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New Escapist Column! On What Links “Andor” and “The Mandolorian”…

I published a new In the Frame piece at The Escapist yesterday evening. With the new season premiere of The Mandolorian, it seemed like a good opportunity to look at the thematic ties that bind the series to Andor.

Much of the discussion around Andor has focused on how the show is fundamentally different from so much modern Star Wars. However, it’s also worth acknowledging the overlap that exists between Andor and The Mandolorian. Both shows are built around similar thematic ideas, the exploration of what it means to resist the emergence of fascism. In particular, both shows explore the idea that the biggest challenge facing those who would challenge fascism is factionalism and internal division.

You can read the piece here, or click the picture below.

New Escapist Column! On How “The Last of Us” Finds a Fresh Angle on Familiar Clichés…

I am doing weekly reviews of The Last of Us at The Escapist. They’ll be dropping every Sunday evening while the show is on, looking at the video game adaptation as the show progresses. This week, the show’s penultimate episode.

The Last of Us belongs to a genre that has been well-explored over the past few years, the post-apocalyptic horror. It’s a narrative template that has been thorough excavated and interrogated across a wealth of media. Audiences are familiar with the language and the logic of these kinds of stories, and there are perhaps only so many variations upon the archetypal theme. This what makes the season’s penultimate episode so compelling. The Last of Us wades into a familiar post-apocalyptic set-up, but finds a way to explore it that plays uniquely to the show’s strengths.

You can read the piece here, or click the picture below.

New Escapist Video! “Scream VI is a Safe but Sturdy Slasher”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Scream VI, which was released in cinemas this weekend.

New Escapist Column! On How “Scream 4” Took the Franchise’s Self-Awareness to Its Logical Endpoint…

We’re launching a new column at The Escapist, called Out of Focus. It will publish every Wednesday, and the plan is to use it to look at some film and television that would maybe fall outside the remit of In the Frame, more marginal titles or objects of cult interest. With the upcoming release of Scream VI, it seemed like a good opportunity to take a look back at the criminally underrated Scream 4.

The last film in the franchise to be written by Kevin Williamson or directed by Wes Craven, Scream 4 exists in a weird space. It is separated from the two film either side of it by more than a decade, the only point in time where the franchise wasn’t coming out on a regular basis. However, it’s a movie that feels very firmly ahead of its time. It was released years before Star Wars: Episode VII – The Force Awakens and David Gordon Green’s Halloween, but it feels in conversation with a wider culture caught in a feedback loop of Gen X nostalgia.

You can read the piece here, or click the picture below.

New Podcast! The Mondaylorians – “The Mandolorian: Chapter 17: Abe Lincoln’s Secret Skeleton”

This week, I had the pleasure of stopping by the podcast The Mondaylorians, hosted by Niall Glynn. I was thrilled to get to talk about the third season premiere of The Mandalorian, The Apostate.

It’s a lovely chat, full of tangents and asides, covering everything from the place of The Mandalorian in the Star Wars canon to the question of whether Jon Favreau is the nicest auteur working in Hollywood. We do also talk about the third season premiere of the show, and the various competing forces that seem to pulling it in various directions, and the question of how the show grapples with the pull of nostalgia and even if it has something to say about the current political moment. Also, we talk about the ethics of using dead bodies in statues.

You can listen below, click the screenshot, listen directly at this link or even listen to back-episodes of The Mondaylorians here.

New Escapist Column! On How “Creed III” Brings Anime to Hollywood…

I published a new In the Frame piece at The Escapist this evening. With the release and success of Creed III, it seemed like a good opportunity to look at what makes the film stand apart from what came before.

Actor and director Michael B. Jordan has been quite frank about the influence of anime on his approach to Creed III, and that influence shines through. However, it’s also part of a larger trend in modern Hollywood. The industry spent decades trying to directly adapt anime properties for American audiences, with minimal success. However, recent years have seen the emergence of a generation of artists who grew up with the form as a standard part of their media diet, and it’s bleeding through into works like NOPE, The Bad Guys and Puss in Boots: The Last Wish. It’s a fascinating trend.

You can read the piece here, or click the picture below.

New Escapist Column! On The Sincere Nerdery of James Gunn and Peter Safran’s DC Slate…

I published a new piece at The Escapist last month. With new creative heads James Gunn and Peter Safran announcing their slate of upcoming DC films, it seemed worth taking account of a production schedule that includes oddities like The Creature Commandos, The Authority and Swamp Thing.

In modern pop culture, “fannishness” is worn as a badge of honour. Producers and writers will often give interviews stressing their sincere affection for the source material with which they are working. However, these adaptations are often superficial or shallow, drawing on surface level details from the rich tapestry of these very old properties. What makes Gunn and Safran’s slate so appealing, even if it may never actually materialise, is that it genuinely feels like the work of enthusiastic and hardcore fans with a deepset and long-standing appreciation for the source material, complete with deep cuts.

You can read the piece here, or click the picture below.

324. Star Trek III: The Search for Spock (#—)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Leonard Nimoy’s Star Trek III: The Search for Spock.

The Enterprise returns from its disastrous confrontation with Khan Noonien Singh, a battle that ended with the death of Spock and the creation of Genesis. However, Kirk is haunted. McCoy appears to be having a psychological breakdown, while Spock’s father chastises him for leaving Spock’s body on the Genesis Planet. Determined to return his friend’s body and soul to Vulcan, Kirk embarks on a dangerous mission to Genesis. However, he’s operating in contravention of Federation orders and quickly discovers that other parties have an interest in the secrets of Genesis.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On the Third Season of “The Mandalorian”…

I published a new In the Frame piece at The Escapist this evening. With the premiere of the third season of The Mandalorian this week, it seemed as good a time as any to consider the long-delayed return of Disney+’s flagship streaming show.

After nearly three years off the screen, The Mandalorian returns with three very different objectives: to reassure viewers that it is still the same show, to fill in viewers on how much has changed since The Book of Boba Fett and to set up a new status quo and a new over-arching plot. It’s a fairly ambitious piece of television, just in terms of logistics, both rebooting the show and also attempting to maintain a strong sense of internal continuity. It doesn’t entirely work, but it also works better than it should.

You can read the piece here, or click the picture below.

New Escapist Column! On The Meaningless Conflict of the Third Season of “Star Trek: Picard”…

I am doing weekly reviews of Star Trek: Picard at The Escapist. They’ll be dropping every Thursday morning while the show is on, looking at the third season as the show progresses. This week, the season’s third episode.

There is a longstanding tradition within the Star Trek franchise of avoiding conflict between the primary characters, one rooted in Gene Roddenberry’s conception of Star Trek: The Next Generation. However, many of the franchise’s best stories have come from disregarding that basic rule, most notably a lot of Star Trek: Deep Space Nine. Seventeen Seconds is a frustrating piece of television because it demonstrates the appeal of Roddenberry’s rule, by generating sets of meaningless conflict between lead characters that have no depth and will inevitably be quickly erased and forgotten.

You can read the piece here, or click the picture below.