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Non-Review Review: Wonder Woman

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This is one of the animated feature films involving the characters from the creators of the original animated shows.

Did you… did you stop Ares?

No. I didn’t. I couldn’t.

What? Why not?

I had to save you.

(slap!)

Ow!

– Diana clarifies to Steve that she isn’t a damsel in distress

I have to confess, I’ve never been grabbed by Wonder Woman as a concept. Is she a feminist? A socially conscious superhero? A female superman? A superhero who is willing to take a life if it’s necessary? A diplomat? She’s been all these things and many more, which is perhaps why it’s hard to get a handle on her – which is perhaps why it’s difficult to care for her. Her origins cannot be summed up in a single sentence like Batman (an orphaned “rich kid with issues… lots of issues”) or Superman (who Grant Morrison managed to sum up in eight words) – her origin will likely eat up at least a paragraph of this review. As such, you can understand my surprise that Wonder Woman is perhaps the best DC comics animated adaptation they have produced to date.

Taking a swing at the character...

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Superman: The Animated Series – Brave New Metropolis

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Since I looked at Justice League: Crisis on Two Earths earlier, I thought it might be worth a look at what a world run by a well-intentioned Superman might look like.

The interesting thing about Superman is that, as a character, he’s very frequently defined by what he isn’t – or what he shouldn’t be. It’s very hard to codify what Superman is, but easy to agree on what he shouldn’t be (for example, the suggestion that Superman should be light and fuzzy is more likely to spark an argument than the observation that he shouldn’t be dark; or the suggestion that he should be a “sci-fi” hero is bound to more controversial than the suggestion that he shouldn’t be a street-level vigilante). Stories like Mark Millar’s superb Red Son define the character by what he isn’t (a proactive political figure) – while interpretations seeking to define the character in more positive terms are frequently divisive (for example, the space hero of James Robinson’s New Krypton or the “down with the people” “wandering the earth” traveler in Grounded). Brave New Metropolis follows a similar structure, in defining Superman by what he isn’t or shouldn’t be: he shouldn’t be a ruler or people.  

Lex Luthor is bald because he got sick of people holding him like that...

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Non-Review Review: Justice League – Crisis on Two Earths

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows.

Okay, well maybe it’s not quite “stand-alone”, seen as it’s based off a script that was intended to bridge the two animated series Justice League and Justice League Unlimited. Anyway, some of these movies – such as Justice League: New Frontier – are excellent examples of Western animation in their right. Some – such as Wonder Woman – are spectacular introductions to characters that perhaps never really got the attention that they so sorely deserved. On the other hand, some are just animated versions of a Jerry Bruckheimer blockbuster production.

Justice League: Crisis on Two Earths is one of those.

Owlman is a bird of prey...

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Grant Morrison’s Run on Justice League of America – The Deluxe Edition, Vol. 3-4 (Review/Retrospective)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. With the review of Justice League: Crisis on Two Earths later on today, I thought I’d take a look at Grant Morrison’s graphic novel which inspired it in someway. However, I figure – given that large debt that the entire Justice League cartoon owes Morrison’s iconic tenure on Justice League of America – it’s time to take a look at the latter half of Morrison’s run on the title.

We have no powers, there are millions of them and there’s a child in there who needs us to save the world. Let’s go.

– another day at the office for Superman

I remarked in my review of the first two deluxe hardcovers collecting his work on the series that I was perhaps a lot less impressed than most with Morrison’s work on the title. It was grand and bombastic, but it ended up feeling more than a little hallow, especially measured against some of his bolder efforts within the superhero genre. Although time and a few re-reads have softened my perspective quite a bit, I will concede that I don’t measure this as the writer’s best work. It’s epic and smart and fun, but never really becomes anything too much more.

But, then again, they are the Justice League. If I want deep characterisation of philosophical meanderings, I can check out a different book.

It actually looks quite peaceful when you're not saving it...

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Justice League: A Better World

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Tomorrow I’ll be reviewing Justice League: Crisis on Two Earths, so I thought it might be worth a look at what a world run by an evil Justice League might look like.

One of the central challenges that the iconic Justice League characters have had to face over the years has been the way that the comic book world has slow and sometimes subtly morphed into something far more sinister than the bright-coloured origin stories of the forties, fifties or even sixties. There was a time when supervillains were a relatively harmless sort, the hero would always save everyone’s life and there would be a “happy ever after” ending thrown on – most obviously in the Silver Age, which produced characters like the modern Flash and Green Lantern. Even the characters who were originally somewhat darker and edgier – Superman and Batman, for example, were originally relatively indifferent to human life – passed through this phase with a healthy respect for a game based around rules – the first being “thou shalt not kill”. However, times changed. Villains went from being theives and irritations to being murderers and rapists. Naturally, the fact that no prison could hold a popular bad guy long enough kinda undermines the good that these heroes do – the Joker is always going to kill more people unless he is eventually killed.Sure, there’s comic book logic at play here – the same way that having genius heroes hasn’t altered the way normal people live too much – but at some point the old fashioned values seem a little outmoded. Somebody suggests that a line should be crossed. Various iterations of the characters have tackled the issue in multiple ways, and A Better World is the attempt by Bruce Timm and the writers of the DC animated universe to address it. 

Being the group's plucky comic relief isn't without risks...

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Superman: The Animated Series – The Late Mr. Kent

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. With the review of Superman: Doomsday yesterday, I thought it might be worth taking a look at some of the other times Superman has “died” in these animated stories.

Superman: The Animated Series wasn’t quite the huge success that the earlier Batman: The Animated Series had been. It was still a superb animated adaptation of an iconic comic book property, but perhaps Superman is just a tougher character to get a handle on than the Dark Knight – there’s no denying the popular perception that Superman is “boring” by virtue of the fact that he can do just about anything. We can debate that idea back and forth, but I’d argue that the a really good Superman story makes his powers irrelevant by avoiding (or at least downplaying) the physical threat. The character isn’t necessarily defined by how hard he can hit things or how fast he can fly, but by who he is. (Of course, this doesn’t really excuse the “emo-Superman” approach DC seem to be so fond of with Superman Returns and all that.) The Late Mr. Kent is – for my money – one of the most fascinating episodes of the animated series by virtue of the fact that it finds a rather interesting and deeply personal angle on the Man of Steel, without feeling the need to be “grand” or “epic”. Sometimes it’s enough to be intimate.  

Clark was blown away by the story he uncovered...

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Justice League – Hereafter (Parts I & II)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. With the review of Superman: Doomsday earlier, I thought it might be worth taking a look at some of the other times Superman has “died” in these animated stories.

Despite the rather large cast that the writers and producers used in producing Justice League and Justice League Unlimited, I always felt that the show was better with a more narrow focus. Of course, new characters like Green Lantern and Wonder Woman got their own episodes, but Batman and Superman were rarely the focus of attention – perhaps because they had each had their own television show beforehand, and ample time for exposure. Hereafter is a two-part episode which really feels like two separate stories, both of which are fundamentally about Superman. The first is an exploration of who the hero is, based around removing him from the fictional universe and examining the holes left in his absence. The second half explores what makes Superman a hero, if it isn’t his collection of superpowers.

Part of me wonders where Clark Kent is buried...

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Non-Review Review: Superman – Doomsday

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is the very first of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

Superman: Doomsday is the first entry in the range of animated DC films featuring their iconic superheroes. The line has since ballooned to feature a wide range of other heroes, with movies focusing on Batman, Wonder Woman, Green Lantern and even the Justice League itself, but Superman seemed a logical place to start. Of course, the fact that the movie came from the minds that brought us Batman: The Animated Series and the rest of the animated universe (even if it didn’t share continuity) was also a solid indication. However, there’s very much a sense of a production team attempting to find their footing. Although it’s solidly entertaining on its own terms, the film feels like perhaps the weakest entry in the selection of films. 

Well, at least he can wipe it on his cape and no one will notice...

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Superman: The Animated Series – World’s Finest (Parts I, II & III)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. What with reviewing Superman/Batman: Public Enemies earlier, I figured it might be worth our time to take a look at the original Superman/Batman animated team-up. 

Thank you. I couldn’t have saved Lois without your help. 

I’m aware of that. 

– Superman and Batman share a moment of mutual Batman appreciation 

Superman: The Animated Series meets Batman: The Animated Series. How is that a tough sell? 

You can't outglower me, boy... in one of these animated movies I was played by Billy Baldwin...

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Non-Review Review: Superman/Batman – Public Enemies

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

Explain our guy love, that’s all it is.
Guy love; he’s mine, I’m his.
There’s nothing gay about it in our eyes. 

You ask me ’bout this thing we share…
…and he tenderly replies:
It’s guy love…
…between two guys. 

– Turk & JD explain “guy love” 

Superman/Batman: Public Enemies is essentially a superhero bromance. It’s part buddy cop movie, part long-term married couple, but all action. It’s not really anything more, but would you want it to be? 

He ain't heavy, he's my superpowered bro'...

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