Posted on January 10, 2012 by Darren
Shame is a masterpiece, a master class in cinema, and the perfect example of a director and lead actor working synchronously and seamlessly. The movie wouldn’t work without director Steve McQueen willing to push it as far as possible, knowing when to pull back and when to dive in, matched by Michael Fassbender’s fearlessness, throwing himself into a naked performance. (This is where I make a cheap joke about it being “in more ways than one.”) Shame is pretty much the perfect note on which to start 2012.
Stands out from the crowd...
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Filed under: Non-Review Reviews | Tagged: Carey Mulligan, Fassbender, film, McQueen, Michael Fassbender, Motion Picture Association of America film rating system, Movie, new york, New York City, non-review review, review, Sexual addiction, steve mcqueen, subway, youtube | 10 Comments »
Posted on January 9, 2012 by Darren
It’s interesting that Hammer chose to package Dracula: Prince of Darkness in the “best of” collection I picked up for my gran over Christmas. It isn’t that it’s hardly the strongest entry in Hammer’s canon, but it’s also not the strongest instalment in their Dracula franchise. It’s the third release in the series chronologically (and, arguably, in terms of quality), following The Horror of Dracula and The Brides of Dracula). It’s not a bad film, if you’re a fan of these sorts of sixties gothic horrors, but it’s not necessarily a good one either. It’s functional, if not efficient, and never really finds anything particularly compelling about any of its characters or its set up.
You can Count on me!
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Filed under: Non-Review Reviews | Tagged: Andrew Keir, Christopher Lee, Darcula: prince of Darkness, dracula, DRACULA PRINCE A DARKNESS, film, Hammer Film Productions, hammer horror, Jimmy Sangster, Lee, Movie, non-review review, Peter Cushing, review | Leave a comment »
Posted on January 7, 2012 by Darren
Margaret Thatcher is a complex character. She’s certainly a divisive political figure, but I think that her detractors and her supporters would both admit that the woman isn’t a two-dimensional pop psychology case. The biggest problem with The Iron Ladyis the way that it attempts to offer a simplistic analysis of Thatcher, presenting her as a failure of a wife and a mother who compensated by running her cabinet and her country like a stern matriarch. While Streep gives a solid performance, and director Phyllida Lloyd tries her best to make the movie visually engaging, it feels a bit cheap and shallow. It doesn’t help that the movie trots out the familiar Oscar-baiting bio-pic clichés as if it were assembling an IKEA cabinet. Whatever you may think of Thatcher, she deserved more nuance and complexity than The Iron Lady affords her.
The Broad(bent) strokes...
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Filed under: Non-Review Reviews | Tagged: Falklands War, film, Iron Lady, John Major, margaret thatcher, Movie, non-review review, oliver stone, Phyllida Lloyd, review, Richard E. Grant, thatcher, The Iron lady | 4 Comments »
Posted on December 30, 2011 by Darren
I’m of two minds about Hugo. My inner cinephile loves it, soaking in Scorsese’s pure and unadulterated enthusiasm for cinema, finding a way to engage his audience with an adventure that literally branches through the history of cinema. On the other hand, it seems more than a bit disjointed, as if Scorsese knew the start point and the end point, but had a bit of difficulty synching it all up and getting it flowing organically. While I think Scorsese’s unbridled enthusiasm and passion edge out any concerns about the rather uneven feel of the finished project, I do wonder how the movie will play to younger audiences, or families who don’t have a long love affair with cinema.
Like clockwork...
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Filed under: Non-Review Reviews | Tagged: ben kingsley, Christopher Lee, emily mortimer, film, Hugo, Hugo (film), martin scorsese, Michael Stuhlbarg, Movie, non-review review, review, sacha baron cohen, scorsese | 8 Comments »
Posted on December 29, 2011 by Darren
From Irish director Carol Morley, Dreams of a Life is a fascinating and occasionally heartbreaking exploration of the death of Joyce Vincent, the young lady found dead in her flat above a London Shopping Centre. Joyce had been dead for three years before anybody noticed, her body only recovered when her landlord secured a repossession order for the small, sparsely decorated flat where she had been living. The most surreal detail of all, and one of the lingering questions at the end of the document, concerns the Christmas presents found wrapped beside her body. Who were they for? And how did their intended recipients never notice that Joyce was missing.
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Filed under: Non-Review Reviews | Tagged: Carol Morley, christmas, Dreams of a Life, Human League, IFI, Isaac Hayes, Joyce, Joyce Vincent, London, Morley, nelson mandela, non-review review, review | Leave a comment »
Posted on December 27, 2011 by Darren
Surviving Life, from director Jan Svankmajer, is a strange beast. It opens with an introduction from the director, in which – using an animation style that looks like a bizarre and strangely compelling blend of Terry Gilliam’s work on Monty Python and South Park – he apologises to the audience for the presentation. I can’t tell if he’s being serious or not, and if his somewhat bitter complaints about his inability to find proper financing are a post-modern twist on the cliché of the misunderstood arthouse director, or a straight example of it. “Sadly, our civilisation has no time for dreams,” he claims with dour seriousness, and an uncomfortable confidence. “There’s no money in them.” Stating that he intended to produce the film as a live-action piece of cinema, he repeatedly states that this is not how he imagined the film. “So this is not a formal experiment,” he tells us, “just a poor imperfect substitute for a live action film.”It’s a shame, because the animation is the best thing about the film.
The direct approach...
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Filed under: Non-Review Reviews | Tagged: Jan Švankmajer, monty python, non-review review, Oedipus complex, review, South Park, Surviving Life, Surviving Life (Theory and Practice), Svankmajer, terry gilliam | Leave a comment »
Posted on December 20, 2011 by Darren
Goon is a movie that works surprisingly well. It’s hilarious, brutal, and yet surprisingly sweet. It’s the quintessential sports movie, featuring a plucky young protagonist trying to find his place in the world, while developing his one sporting talent, but it never feels as coy or manipulative as other movies of that type. A large portion of the credit for that charm has to go to Jay Baruchel and Evan Goldberg for their witty and incredibly quotable script, but I think that most of the movie’s success rests on Seann William Scott as Doug Glatt, the eponymous goon.
He's a blood mess...
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Filed under: Non-Review Reviews | Tagged: Alison Pill, Doug, Doug Glatt, Eugene Levy, Evan Goldberg, film, Goon, Jay Baruchel, liev schreiber, Michael Dowse, Movie, non-review review, review, Seann William Scott | 1 Comment »
Posted on December 17, 2011 by Darren
I will confess that I’m not a huge fan of the original Swedish adaptation of The Girl With the Dragon Tattoo. It was just too bleak, with every male character existing as some form of sexual predator, shot against a drab grey backdrop and with nothing but unrelenting cynicism to propel it. I don’t want to describe David Fincher’s version as “softer” – there are still any number of scenes that will have viewers squirming in their seats – so perhaps “smoother” or “rounded” represents a better choice of adjective. While there are still some pacing issues in the last third, Fincher succeeds in adapting the best-selling book in a fashion that makes it just as fascinating as it is grim.
Opening a cold case...
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Filed under: Non-Review Reviews | Tagged: david fincher, Fincher, Girl With the Dragon Tattoo, Immigrant Song, Larsson, michael mann, Mikael Blomkvist, non-review review, review, Rooney Mara, Stieg Larsson, The Girl With the Dragon Tattoo, The Girl With the Dragon Tattoo (2011 film), The Girl With the Dragon Tattoo (film) | 6 Comments »
Posted on December 15, 2011 by Darren
Mission: Impossible – Ghost Protocol reminds me – and, I feel the need to specify this, in a good way – of one of the Bond films from before Casino Royale made them all grittier and edgier. No disrespect to that fantastic film, but the relatively serious remodelling of Britain’s most famous secret agent left a bit of a gap in the market for an espionage thriller that doesn’t take itself too seriously. And while Ghost Protocol takes a great deal of pride in doing what it sets out to do with a great deal of skill, it certainly never takes itself too seriously. And that proves to be a very good thing, indeed.
Keeping me on edge...
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Filed under: Non-Review Reviews | Tagged: Brad Bird, casino royale, film, Ghost Protocol, imax, Michael Nyqvist, Mission: Impossible – Ghost Protocol, Movie, non-review review, pierce brosnan, review, Simon Pegg | 8 Comments »
Posted on December 13, 2011 by Darren
It’s funny that The Artist should end up being so accessible. It’s a black-and-white silent film, shot in an abandoned aspect ratio, set in old Hollywood from a French director. It sounds like an exercise in arthouse excess, and yet it’s easily one of the most charming and engaging stories in recent memory. It’s hard to put a finger on which part of the film works so well, so I’m going to opt for a massive copout: they all do. It’s a love letter to cinema, but not necessarily to “classic cinema” – the movie feels pretty timely for a story set in the twenties. In short, if you are any sort of cinephile, do yourself a favour and check it out. You won’t regret it.
Released just in time for New Year’s, it seems like 2011 might have saved the best for last.
Now THAT's Entertainment!
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Filed under: Non-Review Reviews | Tagged: Bérénice Bejo, black and white, Dujardin, Filmmaking, george clooney, George Valentin, hollywood, james cromwell, Jean Dujardin, john goodman, Malcolm McDowell, marion cotillard, Michel Hazanavicius, New Year, silent film, The Artist | 5 Comments »
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