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Non-Review Review: Shadow Dancer

Shadow Dancer is a taut, intelligent, sophisticated thriller. In a way, James Marsh’s film is more notable for what it doesn’t say, than what it does. Long passages of the film go by in relative silent, with the an economy of language to communicate information to the audience. It’s quite heartening how much faith Marsh seems to have in his viewers, that the film never feels the need to burden itself with awkward exposition, instead trusting the actors and the surroundings to tell the story. You won’t find a thriller this year that thinks more highly of its audience.

“Have you seen ‘The Informant!’…? Good, because this is going to be a lot less light-hearted.”

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Non-Review Review: The Iron Lady

Margaret Thatcher is a complex character. She’s certainly a divisive political figure, but I think that her detractors and her supporters would both admit that the woman isn’t a two-dimensional pop psychology case. The biggest problem with The Iron Ladyis the way that it attempts to offer a simplistic analysis of Thatcher, presenting her as a failure of a wife and a mother who compensated by running her cabinet and her country like a stern matriarch. While Streep gives a solid performance, and director Phyllida Lloyd tries her best to make the movie visually engaging, it feels a bit cheap and shallow. It doesn’t help that the movie trots out the familiar Oscar-baiting bio-pic clichés as if it were assembling an IKEA cabinet. Whatever you may think of Thatcher, she deserved more nuance and complexity than The Iron Lady affords her.

The Broad(bent) strokes...

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