streets of Gotham) are still relatively entertaining, if significantly flawed. However, when good creators have gotten their hands on the Batman mythos in the past five years or so, incredible things have happened. And Scott Snyder’s Detective Comics run, The Black Mirror, is one of those incredible things.

Jump in…

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